昭通龙神崇拜的文化特质分析

发布时间：2018-06-27 04:27

本文选题：大龙洞 + 二月八　；参考：《云南大学》2015年硕士论文

【摘要】：昭通特殊的地理位置,造就了大量多元文化交融的痕迹。其广泛而深入的龙神崇拜就是其中典型。作为一种民间信仰,它植根于昭通人民的记忆深处,生长在平常的市井乡村之中,且随着社会、时代的变化而不断发展,影响到人们生产、生活的方方面面。其中,作为主要祭祀活动的“二月八耍龙洞”,传承和展示了龙神信仰与相关民间文艺。作为一个代代相传、至今鲜活的节日民俗,“二月八”对于我们研究民间信仰,理解民间文化有着重要意义。因此,研究民间信仰及其相关的民俗活动,可以帮助我们了解民族群体的文化心理、生活方式,解释相关群体的宗教心理、行为等等,从而理解由这些元素所构筑的整个民间文化。由此,本文以“二月八耍龙洞”这个祭龙活动作为主要研究材料,通过田野调查和文献整理展开了讨论。首先,文章考察了节日活动的现状,在田野调查的基础上,梳理了节日活动内容、流程等的发展变化。可以看出,随着时代的发展变迁,庄严而神秘的祭祀活动不断演变,舍弃了许多传统祭祀庆典中繁琐的程序和规定,增加了不少娱神娱人的内容。由此,文章也对整个民间信仰的发展变迁状况作出了相关理解。其次,文章从历史族源的角度,探讨了昭通龙神崇拜的构成,即彝族图腾崇拜、汉民族龙神体系、苗族崇龙习俗、道教文化等的交流融合,呈现出兼收并蓄、丰富多彩的特点。另外,昭通龙神崇拜,虽然呈现出民间信仰的一般特征,但也存在一些地方性特色,表现为以道教信仰为主,融合了历史上昭通彝族、汉族、苗族自然宗教的龙崇拜,是多元文化的复合表现,这是昭通龙神崇拜历史发展的痕迹与结果,也是昭通龙神文化的特质。
[Abstract]:Zhaotong special geographical location, created a large number of multicultural blend traces. Its extensive and deep worship of dragon gods is typical of them. As a folk belief, it is rooted in the deep memory of Zhaotong people, growing in the ordinary city and countryside, and with the changes of society and times, it continues to develop, affecting all aspects of people's production and life. Among them, as the main sacrificial activity, "playing Dragon Cave on February 8" inherits and displays the belief of Dragon God and related folk literature and art. As a festival folklore that has been handed down from generation to generation, February 8 is of great significance for us to study folk beliefs and understand folk culture. Therefore, the study of folk beliefs and their related folklore activities can help us understand the cultural psychology, lifestyle, religious psychology, behavior and so on of ethnic groups. In order to understand these elements of the construction of the entire folk culture. Therefore, this paper discusses the Dragon worshiping activity of "playing Dragon Cave on February 8" as the main research material through field investigation and literature collation. First of all, the article reviews the present situation of the festival activities, combs the development and changes of the festival activities content and process based on the field investigation. It can be seen that with the development and change of the times, solemn and mysterious sacrificial activities are constantly evolving, leaving behind the tedious procedures and regulations in many traditional sacrificial ceremonies, and increasing the content of amusing gods and entertainers. From this, the article also made a related understanding of the development and changes of the whole folk belief. Secondly, from the angle of historical clan origin, the article discusses the composition of Zhaotong dragon god worship, that is, Yi nationality totem worship, Han nationality dragon god system, Miao nationality worship dragon custom, Taoism culture and so on, showing the characteristics of eclectic and colorful. In addition, although the worship of the Dragon God in Zhaotong presents the general characteristics of the folk beliefs, there are also some local features, which are mainly Taoist beliefs and incorporate the dragon worship of the natural religions of the Yi, Han and Miao nationalities in Zhaotong in history. This is the result of the historical development of Zhaotong Dragon God worship, and the trait of Zhaotong Dragon God Culture.
【学位授予单位】：云南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：B933

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