唐代服饰图形“陵阳公样”的研究与设计应用

发布时间：2018-04-15 19:05

本文选题：陵阳公样 + 窦师纶　；参考：《北京服装学院》2017年硕士论文

【摘要】：研究生期间跟随导师做相关传统服饰图形方面的研究,经过为期三个月的初探,深深被我国传统文化所吸引,经过与导师的探讨,带着对传统文化的浓厚兴趣将其发展成为研究生期间的研究课题。希望通过我对“陵阳公样”的个案研究,可以为大家清晰的展现其设计之美,从而更多的了解同时期的唐代文化。最后希望建立在研究的基础上,能够呈现出相关将传统文化与现代设计完美结合的设计作品。本文主要是对唐代服饰图形“陵阳公样”的个案研究,之所以选择个案研究的方式,是希望通过以点带面的方法,在有针对性的对“陵阳公样”进行深入透彻研究的基础上,找到新的创意点,继而为毕业设计做准备。所谓的“陵阳公样”是指太宗年间由窦师纶主持设计的在吸收外来纹样基础上形成的外层团窠内置对称式动物结构的图形,这些图形主要用于皇室所用的“瑞锦”、“宫绫”之上,由于窦师纶官封陵阳公,故后人将其主持设计的一系列图形称之为“陵阳公样”。“陵阳公样”作为唐代服饰图形的典型代表,直至晚唐仍有余韵。这也是历史上为数不多的只存在于某一个朝代的独有服饰图形。随着时间的发展“陵阳公样”融入了历史的长河之中,可能其在晚唐之后仍有发展,却不再称之为“陵阳公样”。“陵阳公样”的产生建立在外来文化与本土文化相结合的基础之上,它本身就体现了兼收并蓄,古为今用等特点。而如何将“陵阳公样”很好地融合到当代设计中,即为我的研究点以及创新点。本文希望通过对“陵阳公样”的研究,结合当代设计的特点将其运用当代的设计语言表现出来,希望在能够很好地弘扬中国传统文化的基础之上探索“陵阳公样”在现代设计应用中的可能性。
[Abstract]:During the post-graduate period, I followed my tutor to do some research on traditional dress graphics. After a three-month exploration, I was deeply attracted by the traditional culture of our country and discussed with my tutor.With a strong interest in traditional culture, it has developed into a graduate research topic.I hope that through my case study of "Lingyang public sample", we can clearly show the beauty of its design, so as to learn more about the Tang Dynasty culture of the same period.Finally, I hope that based on the research, we can present the design works which combine traditional culture and modern design perfectly.This article is mainly to the Tang Dynasty clothing figure "Lingyang public sample" the case study, the reason why chooses the case study way, hoped through the point belt method, in has the pertinence to carry on the thorough research to "the Lingyang public sample" on the basis of the thorough research.Find new ideas and prepare for graduation projects.The so-called "Lingyang public sample" refers to a figure designed by Dou Shi-lun during the Taizong years to form a symmetrical animal structure inside the outer layer on the basis of absorbing external patterns. These figures are mainly used in the "Ruijin" used by the royal family."Gongya", due to Dou Shilun officials seal Lingyang, so later generations will be the design of a series of graphics called "Lingyang public sample."Lingyang public sample, as a typical representative of Tang Dynasty dress figure, still has afterrhyme in late Tang Dynasty.This is also one of the few unique costume figures in history that only exist in a certain dynasty.With the development of time, "Lingyang public sample" has been integrated into the long history. It may still develop after the late Tang Dynasty, but it is no longer called "Lingyang public sample".The emergence of "Lingyang Public sample" is based on the combination of foreign culture and local culture.How to integrate "Lingyang Public sample" into contemporary design is my research point and innovation point.This paper hopes that through the study of "Lingyang public sample", combining with the characteristics of contemporary design, it will be expressed by the contemporary design language.Hope to explore the possibility of "Lingyang public sample" in the application of modern design on the basis of carrying forward Chinese traditional culture well.
【学位授予单位】：北京服装学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TS941.2

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