荷兰陶瓷之都代尔夫特崛起的历史动因与现实意义
发布时间:2018-12-07 08:13
【摘要】: 代尔夫特是荷兰的陶瓷之都,也是欧洲最重要的陶瓷生产基地之一,在历史与文化的大视野中考察某一地域的陶瓷艺术及其发展过程,进而探寻文化交流的必要性,以及一种文化对异文化解读与吸纳的过程,是十分必要的,不仅具有历史意义,而且具有现实意义。本文将采取纵向研究与横向研究相结合的方式来探讨代尔夫特崛起的历史过程,纵向研究即理出代尔夫特作为瓷都崛起的时期——主要是十七世纪——发展过程的脉络;横向研究即选取代尔夫特在十七世纪发展过程中的重要事件进行历史横断面的剖析。 论文首先阐述了代尔夫特的地理、历史概况和陶瓷生产状况,分析了其成为陶瓷之都的历史动因,它是在荷兰历史上的黄金世纪——基本上是在十七世纪——崛起的,促使其崛起的历史动因来自不同的方面,如欧洲的“重商主义”与陶瓷的销售和生产,欧洲的“地理大发现”与荷兰航海业大发展,更重要的契机是中国景德镇青花瓷器进入欧洲。论文进而阐述了代尔夫特在荷兰黄金世纪的发展,主要有三个阶段,首先是Delftware的发明,包括发明Delftware的缘由,其制造过程及文化意蕴,以及景德镇青花瓷对Delftware的影响;其次是陶艺家行会的组建,包括陶艺家行会的基本情况和陶艺家行会的重要作用;最后是陶瓷工厂的创立,包括新旧结合的生产方式和东西合璧的装饰风格。论文继而探讨了代尔夫特崛起过程的现实意义,它至少给我们三个方面的重要启示:一是陶瓷艺术应在兼收并蓄中发展,因为陶瓷艺术的转型往往需要借助外力,而且陶瓷文化的交流是互动与互补的;二是陶瓷艺术的创新与承袭传统可以并行不悖,因为陶瓷艺术的变与不变是对立的统一,而且陶瓷艺术的创新往往需要以传统为基础;三是陶瓷艺术应始终以人性化为导向,因为人性化是陶瓷艺术的精髓,而且人性化体现为陶瓷艺术的多元化。 世界是一个整体,陶瓷艺术作为世界性的文化形态遍及各个民族、各个地区,但其有着直接或间接的影响和联系。要想发展我国陶瓷艺术,不了解世界陶瓷的总体概况是不行的,本文便试图在使中国人了解世界陶瓷方面进行一些探讨,力图为今天中国陶瓷艺术的发展提供一些可资借鉴的理论和经验。
[Abstract]:Delft is the ceramic capital of the Netherlands and one of the most important ceramic production bases in Europe. From the perspective of history and culture, the art and development of ceramics in a certain region are investigated, and the necessity of cultural exchange is explored. It is necessary for a culture to interpret and absorb different cultures, which is not only of historical significance, but also of practical significance. In this paper, the historical process of Delft's rise will be discussed by combining longitudinal research with horizontal research. The longitudinal study is to analyze the development process of Delft as a rising porcelain capital, mainly in the seventeenth century. The horizontal research is to select the important events of Delft in the development of the seventeenth century to analyze the historical cross-section. The paper first describes Delft's geography, historical overview and ceramic production, and analyzes its historical causes for becoming a ceramic capital, which rose in the golden century in Dutch history-basically in the seventeenth century. The historical reasons for its rise came from different aspects, such as the "mercantilism" and the sale and production of ceramics in Europe, the "geographical discovery" in Europe and the great development of the Dutch navigation industry. The more important opportunity is China Jingdezhen blue and white porcelain enters Europe. The paper further expounds the development of Delft in the golden century in the Netherlands, there are three main stages: first, the invention of Delftware, including the reason of the invention of Delftware, its manufacturing process and cultural implication, and the influence of Jingdezhen Blue and White porcelain on Delftware; The second is the establishment of ceramic guild, including the basic situation of ceramic guild and the important role of ceramic guild; finally, the establishment of ceramic factory, including the combination of new and old production mode and the decoration style of the combination of east and west. The paper then discusses the practical significance of the rising process of Delft, which gives us at least three important revelations: first, ceramic art should develop in an inclusive way, because the transformation of ceramic art often needs external force. And the exchange of ceramic culture is interactive and complementary; Second, the innovation of ceramic art and inheriting tradition can go hand in hand, because the change and invariance of ceramic art is the unity of opposition, and the innovation of ceramic art often needs to be based on tradition; Third, ceramic art should always be guided by humanization, because humanization is the essence of ceramic art, and humanization is the diversity of ceramic art. The world is a whole, ceramic art as a worldwide cultural form all over the nation, every region, but it has direct or indirect influence and connection. If we want to develop the art of ceramics in China, it is impossible not to understand the general situation of ceramics in the world. This paper tries to provide some theory and experience for the development of Chinese ceramic art.
【学位授予单位】:清华大学
【学位级别】:博士
【学位授予年份】:2007
【分类号】:K563
本文编号:2366889
[Abstract]:Delft is the ceramic capital of the Netherlands and one of the most important ceramic production bases in Europe. From the perspective of history and culture, the art and development of ceramics in a certain region are investigated, and the necessity of cultural exchange is explored. It is necessary for a culture to interpret and absorb different cultures, which is not only of historical significance, but also of practical significance. In this paper, the historical process of Delft's rise will be discussed by combining longitudinal research with horizontal research. The longitudinal study is to analyze the development process of Delft as a rising porcelain capital, mainly in the seventeenth century. The horizontal research is to select the important events of Delft in the development of the seventeenth century to analyze the historical cross-section. The paper first describes Delft's geography, historical overview and ceramic production, and analyzes its historical causes for becoming a ceramic capital, which rose in the golden century in Dutch history-basically in the seventeenth century. The historical reasons for its rise came from different aspects, such as the "mercantilism" and the sale and production of ceramics in Europe, the "geographical discovery" in Europe and the great development of the Dutch navigation industry. The more important opportunity is China Jingdezhen blue and white porcelain enters Europe. The paper further expounds the development of Delft in the golden century in the Netherlands, there are three main stages: first, the invention of Delftware, including the reason of the invention of Delftware, its manufacturing process and cultural implication, and the influence of Jingdezhen Blue and White porcelain on Delftware; The second is the establishment of ceramic guild, including the basic situation of ceramic guild and the important role of ceramic guild; finally, the establishment of ceramic factory, including the combination of new and old production mode and the decoration style of the combination of east and west. The paper then discusses the practical significance of the rising process of Delft, which gives us at least three important revelations: first, ceramic art should develop in an inclusive way, because the transformation of ceramic art often needs external force. And the exchange of ceramic culture is interactive and complementary; Second, the innovation of ceramic art and inheriting tradition can go hand in hand, because the change and invariance of ceramic art is the unity of opposition, and the innovation of ceramic art often needs to be based on tradition; Third, ceramic art should always be guided by humanization, because humanization is the essence of ceramic art, and humanization is the diversity of ceramic art. The world is a whole, ceramic art as a worldwide cultural form all over the nation, every region, but it has direct or indirect influence and connection. If we want to develop the art of ceramics in China, it is impossible not to understand the general situation of ceramics in the world. This paper tries to provide some theory and experience for the development of Chinese ceramic art.
【学位授予单位】:清华大学
【学位级别】:博士
【学位授予年份】:2007
【分类号】:K563
【引证文献】
相关硕士学位论文 前1条
1 张倩;通商西方 瓷绘新变[D];南京艺术学院;2012年
,本文编号:2366889
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