响堂山佛教石窟装饰纹样的分类研究

发布时间：2018-03-04 02:06

本文选题：响堂山　切入点：装饰纹样　出处：《苏州大学》2008年硕士论文　论文类型：学位论文

【摘要】： 响堂山石窟始凿于北齐文宣帝高洋时期,以后隋、唐乃至宋、明都有增凿,但主要石窟造像均为北齐(公元550—公元577年)时期雕造。是中国北齐时期遗留下来的最大的石窟遗存。在北齐的二三十年间,皇室贵族于响堂山、天龙山等地大规模地凿山开窟,促进了中国古代雕刻艺术的蓬勃发展,出现了具有划时代意义的新风格。因天龙山石窟大部分被毁,响堂山石窟虽然也受到了破坏,但保存相对完整,尤其是石窟的装饰纹样所受破坏最小,因此,本文对北齐石窟研究的主要对象是邯郸响堂山石窟的装饰纹样。因是帝室贵族营建,所以装饰纹样资料丰富集中,雕琢工艺精湛优美,几乎囊括了北齐一代雕刻的主流。如果想了解北齐雕刻艺术的成就及它在中国纹样史上的地位,就必须对这些保存良好的响堂山石窟装饰纹样进行系统综合的研究。本研究课题的主要目的在于总结响堂山石窟装饰纹样的艺术特点,并进行进一步的分类归纳,从而探究它上接云岗、龙门石窟,下启隋唐新风的历程。通过对响堂山石窟装饰纹样的发展,以及装饰纹样的不同来源和相互影响关系的探讨,分析各类装饰纹样发展演变的线索,以期从石窟装饰花纹的这些演变中领略中古时期文化艺术发展的整体风貌。
[Abstract]:Xiangtangshan Grottoes were first cut in the period of Emperor Wenxuan Gao Yang in Northern Qi, and then increased in Sui, Tang and Song dynasties. But the main grottoes were carved in the Northern Qi Dynasty (550 AD-577 AD). They were the largest remains of the caves left over from the Northern Qi Dynasty. In the 20 or 30 years of the Northern Qi Dynasty, the royal nobles were in Xiangtang Mountain. The large-scale excavation of caves in Tianlong Mountain and other places promoted the vigorous development of ancient Chinese carving art, and a new epoch-making style appeared. Because most of the Tianlongshan Grottoes were destroyed, although the Xiangtangshan Grottoes were destroyed, they were relatively intact, especially the decorative patterns of the grottoes suffered the least damage. The main object of this paper is the decorative pattern of Xiangtangshan Grottoes in Handan. Because it was built by the aristocrats in the imperial chamber, the decorative patterns are abundant and concentrated, and the ornament is exquisite in craftsmanship. If we want to understand the achievements of the carving art of the Northern Qi Dynasty and its status in the history of Chinese patterns, we must make a systematic and comprehensive study of these well-preserved decorative patterns of Xiangtangshan Grottoes. The main purpose of this research is to summarize the artistic characteristics of decorative patterns in Xiangtangshan Grottoes, and to further classify and sum up them, so as to explore its connection with Yungang Grottoes and Longmen grottoes. The course of the new style in Xiqi Sui and Tang dynasties. Through the discussion of the development of decorative patterns in Xiangtangshan Grottoes, as well as the different sources and mutual influence relations of decorative patterns, this paper analyzes the clues of the development and evolution of all kinds of decorative patterns. From these evolution of grottoes decorative patterns, I hope to understand the overall style of the development of culture and art in the Middle Ancient period.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：K879.2

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