妙善传说新探

发布时间：2018-05-22 16:54

本文选题：妙善传说 + 观音　；参考：《文化遗产》2017年06期

【摘要】：中原妙善传说是国内各地妙善故事的母本。自11世纪《香山大悲菩萨传》以碑刻传世以来,从魏晋即已开始的观音由男相转为女相的中国化终于完成。唐宋时中原地区洛阳、汝州佛教的兴盛,也带来这种文化转变的契机。观音妙善传说给予了中国民众巨大的阐释空间,魏晋六朝的文化土壤、文化接受的期待视野、现实社会的巨大干预都是观音信仰中国化不可忽视的因素。妙善传说自诞生之时起,以不同的文本形式在不同地区传播,不时出现文化过滤后的种种选择和变异,具有比较文学流传学的典型特征。从地域文献、民间传说的角度来重新探讨妙善传说,无疑具有独特的文化价值。
[Abstract]:Central Plains Miaoshan legend is the mother of the story of Miaoshan in various parts of the country. Since the 11th century "Xiangshan Great sad Bodhisattva" was handed down as an inscription, the transformation of Guanyin from a male to a female has been completed in China since the Wei and Jin dynasties. In Tang and Song dynasties, the prosperity of Buddhism in Luoyang and Ruzhou also brought the opportunity of cultural transformation. The legend of the Goddess of Mercy has given Chinese people a great space for interpretation. The cultural soil of the Wei, Jin and six dynasties, the expectant vision of cultural acceptance, and the great intervention of the real society are all factors that can not be ignored in the Sinicization of Guanyin belief. Since the birth of Miaoshan Legend, it has spread in different text forms in different regions. From time to time, various choices and variations after cultural filtering appear, which has the typical characteristics of comparative literature. From the angle of regional literature and folklore, it is undoubtedly of unique cultural value to re-explore Miaoshan Legend.
【作者单位】：平顶山学院文学院;
【基金】：作者主持的国家社科基金项目《近三十年民族神话研究学术史》(项目编号:14BZW155) 平顶山学院高层次人才科研启动基金项目《神话隐喻与谶纬之学》(项目编号:PXY-BSQD2016004)的阶段性成果
【分类号】：B949;I206.2

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