湖南江永勾蓝瑶水龙祠壁画的梅山猖兵考释

发布时间：2018-05-24 02:03

本文选题：梅山猖兵 + 水龙祠壁画　；参考：《世界宗教研究》2017年05期

【摘要】：湖南江永勾蓝瑶与广西恭城山水相连,同为平地瑶族属。勾蓝瑶水龙祠壁画与恭城的"梅山图"都属于瑶族梅山教美术作品。笔者通过比较"梅山图"中猖兵的形象对水龙祠壁画梅山猖兵身份进行了考证。水龙祠壁画的九位梅山猖兵处于非常突出的位置,动作夸张、形象独特,与民间认知的猖兵形象有某些类似但又有不同,这与瑶族梅山教信仰有着必然的渊源关系。在瑶族梅山教信仰中,梅山猖兵已经成为瑶族的民族之神,猖兵统领张五郎亦被称为"梅山",代表瑶族宗教记忆中的"故里"。毋庸置疑,梅山猖兵在瑶族信仰中比其他民族有更深刻的情感,对他们的尊奉寄托着瑶族民众死后魂归梅山故里、成为家神的真切愿望,这也成为他们追求的人生终极宗教信仰目标。
[Abstract]:Hunan Jiang Yong Goulanyao and Guangxi Gongcheng connected by the mountains and rivers, both belong to the Yao Pingdi. Goulan Yao Water Dragon Temple murals and Gongcheng Meishan Pictures belong to the Yao Meishan religious art works. By comparing the images of the soldiers in Meishan, the author makes a textual research on the identity of the mural of the Water Dragon Temple. The nine Mei-shan soldiers in the murals of the Shuilong Temple are in a very prominent position with exaggerated actions and unique images, which are similar to but different from the image of the rampant soldiers recognized by the folk, which has an inevitable relationship with the belief of the Yao people in the Meishan religion. In the belief of the Yao people in Meishan religion, Meishan rampant soldiers have become the national gods of the Yao nationality, and Zhang Wulang, the commander of the raging soldiers, is also called "Meishan", representing the "hometown" of the religious memory of the Yao people. There is no doubt that Meishan raging soldiers have more profound feelings in the belief of the Yao nationality than other nationalities, and their respect for them is reposing the true desire of the Yao people to return to the hometown of Meishan after their death and to become a god of home. This also became their pursuit of the ultimate goal of religious belief in life.
【作者单位】：中南大学中国村落文化研究中心;
【基金】：教育部重大委托项目“湖南省江永县水龙祠壁画研究”(16JZDW014) 中南大学研究生自主探索创新项目校级创新性课题“湘桂地区瑶族艺术的文化表现与符号学研究”(2017zzts035)的阶段性成果
【分类号】：B933;K879.41

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