道教十王信仰研究
发布时间：2019-06-08 09:19
【摘要】： “十王信仰”源于中国古代鬼魂意识、对祖先的崇拜和敬仰,经历了漫长的历史沉淀,不断的吸收、融合外来文化,最终形成的一种民间信仰。它具有独特的民间信仰特质,拥有广大信众。最早形成系统的“十王”出自唐代藏川《十王经》,完善于宋代淡痴《玉历至宝钞》,扩充于清代陈仲远《广成仪制》。《十王经》虽是首先提出十王系统的经典文献,但经考证,其内容上很大程度受道教经典文献影响。有关清代时期十王信仰的研究较少,但对于现今流传的大量民俗都可以在相关图画中找到依据,因此对于该时期遗存的水陆画的研究也就具有相当意义。以现遗存的大量四川清代水陆画为例,其展现出的佛道性以及道教十王信仰内容,都能印证十王信仰在借鉴佛教思想的同时,以中国本土鬼神文化这一深远的底蕴为依托,形成一个内容丰富、传播多样化,具有强大救赎功能的冥界系统。可以说十王信仰的起源发展离不开各时代背景下的现实社会,其统治阶级的思想、文人墨客的思想、佛道教信众的思想,都贯穿至这一逐步形成的民间信仰之中。在图像中展示出的丰富内容,对推进中国传统孝道文化以及流行于现世的民俗传播有积极作用。
[Abstract]:The belief of the Ten kings originated from the ghost consciousness in ancient China, worshipped and admired the ancestors, experienced a long historical precipitation, constantly absorbed, integrated with foreign culture, and finally formed a kind of folk belief. It has a unique folk belief characteristics, with a large number of followers. The earliest systematic "Ten kings" came from the "Ten King Sutra" of Tibetan Sichuan in Tang Dynasty, perfected in the Song Dynasty, and expanded in Chen Zhongyuan's "Guangcheng instrument system" in Qing Dynasty. Although the Ten Wang Sutra was the first classical literature of the ten kings system, However, it has been proved that its content is greatly influenced by Taoist classical literature. There are few studies on the belief of the ten kings in the Qing Dynasty, but a large number of folk customs spread today can be found in the relevant pictures, so the study of the remaining land and water paintings in this period is of great significance. Taking a large number of Sichuan Qing Dynasty land and water paintings as an example, the Buddhist Taoist nature and the content of Taoist belief of the ten kings can confirm that the belief of the ten kings can not only draw lessons from Buddhist thought, but also rely on the profound connotation of Chinese local ghost and god culture. Form a rich content, spread diversity, with a strong redemption function of the underworld system. It can be said that the origin and development of the belief of the ten kings can not be separated from the real society under the background of various times. The thought of the ruling class, the thought of the literati and the followers of Buddhism and Taoism run through this gradually formed folk belief. The rich content shown in the image plays a positive role in promoting Chinese traditional filial piety culture and the spread of folklore popular in the world.
【学位授予单位】：四川省社会科学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：B958
本文编号：2495178
[Abstract]:The belief of the Ten kings originated from the ghost consciousness in ancient China, worshipped and admired the ancestors, experienced a long historical precipitation, constantly absorbed, integrated with foreign culture, and finally formed a kind of folk belief. It has a unique folk belief characteristics, with a large number of followers. The earliest systematic "Ten kings" came from the "Ten King Sutra" of Tibetan Sichuan in Tang Dynasty, perfected in the Song Dynasty, and expanded in Chen Zhongyuan's "Guangcheng instrument system" in Qing Dynasty. Although the Ten Wang Sutra was the first classical literature of the ten kings system, However, it has been proved that its content is greatly influenced by Taoist classical literature. There are few studies on the belief of the ten kings in the Qing Dynasty, but a large number of folk customs spread today can be found in the relevant pictures, so the study of the remaining land and water paintings in this period is of great significance. Taking a large number of Sichuan Qing Dynasty land and water paintings as an example, the Buddhist Taoist nature and the content of Taoist belief of the ten kings can confirm that the belief of the ten kings can not only draw lessons from Buddhist thought, but also rely on the profound connotation of Chinese local ghost and god culture. Form a rich content, spread diversity, with a strong redemption function of the underworld system. It can be said that the origin and development of the belief of the ten kings can not be separated from the real society under the background of various times. The thought of the ruling class, the thought of the literati and the followers of Buddhism and Taoism run through this gradually formed folk belief. The rich content shown in the image plays a positive role in promoting Chinese traditional filial piety culture and the spread of folklore popular in the world.
【学位授予单位】：四川省社会科学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：B958
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