抗战时期冼星海音乐思想研究

发布时间：2018-03-03 20:23

本文选题：冼星海　切入点：抗战时期　出处：《湘潭大学》2016年硕士论文　论文类型：学位论文

【摘要】：冼星海是我国杰出的社会主义现实主义人民音乐家,一生都在为民族创作、为人民呐喊,他不仅是作曲家、音乐活动家,也是音乐教育家。冼星海从小立志“把音乐普遍中国”,1929年赴法国巴黎音乐学院勤工俭学,学成归国,辗转于上海、南京、武汉等地投身救亡歌咏运动,以音乐为武器,鼓舞民众、启发民众。1938年冬,到延安鲁迅艺术学院,他潜心专业音乐教育,编写了大量专业音乐教材,培养了大批音乐人才。在延安,冼星海深入人民群众并坚持学习马列主义,创作了以《黄河大合唱》为代表的大量的“大众化、民族化、艺术化”统一的艺术作品,形成了他的音乐思想。冼星海音乐思想形成的原因主要包括20世纪初音乐教育思想的影响、冼星海“把音乐普遍中国”的追求和中国共产党的新民主主义文艺思想的影响;冼星海音乐思想的形成是从巴黎学成归国后,积极投身抗战歌曲创作,广泛从事音乐救亡活动,给青年和干部教作曲、指挥,到各界的歌咏队或班里去教唱。音乐为抗战服务,成为抗战时期冼星海音乐思想的基本内容。在延安鲁迅艺术学院期间,是冼星海音乐人生中最为光辉的时期,他的音乐思想与实践都达到了人生的巅峰,实现了“为抗战发出怒吼,为大众谱出呼声”的理想。冼星海音乐思想的主要内容,表现在提倡音乐的大众化、提倡音乐的民族化、提倡音乐的艺术化、正确处理音乐与政治的关系、创作和宣传以抗日救亡为主题的新音乐等等。他在延安鲁迅艺术学院期间的著述、日记和作品等充分体现他的音乐思想的成熟。在前苏联时期,冼星海的音乐思想继续发展,他促进了国际音乐文化交流,向国际友人传播了中国文化。作为人民音乐家,冼星海的音乐思想与实践,不仅鼓舞着全国人民抗战,而且对中国近代音乐发展、音乐教育的探索,以及中外音乐文化交流都产生了重要影响。
[Abstract]:Xian Xinghai is an outstanding socialist realistic people musician in our country. He has been creating for the nation and shouting for the people all his life. He is not only a composer, but also a music activist. Xian Xinghai, who was also a music educator, made up his mind to "make music universal in China." in 1929, he went to the Paris Conservatory of Music in France for a work-study program, where he returned to study and went to Shanghai, Nanjing, Wuhan, and other places to join in the campaign of saving the nation from death and singing, using music as a weapon. In 1938, at Lu Xun College of Art in Yan'an, he devoted himself to professional music education, compiled a large number of professional music teaching materials, and trained a large number of music talents. Xian Xinghai went deep into the masses of the people and persisted in studying Marxism-Leninism and created a large number of unified works of art represented by the Yellow River Chorus, which were "popular, nationalized, and artistic." The main reasons for the formation of Xian Xinghai's music thought include the influence of music education thought at the beginning of 20th century, the pursuit of "making music universal in China" and the influence of the Communist Party of China's new democratic literary and artistic thought. Xian Xinghai's musical thought was formed when he returned from Paris, actively devoted himself to the creation of songs for the War of Resistance against Japan, extensively engaged in music activities to save the nation, taught young people and cadres to compose music, directed, and taught singing to singing groups or classes from all walks of life. Music served the War of Resistance against Japan. It became the basic content of Xian Xinghai's musical thought during the War of Resistance against Japan. During the period of #internal_person1# College of Art in Yan'an, it was the most glorious period in the musical life of Xian Xinghai. His music thought and practice reached the peak of his life. The main content of Xian Xinghai's music thought is to advocate the popularization of music, the nationalization of music, and the artistry of music. Correctly dealing with the relationship between music and politics, creating and propagating new music with the theme of resisting Japan and saving the nation, etc. His writings, diaries and works during the period of Lu Xun's Art Academy in Yan'an fully reflected the maturity of his musical thinking. Xian Xinghai's musical thought continued to develop. He promoted international musical and cultural exchanges and spread Chinese culture to international friends. As a people's musician, Xian Xinghai's musical thought and practice not only inspired the people throughout the country in the War of Resistance, Moreover, the development of modern Chinese music, the exploration of music education, and the exchange of Chinese and foreign music culture have had an important influence.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：K265;J603

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