石鲁山水画研究

发布时间：2017-12-27 22:26

本文关键词：石鲁山水画研究　出处：《西安美术学院》2017年博士论文　论文类型：学位论文

【摘要】：石鲁是二十世纪伟大的艺术家之一,也是饱受争议的中国画家。他的探索创新精神,以及对中国文化精神的深刻领悟和发扬,使他获得了广泛的声誉,成为20世纪中国绘画开拓前行的耀眼之星。也是20世纪重要画派“长安画派”的缔造者和领军人。石鲁绘画艺术,在他身前和身后,都有大批赞誉者和追随者。关于石鲁及石鲁绘画艺术的研究,已是目前国内对于20世纪美术研究领域的热点课题。本文是站在中国山水画历史沿革与山水画当代发展的视点上对“石鲁山水画”进行的专题性研究。文章以“沿革”为切入点,围绕中国绘画传承的基点:图式创造、理论阐发、意匠经营和文化品格而展开研究工作。文章主要内容:第一章,考察探讨了石鲁艺术发生的背景,涉及石鲁的成长历程、师承情况和画坛交游;第二章,重点探讨石鲁山水画风格和石鲁对山水画图式语言的创造。通过全面梳理石鲁山水画作品后,找出了石鲁山水画风格递变的路线图和风格分期的依据,将石鲁山水画分为:中西融合期、返归民族期、表现主义期和自我抒发期。在“返归民族期”一节,解读了石鲁代表作《转战陕北》,从图式、表现语言、时间表达、思想性诸方面的陈述,解答了《转战陕北》何以被称为20世纪中国画创新的经典和“里程碑”的定位。并就石鲁绘画表现语言,提出石鲁艺术精神和笔墨技法载体的“石鲁皴”。从内涵、标识性符号、笔法、墨法等方面解读“石鲁皴”;进而,通过对石鲁作品的解读,理解其在艺术探索上的理论思考和山水画作品的意境追求,在第三章分析了与石鲁作品相关联的石鲁画论,第四章解析石鲁山水画的诗化意境。石鲁画论在“以神造形”统领下,发挥“以意写之”,用“劈尸取魂”、“解体再生”的手段,达到“神游四方”、“魂附诸体”。并在实践环节中,石鲁特别强调“意、理、法、趣”。以意境经营为出色的石鲁山水画,更多的体现出对“诗画本一律”美学精神的传承;第五章是石鲁艺术精神对“后长安画家群”和当代绘画的影响,这种影响是建立在文化品格传承基点上的文化样态的再生。通过对石鲁山水画艺术所做的较为全面的作品解读、理论梳理和用思用意之道的综合研究,得出结论:石鲁山水画在民族特点、个人风骨、革命主题、现代变革诸方面,为实现其“中国作风”、“中国气派”的理想而进行的艺术探索历程中,堪称20世纪中国画创新的典范。石鲁山水画创作实践体现着对中国山水画传统精神的传承,并以对“文化品格”的捍卫为基点,从图式创造、理论建树、诗化意境等方面的开拓贡献实现了山水画现代革新。
[Abstract]:Shi Lu was one of the great artists of the twentieth Century, and also a controversial Chinese painter. His exploration and innovation spirit and the profound understanding and development of Chinese cultural spirit made him widely known and became the shining star of Chinese painting in the twentieth Century. It was also the founder and leader of the "Changan painting school", an important school of painting in twentieth Century. Shi Lu's painting art, in front of him and behind him, has a large number of praises and followers. The research on the painting art of Shi Lu and Shi Lu has been a hot topic in the field of art research in twentieth Century. This article is a special study on the "stone Lu landscape painting" from the viewpoint of the historical evolution of Chinese landscape painting and the contemporary development of landscape painting. Based on the "evolution" as the starting point, around the point of painting Chinese inheritance: schema creation, theory analysis, design of business and cultural character of the. The main content of the article: the first chapter investigated the background of Shi Lu art, involving Shi Lu's growth course, teachers and art intercourse; second chapter focuses on the creation of landscape painting style of Shi Lu and Shi Lu of landscape painting language. Through combing Shi Lu landscape painting works, find out the basis of Shi Lu landscape painting style change roadmap and style stage, the Shi Lu landscape ": the integration of Chinese and western, return to the national stage, expressionism period and self-expression period. In the period of "returning to the national period", it interprets the presentation of Shi Lu's masterpiece "fighting for Northern Shaanxi", from the aspects of schema, expression language, time expression and ideology, and explains why it is called the classic and landmark of Chinese traditional painting in twentieth Century. The performance of language and painting of Shi Shi Lu, Lu art spirit and painting techniques of vector "Shi Lu cun". From the connotation, logo, symbol style, ink law and other aspects of interpretation of "Shi Lu Cun"; then, through the interpretation of the works of Shi Lu, understand the artistic exploration of the theoretical thinking and the pursuit of artistic conception of landscape painting, in the third chapter analyzes the related works of Shi Lu Lian Shi Lu painting theory, poetic the fourth chapter analyzes the artistic conception of landscape painting Shi lu. Shi Lu art in "God form" and "meaning, play to write", "split the corpse from the soul" and "disintegration regeneration" means to "everywhere", "the soul of the body". In practice, Shi Lu emphasizes "meaning, reason, law and interest". In the mood for outstanding business Shi Lu landscape painting, more reflect on "the identity between poetry and painting" aesthetic spirit; the fifth chapter is the influence of Shi Lu art spirit of "post Changan painters group" and contemporary painting, this kind of influence is the regeneration pattern of culture based on cultural heritage on the basis of the character. Through the Shi Lu landscape painting art works, a comprehensive interpretation of the theory and way of thinking with the intention of comprehensive research, draw the conclusion: Shi Lu landscape painting in the modern transformation of national characteristics, personal character, revolutionary themes and various aspects, for the realization of the "Chinese style" and "Chinese style" of the ideal the exploration of art history, is a monument to the China painting innovation in twentieth Century. The practice of Shi Lu landscape painting embodies the inheritance of traditional spirit of Chinese landscape painting, and realizes the modern renovation of landscape painting based on the protection of "cultural character" and from the pioneering contributions of schema creation, theoretical creation and poetic artistic conception.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J212

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