萨迦派“多吉普尔羌姆”仪式符号解读——以若尔盖求吉寺为例

发布时间：2018-05-23 09:36

  本文选题：萨迦派 + 求吉寺　； 参考：《西藏大学学报(社会科学版)》2017年03期

【摘要】："多吉普尔羌姆"是藏传佛教萨迦派法舞文化的典型代表,源于后藏萨迦寺,又被称作"金刚橛法舞"。如今只有在后藏萨迦寺、康区德格更庆寺和安多若尔盖求吉寺有传承。若尔盖求吉寺的"多吉普尔羌姆"在原萨迦寺羌姆原型的基础上,融入本土文化内容,形成了风格独特的法舞仪式,在安多藏区有较大的影响。2006年求吉寺"多吉普尔羌姆"被列入了四川省非物质文化遗产名录,随之该法舞仪式也得到了重视和保护。文章以若尔盖求吉寺为中心,将"多吉普尔羌姆"作为研究对象,通过宗教学和人类学的视角,重点解析法舞仪式中各类宗教符号蕴含的文化内涵及象征意义。
[Abstract]:Dorjpur Qom is a typical representative of the Tibetan Buddhism Sakya-style Dancing Culture. It originated from the Sagya Temple and is also known as the "Jungang Chuan Dancing". Today, only the Sagar Temple, Kang District Deggingqing Temple and Ando Joel Keiki Temple have heritage. On the basis of the original archetype of Zacha Temple Qom, the "Dorjipur Qiang" of the Johor Qiuji Temple, incorporated into the local cultural content, formed a unique style of the French dance ceremony. It has a great influence in Ando Tibetan area. In 2006, Qiuji Temple "Dujipur Qiang" was listed on the list of intangible cultural heritage of Sichuan Province, and the dance ceremony of this law was also paid attention to and protected. This paper focuses on the Joergai Qiji Temple, takes Dorjipur Qiang Mu as the research object, through the perspective of religion and anthropology, analyzes the cultural connotation and symbolic significance of various religious symbols in the ritual of law and dance.
【作者单位】： 西南民族大学西南民族研究院;
【分类号】：B948
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本文编号：1924201