北宋翰林图画院制度渊源考论

发布时间:2018-04-19 09:18

  本文选题:北宋 + 翰林 ; 参考:《中央美术学院》2007年博士论文


【摘要】: 对中国院画艺术而言,北宋翰林图画院制度的重要性是无论怎么形容都不会过分的。然至今无通论其渊源流变之专文,这不能不说是中国美术史的巨大缺憾。本文试综合此前典籍之所载及新出遗文之有关北宋翰林图画院制度者,分析其因子,推论其源流,聊供初学者参考。 在对北宋翰林图画院各项制度详细考察的基础上,本文分三个部分去分析、推论其在前代的渊源流变。第一部分《待诏》分析了秦汉以来宫廷中以绘画“待诏”者之各项制度的迁流变化,认为是以待诏制度为主要特征的宫廷画家制度在北宋的逐步终结换来了作为国家官署的翰林图画院制度之确立与逐步完善;第二部分《画工》分析了汉、唐主管文教图书与器物制造之国家官署中画工制度的流变,认为北宋翰林图画院制度的确立与完善是对上述前代国家官署中的画工制度进行择优录用,并使之制度化的结果,这是其主要渊源。第三部分《画院》考察了北宋翰林图画院建立以前的画院问题,认为西蜀、南唐画院只是后世画史的想象,从而否定了北宋翰林图画院源于西蜀、南唐画院之定论。 一言以蔽之,北宋翰林图画院制度的确立与逐步完善是在对前代宫廷画家(待诏)制度逐渐扬弃的同时,对前代国家画工制度的择优录用并使之制度化的结果。因而,翰林图画院制度的确立与逐步完善,不是推动了“宫廷”绘画艺术的更加繁荣,而是逐步终结了“宫廷”绘画艺术;代之而起的是北宋“国家”绘画艺术,即翰林图画院绘画艺术,,亦即院画艺术。
[Abstract]:The Chinese Academy of fine art, the importance of imperial art academy system is not too much anyway. But so far no general theory of the origin of evolution of the article, it can not be said to be a huge disappointment China art history. This paper attempt to summarize the previous books contained and new papers about imperial art academy system, analysis of its factors, infer its origin, chat reference for beginners.
Based on the detailed investigation of the system of the Northern Song Dynasty imperial art academy, this paper is divided into three parts to analyze, infer its origin and evolution in the previous generation. The first part analyzes the Daizhao < > to change since the Qin and Han Dynasties palace changes the system of painting "Daizhao", considered the system as the main court painter the characteristics of the system in the Northern Song Dynasty imperial edict to gradually end for the national government as the imperial art academy system establishment and gradual perfection; the second part analyzes the "< > Han, Tang cultural books and artifacts produced in the current system of the state government offices", that established the imperial art academy and perfection of the system of the system of the state government offices in the painting before the generation of candidates, the system and make the result, this is the main origin. The third part examines the < > Academy of imperial art academy before the establishment of the Academy asked That question, West Sichuan, painting painting only later Nantang imagination, thus negating the imperial art academy in West Sichuan, the Academy. Conclusion
To sum up in a word, the establishment of imperial art academy system and gradually improve in the former palace painter (Daizhao) system gradually abandoned at the same time, the system of "merit system of the state of the previous generation and make the results. Therefore, the establishment of imperial art academy system and gradually improve, not to promote the" court "of the art of painting is more prosperous, but gradually ended the" Palace "painting; replaced by the song" country "is the imperial art academy painting art, painting art, the Academy of painting art.

【学位授予单位】:中央美术学院
【学位级别】:博士
【学位授予年份】:2007
【分类号】:J209.2;K244

【引证文献】

相关期刊论文 前2条

1 韩刚;;北宋翰林图画院外宫廷画家制度及画史地位考略[J];美术研究;2011年02期

2 梁田;;宋之前画院机构之考辩[J];数位时尚(新视觉艺术);2011年06期

相关博士学位论文 前2条

1 王海;宋明两代院体画的兴衰对现代工笔画复兴的启示[D];天津大学;2011年

2 李杰;勒石与勾描—唐代石椁人物线刻的绘画风格学研究[D];西安美术学院;2011年



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