清代禁毁戏曲与礼乐教化

发布时间：2018-05-04 08:47

本文选题：戏曲 + 禁毁　；参考：《华东师范大学》2010年硕士论文

【摘要】： 中国自宋代商业都市兴起,许多民间的说唱,转化为专业的表演艺术。明代商业经济更加发达,尤其南方城市,民间包括戏曲演出在内的表演活动尤盛。这一趋向民间,也趋向娱乐的世俗化趋势,发展至清代,声势更为浩大,终于蔚为中国民间文化的传统,堪与社会上层的“大传统”相抗衡。本文试图将清代禁毁戏曲置于礼乐系统和历史文化背景中,采用戏曲研究与文化研究相结合的方法,借禁毁戏曲这一逆向视角探讨清朝的礼乐教化之重构,以及雅俗文化,民间文化与上层文化之间的张力极其变迁。本文第一章要阐述的是戏曲之禁毁的由来。戏曲之繁荣与否在其文化功能发挥的程度。发展至清代,戏曲已跃为一时之风尚,朝野内外演剧之风盛行。然宫廷内演剧绝对臣服于礼乐,尽管帝王享乐也是重要的一方面甚至在某些时候占主导地位,但从仪礼之程序和恩赏等等各方面来看,都需合朝廷礼数。而宫廷演剧之教化主张与雅化倾向和民间市场演剧逐利目标导引下的通俗化甚至庸俗化倾向之间形成了明显张力。这便是戏曲之禁毁一个重要背景。本文第二章则旨在延续上文具体分析清代之禁戏律令。清代禁戏律令,上承前朝,多出于风俗教化之虑。不同的是清朝尤其清初民族与文化冲突问题突出,文字狱频繁,戏曲小说类通俗文化也难幸免,凡有涉猎明季国初野史或南宋抗金问题等有“诋触本朝之语”的剧本多难逃禁饬恶运。戏曲之禁毁除禁各类声腔与剧目之外,也有对观戏、设戏园、蓄养优伶等戏曲本体之外的禁令。
[Abstract]:Since the rise of commercial cities in the Song Dynasty, many folk rap have turned into professional performing arts. Ming Dynasty commercial economy more developed, especially in southern cities, folk performances, including operas are flourishing. This trend towards folk, but also tend to the secular trend of entertainment, developed to the Qing Dynasty, the momentum is even greater, and finally become the tradition of Chinese folk culture, can compete with the upper class of society "big tradition". This paper tries to put the forbidden opera in the system of ritual and music and the historical and cultural background in the Qing Dynasty. By combining the research of drama with the study of culture, this paper tries to discuss the reconstruction of ritual and music education in Qing Dynasty and the culture of elegance and vulgarity through the reverse perspective of banning and destroying opera. The tension between folk culture and upper culture is extremely changing. The first chapter of this article is to explain the origin of the prohibition of drama. The degree of prosperity of opera in its cultural function. To the Qing Dynasty, opera has become a temporary fashion, both inside and outside the play prevailing. Although imperial pleasure is also an important aspect, even in some cases, but from the ceremony of the procedure and bounty, and so on, it is necessary to conform to the court etiquette. However, there is an obvious tension between the proposition of court drama education and the tendency of elegance and folk market drama leading to popularization or even vulgarization. This is an important background to the prohibition of opera. The second chapter of this paper aims to continue the above specific analysis of the Qing Dynasty. The Qing Dynasty forbids the drama law, inherits the previous dynasty, many out of custom enlightenment consideration. The difference is that in the Qing Dynasty, especially in the early Qing Dynasty, the issue of ethnic and cultural conflicts was prominent, the text was in prison frequently, and the popular culture of traditional Chinese opera and novels was hard to escape. Where there is a wild history of the early Ming Dynasty or the Southern Song Dynasty resistance to gold, such as "disparaging the language of this dynasty," the script can not escape to punish bad luck. In addition to banning all kinds of vocals and repertoire, there are also prohibitions on watching opera, setting up theatrical gardens, and storing and raising excellent music.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K249

【参考文献】