古代鱼图像的信仰内涵与表现形态研究

发布时间：2018-05-14 08:28

本文选题：鱼图像 + 信仰内涵　；参考：《山东艺术学院》2015年硕士论文

【摘要】：“鱼”是我国绘画表现最早持续时间最长的题材之一。在距今六千年左右的新石器时代仰韶文化的半坡类型、庙地沟类型的彩陶中,就已经发现有涂画在陶器表面的鱼图像。商代甲骨文中象形的“鱼”字,已作为相对固定成熟的字符使用;商周青铜器上还保留有族徽性质的鱼纹。秦汉至隋唐鱼图像作为“灵物”或“神物”在帛画、画像石、画像砖、绘画、漆器、玉器等艺术形态中也有大量表现。宋元至明清,鱼图像不断走向世俗化,在民间年画、剪纸、陶瓷、服饰等艺术品中作为寓意富足有余的吉祥图像被大量的表现出来。本文通过对鱼图像历史演变中形态变化的解读,将“图腾崇拜”、“灵异信仰”以及“富足祥瑞”三个时间段落的鱼图像进行了系统有序的梳理研究。文章在写作时注重鱼图像在发展演变过程中的结点性变化,同时在每个阶段通过信仰内涵的阐释以及具体图像衍变的分析,力图展现出鱼图像从图腾崇拜到祈求灵异保护再到祥瑞民俗信仰的全过程。而在鱼图像表现题材逐步拓宽的过程当中,其信仰内涵不断走向民间世俗化,最终以自然写实的表现手法寓意出人们对吉祥喜庆的美好愿望。也显现出鱼类对于人类物质以及精神生活不可或缺的双重意义。
[Abstract]:Fish is one of the earliest and longest-lasting subjects in Chinese painting. In the Banpo type of Yangshao culture of the Neolithic age, the Miaogou type of painted pottery, a fish image painted on the surface of the pottery has been found. The pictographic word "fish" in the oracle bone inscriptions of the Shang Dynasty has been used as a relatively fixed and mature character. Fish images from Qin and Han dynasties to Sui and Tang dynasties are also shown in silk painting, stone relief, brick painting, lacquer ware, jade ware and so on. From Song and Yuan dynasties to Ming and Qing dynasties, the image of fish is becoming secularized, and it has been shown in a large number of works of art, such as folk New year paintings, paper-cut, ceramics, clothing and other works of art, which symbolize abundant and abundant auspicious images. Based on the interpretation of the morphological changes in the historical evolution of fish images, this paper makes a systematic and orderly study on the fish images which fall in three periods: totem worship, spiritual belief and abundance and auspiciousness. This paper pays attention to the nodal changes of fish images in the process of development and evolution, and at the same time, through the interpretation of the connotation of belief and the analysis of the evolution of specific images at each stage. This paper tries to show the whole process of fish image from totem worship to praying for spiritual protection to Xiangrui folk belief. And in the process of gradually widening the subject matter of fish image, its faith intension goes to the folk secularization, and finally, the natural realistic expression means people's good wish for auspicious and happy celebration. It also shows the dual significance of fish to human material and spiritual life.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：B933;J05

【相似文献】