时装设计中灵感的元素提取研究
[Abstract]:The inspiration in fashion design influences the style of the whole design work, and has a guiding effect on the expression of design idea and the presentation of the work, which provides the designers with inexhaustible design materials. Throughout the ages, there are few relevant information on how to extract inspiration elements in the existing literature, so this paper aims to study how to extract all kinds of inspiration elements in fashion design, which can play a complementary and perfect role in fashion design methods. It can enlighten designers and clarify the importance of inspiration element extraction in the field of fashion design. The process of extracting inspiration elements is a complex process, the same inspiration can be extracted in different states of the elements are different, different inspiration has a myriad of meanings and symbols, at the same time, According to the different quantity and form of the elements extracted from the inspiration, and influenced by the designer's subjective feelings and preferences, the final fashion design product forms are different. This paper abstracts relevant documents from a large number of documents, analyzes the cases of graduates of well-known clothing colleges and universities, investigates the design process of international fashion designers, and deeply analyzes the relationship between the series works of brand clothing and the inspiration. On the basis of this, the feasibility of this method is proved by using the inverse method, and the extraction methods of different kinds of inspiration elements are explored. Through the research, it is concluded that inspiration and clothing have the characteristics of typicality and relevance. In the process of concrete refining, we not only need to use associative thinking, transposition thinking, reverse thinking, inductive thinking and other creative thinking, but also need to master the bionics skillfully. Draw lessons from, deform, synaesthesia and other extraction methods. Inspired styling elements can be extracted from external contours, internal structures, and typical points, lines, and surfaces. The extraction of color elements can refer to the inspiration itself with color and inspiration to people's psychological reaction and emotional feelings. Patterns and texture elements need to be extracted from the shape structure, texture and presentation of objects in the pattern. In practice, the symbols of gender, natural feeling, personification, hot spot, nationality and so on can be used to express ideas at a deeper level, and the elements of inspiration can be transformed into each other with each other in clothing. In all kinds of inspiration sources, the human body often extracts the social significance personage head image, the skin color, the facial feature modelling, the different facial expression, has the male and female gender characteristic line, the skeleton and the muscle texture feeling and so on. Animal inspiration often draws on the texture of animals, the personification characteristics of different animals, in order to protect themselves and attract the opposite sex produced by the color, flying animals wing modeling and other elements. Plant inspiration is often taken from texture, and the natural death and growth of the natural sense of return to nature. The elements of the environment can refine the curves of intelligence and freedom of marine life, the vast starry patterns. Architectural inspiration extraction is usually based on the external and internal structure of architecture, and the national culture focuses on the extraction of elements such as national feelings, art forms and expression techniques. Religious inspirations tend to extract sacred black and white and other neutral colors, often focusing on the style of clothing of religious people and religious clergy. Unconventional inspiration pays attention to the extraction of feeling and uses associative thinking to transform abstract inspiration into concrete elements.
【学位授予单位】:东华大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:TS941.2
【相似文献】
相关期刊论文 前10条
1 ;时装设计[J];苏州丝绸工学院学报;1993年S3期
2 格兰特;;意大利时装设计大师格兰特作品[J];科技与经济画报;1996年03期
3 单靖雅;裴超;;2012北京时装设计周 时装与艺术的新魅力[J];时尚北京;2012年11期
4 刘冠彬,陈晓燕;浅谈时装设计中民族现象思考[J];湖南包装;2003年04期
5 刘君;;传统与反叛——解读英国时装设计[J];苏州大学学报(工科版);2008年05期
6 Faye;;面对金融危机 时装设计毕业生如何铺设创业之路[J];中国制衣;2009年06期
7 ;本刊举办《青春美》时装设计表演[J];商业科技;1985年06期
8 袁仄;著名时装设计家劳拉·比娇蒂来华[J];纺织导报;1988年16期
9 缪爱莉;;中国风—当今时装设计的创意源泉[J];美术学报;1995年01期
10 张彦山;;爱慕2013北京时装设计周9月绽放[J];纺织服装周刊;2013年33期
相关会议论文 前1条
1 罗静松;;论时装设计的主题研究[A];首届中国高校美术与设计论坛论文集(下)[C];2010年
相关重要报纸文章 前10条
1 刘妍;爱慕2013北京时装设计周9月举行[N];中国服饰报;2013年
2 孙大雷;创意香港:时装设计走出独特风格[N];中国矿业报;2006年
3 胡晓娜;含山学子获全国时装设计大奖[N];巢湖日报;2010年
4 记者 夏商;20名设计师入围“迪尚”中国时装设计大赛[N];中国纺织报;2009年
5 立辉;顺其自然裁华裳[N];市场报;2001年
6 本报记者 李博;时装设计:一抹属于现代的美[N];中国艺术报;2012年
7 邹游;时装设计的三个关于[N];中国服饰报;2007年
8 沈刚;“威丝曼”针织时装设计大赛拉开帷幕[N];工人日报;2008年
9 记者 王彤晖;“威丝曼”2009中国针织时装设计大赛启动[N];中国服饰报;2008年
10 中国服装设计师协会副主席 广东刘洋艺术创作有限公司总设计师 刘洋;致中国时装设计军团[N];中国服饰报;2010年
相关博士学位论文 前1条
1 毕亦痴;中英现当代时装设计思维比较研究[D];苏州大学;2013年
相关硕士学位论文 前10条
1 骆云;由时装设计到舞台服装设计[D];北京舞蹈学院;2015年
2 李银平;基于升级再造方法的可持续时装设计研究[D];北京服装学院;2016年
3 李莉莎;时装设计中灵感的运用研究[D];东华大学;2017年
4 刘宇;河北民间补花艺术在现代时装设计中的应用研究[D];河北科技大学;2016年
5 虞倩雯;时装设计中灵感的元素提取研究[D];东华大学;2017年
6 张茵;独立与融合的意识消长[D];苏州大学;2007年
7 吕龙源;中国当代时装设计中图案的作用及应用研究[D];西南大学;2014年
8 蒋琴;论时装设计的版权保护[D];西南政法大学;2013年
9 王亚丽;苗绣艺术及其工艺在高级时装设计中的应用研究[D];浙江理工大学;2009年
10 彭华;土家族服饰在现代时装设计中的应用研究[D];西安美术学院;2011年
,本文编号:2321221
本文链接:https://www.wllwen.com/shoufeilunwen/boshibiyelunwen/2321221.html