河南汉画中建鼓图的礼仪功能探析

发布时间：2018-03-07 09:24

本文选题：河南汉画　切入点：建鼓　出处：《文化遗产》2017年03期 　论文类型：期刊论文

【摘要】：建鼓作为乐器之一,承担着祭祀的娱神功能以及宴饮或丧葬表演的娱人功能。在汉代厚葬之风的浸淫下,建鼓进入墓葬,成为汉代墓葬装饰题材之一。建鼓图的出土固然为文献中的音乐记录提供了比对的图样,但相较于着重记录建鼓的起源、形制及演奏位置的文献,汉墓中的建鼓图似乎更注重建鼓与诸如车马出行、捞鼎图或西王母等有特殊象征意义图像的拼合及其在墓葬中的空间配置。这意味着汉墓中的建鼓图虽然具有建鼓的普遍功能,但由于它与其它图像的配合,致使整体图像或强化建鼓的基本功能或呈现整合之后新图像所具有的"求仙道"的象征意义。
[Abstract]:As one of the musical instruments, the building drum has the funerary function of sacrifice and the entertainment function of banquets and funerals. Under the wind of heavy burial in the Han Dynasty, Jian Drum entered the tomb. As one of the subjects of tomb decoration in the Han Dynasty, the unearthed pictures of the Jian Drum provide a comparative design for the music records in the literature, but compared with the documents which focus on recording the origin, shape and playing position of the Jian Drum, It seems that the building drum map in the Han tombs pays more attention to the combination of the building drum with the special symbolic images such as chariot and horse travel, salvage tripod map or western royal mother, and their space configuration in the tomb. This means that although the building drum map in the Han Dynasty tomb has the universal function of building the drum, However, because of its cooperation with other images, the whole image or the basic function of the building drum is enhanced or the new image has the symbolic meaning of "seeking the Immortals" after the integration.
【作者单位】：武汉大学哲学学院;
【分类号】：K878;K892.9

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