唐代太常、教坊乐官研究
发布时间：2019-01-24 19:58
【摘要】：中国的乐官制度肇始于商末,发展于魏晋南北朝,而成熟于隋唐。作为中国历史上最强盛的王朝之一,唐代音乐呈现出了前所未有的中国音乐国际化和国际音乐中国化的繁荣局面,而唐代乐官制度的成熟与完善为这种繁荣的音乐局面提供了制度上的保障,同时,也为后世乐官制度的继续延续与发展提供了必要的模本。 如果作为中国音乐文化主体的专业乐工从实践上保证了中国音乐的顺利传承与发展,那么,作为专业乐工的直接领导者的乐官则是从思想、制度上保证了中国音乐的顺利传承与传播,对于乐官这个群体的研究可以直接印证唐代音乐文化的发展状况,透视唐代礼乐制度的辉煌与完善,了解唐代上层社会的音乐文化生活,甚于对研究整个唐代的社会生活也有一定的借鉴作用与意义。 本文这里选择了在唐代国家音乐生活中占有绝对重要地位的太常寺和教坊中的乐官为研究对象,从中国古代官制的角度出发,运用文献学、史料学、文字学、社会学、管理学等多学理交融的方法,对乐官的机构、职能、铨选、俸禄、考核、乐官与音乐活动的关系等相关问题进行综合探讨,为从整体上窥视整个唐代乐官提供必要的理论支撑和依据。
[Abstract]:China's music official system began at the end of Shang Dynasty, developed in Wei, Jin, Southern and Northern dynasties, and matured in Sui and Tang dynasties. As one of the most powerful dynasties in the history of China, the music of the Tang Dynasty presented an unprecedented situation of the internationalization of Chinese music and the prosperity of international music in China. The maturity and perfection of the music official system in the Tang Dynasty provided an institutional guarantee for this prosperous music situation, and at the same time, provided the necessary model for the continuation and development of the music official system in later generations. If the professional musicians, as the main body of Chinese music culture, ensure the smooth succession and development of Chinese music in practice, then, as the direct leader of the professional music workers, the music officials are thinking from the perspective. The system ensures the smooth transmission and transmission of Chinese music. The research on the group of music officials can directly confirm the development of music culture in the Tang Dynasty, and see through the brilliance and perfection of the etiquette and music system of the Tang Dynasty. Understanding the music and cultural life of the upper class of the Tang Dynasty is more useful than studying the whole social life of the Tang Dynasty. This article chooses the music officials in Taichang Temple and Jiefang, which occupies an absolutely important position in the national music life of Tang Dynasty, as the research object, from the angle of Chinese ancient official system, using the philology, historical materials, philology, sociology, etc. Management and other multi-academic blending methods, the organization of music officials, functions, public election, salaries, assessment, music officials and the relationship between music activities and other related issues are comprehensively discussed. In order to peep at the whole Tang Dynasty music officials to provide the necessary theoretical support and basis.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K242
本文编号：2414796
[Abstract]:China's music official system began at the end of Shang Dynasty, developed in Wei, Jin, Southern and Northern dynasties, and matured in Sui and Tang dynasties. As one of the most powerful dynasties in the history of China, the music of the Tang Dynasty presented an unprecedented situation of the internationalization of Chinese music and the prosperity of international music in China. The maturity and perfection of the music official system in the Tang Dynasty provided an institutional guarantee for this prosperous music situation, and at the same time, provided the necessary model for the continuation and development of the music official system in later generations. If the professional musicians, as the main body of Chinese music culture, ensure the smooth succession and development of Chinese music in practice, then, as the direct leader of the professional music workers, the music officials are thinking from the perspective. The system ensures the smooth transmission and transmission of Chinese music. The research on the group of music officials can directly confirm the development of music culture in the Tang Dynasty, and see through the brilliance and perfection of the etiquette and music system of the Tang Dynasty. Understanding the music and cultural life of the upper class of the Tang Dynasty is more useful than studying the whole social life of the Tang Dynasty. This article chooses the music officials in Taichang Temple and Jiefang, which occupies an absolutely important position in the national music life of Tang Dynasty, as the research object, from the angle of Chinese ancient official system, using the philology, historical materials, philology, sociology, etc. Management and other multi-academic blending methods, the organization of music officials, functions, public election, salaries, assessment, music officials and the relationship between music activities and other related issues are comprehensively discussed. In order to peep at the whole Tang Dynasty music officials to provide the necessary theoretical support and basis.
【学位授予单位】：福建师范大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K242
【引证文献】
相关硕士学位论文 前1条
1 刘忆;唐代乐舞规训形态的身体语言研究[D];南京艺术学院;2013年
，本文编号：2414796
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