波斯“摩尼画死狗”故事的文图源流探析
发布时间：2018-12-21 12:53
【摘要】：传说摩尼教的创始人摩尼从中国学习了高超的绘画艺术,他在水池(或水晶盖)上画死狗的故事脍炙人口。波斯诗人尼扎米《五部诗》中的《亚历山大故事·光荣篇》中咏赞了此故事。《五部诗》中还赞叹了罗马画家和中国画家比拼技艺的故事。在《五部诗》的插图本中,也有对此两个故事的描绘。在波斯作家贾米的《玛斯纳维》、阿米尔·霍斯陆的《五部诗·亚历山大宝鉴》等著作中,同样有关于二画师竞技故事的叙述。摩尼画死狗故事的源头应与印度佛教文献有关,汉译佛教律典《根本说一切有部毗奈耶药事》卷十六中的一个画师画死狗的故事可视为其源头之一。佛经中记载的二画师相争的故事,对波斯文学也有一定的影响。波斯语作品对画师故事的变形书写,反映了不同宗教之间的竞合以及三种不同文化(波斯、中国和印度)之间的相遇和互动。
[Abstract]:It is said that Manichaeism founder of Manichaeism learned excellent painting art from China, and his paintings of dead dogs on pools (or crystal covers) are very popular. The Persian poet Nizami "five Poems" the Glorious Story of Alexander "chanted the story. The" five Poems "also extolled the story of the competing skills of Roman and Chinese painters. These two stories are also depicted in the illustrations of the five Poems. In the Persian writer Jami's Masnavi and Amir Hoslu's five Poems Alexandria, there is also a narrative of the second artist's athletic story. The source of the story of Mani's painting dead dog should be related to the Indian Buddhist literature. The story of painting dead dog by a painter in Volume 16 of the Chinese translation of the Buddhist Code of Buddhism saying that there is a medicine in Penaya can be regarded as one of its sources. The story of the struggle between the two painters recorded in the Buddhist scriptures also had an impact on Persian literature. Farsi works' metamorphosis of painters' stories reflects the competition between different religions and the encounter and interaction between three different cultures (Persia, China and India).
【作者单位】： 北京大学东方文学研究中心;
【基金】：2016年度国家社会科学基金重大项目《古代东方文学插图本史料集成及其研究》(批准号16ZDA199)的成果之一
【分类号】：B989.1
[Abstract]:It is said that Manichaeism founder of Manichaeism learned excellent painting art from China, and his paintings of dead dogs on pools (or crystal covers) are very popular. The Persian poet Nizami "five Poems" the Glorious Story of Alexander "chanted the story. The" five Poems "also extolled the story of the competing skills of Roman and Chinese painters. These two stories are also depicted in the illustrations of the five Poems. In the Persian writer Jami's Masnavi and Amir Hoslu's five Poems Alexandria, there is also a narrative of the second artist's athletic story. The source of the story of Mani's painting dead dog should be related to the Indian Buddhist literature. The story of painting dead dog by a painter in Volume 16 of the Chinese translation of the Buddhist Code of Buddhism saying that there is a medicine in Penaya can be regarded as one of its sources. The story of the struggle between the two painters recorded in the Buddhist scriptures also had an impact on Persian literature. Farsi works' metamorphosis of painters' stories reflects the competition between different religions and the encounter and interaction between three different cultures (Persia, China and India).
【作者单位】： 北京大学东方文学研究中心;
【基金】：2016年度国家社会科学基金重大项目《古代东方文学插图本史料集成及其研究》(批准号16ZDA199)的成果之一
【分类号】：B989.1
【相似文献】
相关期刊论文 前10条
1 李方;;摩尼和摩尼教[J];书城;2003年01期
2 芮传明;;佛耶,魔耶?——略说摩尼教在中国古代社会中的两种角色[J];寻根;2006年01期
3 桂林;董华锋;;柏林吐鲁番文献中的《摩尼教徒忏悔词》残片译释[J];敦煌学辑刊;2007年02期
4 荣新江;森安孝夫著《回鹘摩尼教史之研究》评介[J];西域研究;1994年01期
5 宗德曼,杨富学;吐鲁番文献所见摩尼的印度之旅[J];敦煌学辑刊;1996年02期
6 林悟殊;;明教:扎根中国的摩尼教[J];寻根;2006年01期
7 传超;;式叉摩尼法的修行意义[J];佛学研究;2012年00期
8 马小鹤;;摩尼“想威感波斯”——福建霞浦民间宗教文书阅读笔记[J];西域研究;2013年01期
9 陆芸;福建摩尼教初探[J];龙岩师专学报;2004年05期
10 王媛媛;中国东南摩尼教研究评述[J];中国史研究动态;2005年07期
相关会议论文 前3条
1 芮P趁，
本文编号：2388935
本文链接：https://www.wllwen.com/shekelunwen/zjlw/2388935.html
