明初佛乐与相关佛教政策以及信仰倾向的关系——以《献佛乐章》等佛乐为例

发布时间：2018-04-15 15:33

本文选题：明初佛乐 + 佛教政策　；参考：《世界宗教研究》2017年05期

【摘要】：佛乐是佛教传播中的生动内容,但佛教发明地印度的佛乐并未随佛教传入中国,即所谓"金言有译,梵响无授。"因而,中国佛乐也就特别能体现佛教在中国发展的一些特点。其中,佛教政策及信仰倾向与佛乐的相互关系,便是比较有探讨意义的一个方面。而明初佛教政策及流行佛乐都是比较有典型特点的事例。本文即梳理了明初佛乐创作及其与佛教政策和时代信仰倾向的背景关系,并对明初相关礼乐的认识及佛乐的时代性等问题进行了尝试性探讨。
[Abstract]:Buddhist music is a vivid content in the spread of Buddhism, but the Buddhist music of India, which was invented by Buddhism, was not introduced into China with Buddhism.Therefore, Chinese Buddhist music can embody some characteristics of Buddhism development in China.Among them, the relationship between Buddhist policy and belief tendency and Buddhist music is a significant aspect.The early Ming Buddhism policy and popular Buddhist music are more typical examples.This paper combs the background of Buddhist music creation in the early Ming Dynasty and its relationship with the Buddhist policy and the trend of belief in the times, and makes a tentative discussion on the understanding of the related rites and music in the early Ming Dynasty and the epochal nature of the Buddhist music.
【作者单位】：中国社会科学院世界宗教研究所;
【分类号】：B949

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