御书飞白与玉堂之署:宋代政治文化中的帝王书法观察

发布时间：2018-01-12 02:18

本文关键词：御书飞白与玉堂之署:宋代政治文化中的帝王书法观察　出处：《云南社会科学》2016年03期 　论文类型：期刊论文

【摘要】：宋太宗在淳化二年赐给翰林学士院御书飞白"玉堂之署",这本是君臣在政事之余的翰墨雅事,却在偶然的观书会和群臣的诗歌唱和中被太宗塑造成了"儒墨之盛"的典范。在后人的追溯中,太宗的这一御书故事也变成了当时的经典,御书的神圣性被进一步建构。此后,两宋诸帝不断援引太宗"玉堂之署"的御书故事,屡次重摹太宗的御书或者重新书写"玉堂",这些行为或凸显了"光绍祖宗"的意志,或是制造了"再造中兴"的舆论。而文臣们也积极参与其中,并以此作为权力博弈的特殊资本。
[Abstract]:Song Taizong in the two years of Chunhua to the Imperial Academy of Hanlin to fly white book, "Yutang Office", this is the monarch in addition to political affairs in the calligraphy elegant matter. However, Taizong was shaped by Taizong into a model of "the prosperity of Confucianism and Mohism" in the occasional book-watching meeting and the poetry harmony of the ministers. In the tracing of later generations, the story of Taizong's imperial calligraphy also became the classic of that time. The sacred nature of the imperial script was further constructed. Since then, the emperors of the two Song dynasties have repeatedly quoted the stories of the imperial calligraphy of Taizong's "Jade Hall", repeatedly copying the imperial books of Taizong or rewriting the "Yutang". These behaviors either highlight the will of the "Guangshao ancestors" or create the public opinion of "remaking Zhonghong", and the ministers actively participate in them and take them as the special capital of the power game.
【作者单位】：四川大学历史文化学院;
【分类号】：K244
【正文快照】： 一直以来,美术学界对帝王的书法研究兴趣不减,并对历代帝王书法的艺术风格与成就进行了比较全面的探讨。近年来,随着美术史与历史学等学科交叉与对话的深入,很多学者开始逐步将注意力转向帝王书法与政治文化的关系的研究,大量讨论皇权对书法艺术的作用,譬如皇帝对某种书法风格

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