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名字的隐语——对早期文献所载人名中钟馗观念的初探

发布时间:2018-11-23 18:42
【摘要】:由宋人记录与建构的钟馗文化程式,对后世影响深远。宋代以前关于钟馗的文献记载仅存零星片段。史书中记载了南北朝时期有钟葵(馗)、辟邪、白泽为名或字者数例,通过名与字的互文关系与类比分析,推断在其所处时代钟葵(馗)的本体为神兽,当时有以仙佛神鬼鸟兽为名字的风气,其中寄寓有特别的意味。敦煌文书中有"中(钟)夔"的写法,"夔"为虚(耗)鬼,也是神兽,与名字中钟葵(馗)的神兽观念相契合,而且作为"鬼"的属性一直保存在后世的钟馗故事版本中,由此推断,钟馗的起源可能来自于"夔"的观念。
[Abstract]:Zhong Kui's cultural program, recorded and constructed by the Song Dynasty, has a profound impact on later generations. Prior to the Song Dynasty, there were only sporadic fragments in the literature about Zhong Kui. It is recorded in the history books that there were several examples of Kui (Kui), dispelling evil spirits, and Bai Ze as names or characters in the Southern and Northern dynasties. Through the intertextual relationship between names and characters and analogy analysis, it was inferred that the Noumenon of Zhong Kui (Kui) was a fairy beast in its time. At that time, there was a custom named after the gods, ghosts, birds and beasts, among which there was a special meaning. In the Dunhuang documents, there is a way to write "Zhong Kui". "Kui" is a ghost, also a fairy beast, which coincides with the concept of the immortal beast in the name of Kui. Moreover, as the attribute of "ghost", it has always been preserved in the later version of Zhong Kui's story. From this, Zhong Kui's origin may come from "Kui" idea.
【作者单位】: 中央美术学院;
【分类号】:K207

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