明代中后期江南文人的书斋研究

发布时间：2018-03-09 18:14

本文选题：明代中后期　切入点：江南　出处：《华东师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：书斋是一个集起居、著述、交往等功能为一体的文化意象,是中国传统文化中一个散发着特殊韵味的部分。对于中国古代社会藉知识为生的文人们而言,书斋更是不可或缺。单是有史可考的具备正式命名的书斋,从西汉初杨雄的玄斋起,经隋唐及宋,呈现日益盛行之势。直至明朝,封建文化进入高速发展及高度成熟期,有明一代的文人学士几乎都有自己的书斋雅室。明代中后期,中央对地方的强力控制政策逐渐放松,作为当时全国经济、文化中心的江南地区获得了较大的发展空间。商品经济高度繁荣,加之当朝政治的黑暗及仕进之途的壅塞,文人的价值取向也发生了重大的转变,一直伴随文人生活的书斋地位凸显,成为他们在理想和现实的夹缝中苦苦寻觅的出路。此时江南的很多文人,在这片可以由自己随性打造的空间中,将经营书斋作为寄情人生的文化载体,书斋的意境、陈设、器具等都融入了文人的审美情趣和文化追求,书斋也成为他们的最终归宿和心灵栖息之地。本文共分为五部分,从四个方面对本论题进行阐述。绪论部分对目前与本论题相关的学术研究现状进行综合分析,对本论题涉及的基本时空范围进行简要界定,从而挖掘出本论题的研究价值。论文主体分为四部分：分别从明代中后期江南繁荣的区域经济、醇厚的文化氛围、剧变的社会观念以及缩小的文人空间四个层面来分析明代中后期江南书斋兴盛的时空条件；以相对宏观的视角还原江南文人对书斋极富诗意的建构,包括书斋的内部布局、整体规制及其与周边空间的融合；对书斋中各类器具和物件进行深层次的挖掘,从而发现其中蕴含着文人独特的文化品位和审美意趣；最后以层层递进的方式论述明代中后期江南文人眼中独特的书斋形象,书斋对于他们而言是一个具备多重功能的文化空间。
[Abstract]:The study is a cultural image with the functions of living, writing, communication and so on. It is a part of Chinese traditional culture which has a special charm. For the literati who lived by knowledge in ancient Chinese society, The study was even more indispensable. From the beginning of the Western Han Dynasty, Yang Xiong's Xuan Zhai, which had been formally named by Shi Ke, became increasingly popular through the Sui, Tang and Song dynasties. Until the Ming Dynasty, feudal culture entered a period of rapid development and high maturity. Almost all the literati of the Ming Dynasty had their own elegant rooms for their studies. In the middle and late Ming Dynasty, the central authorities gradually relaxed their strong policy of controlling the localities, which was the national economy at that time. The south of the Yangtze River, the cultural center, gained a large space for development. The high prosperity of the commodity economy, coupled with the darkness of politics and the choking of the path of official advancement, also led to a significant change in the value orientation of the literati. The status of the study, which has always been accompanied by the life of the literati, has become a way out for them to seek in the gap between ideal and reality. At this time, many literati in the south of the Yangtze River, in this space that can be created by their own nature, Taking the management of study as the cultural carrier of life, the artistic conception, furnishings and utensils of the study have been integrated into the aesthetic taste and cultural pursuit of the literati, and the study has also become their ultimate destination and spiritual habitat. This paper is divided into five parts, from four aspects to elaborate the topic. The introduction of the current academic research related to this topic comprehensive analysis of the basic scope of time and space involved in this topic is briefly defined. The main body of the thesis is divided into four parts: from the prosperous regional economy of Jiangnan in the middle and late Ming Dynasty, the mellow cultural atmosphere, This paper analyzes the space-time conditions of the prosperity of Jiangnan Lent in the middle and late Ming Dynasty from the four aspects of the social concept of drastic change and the narrowing of literati space, and restores the extremely poetic construction of the Lent by the Jiangnan literati from a relatively macroscopic perspective, including the internal layout of the Lent. The whole regulation and its fusion with the surrounding space, the deep excavation of all kinds of utensils and objects in the study, and the discovery of the unique cultural taste and aesthetic interest of the literati; Finally, it discusses the unique image of the study in the middle and late Ming Dynasty, which is a multi-functional cultural space for them.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K248

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