坦桑尼亚桑给巴尔岛塔若卜（Taarab）音乐研究

发布时间：2018-01-11 18:38

  本文关键词：坦桑尼亚桑给巴尔岛塔若卜（Taarab）音乐研究　出处：《中央音乐学院》2016年博士论文　论文类型：学位论文

  更多相关文章： 塔若卜 桑给巴尔 斯瓦西里文化 融合音乐 马卡姆调式 中东鼓节奏

【摘要】：本文以东非地区桑给巴尔岛的塔若卜音乐为研究对象,对这一跨文化融合音乐的艺术价值、生存现状、发展情况等进行了探讨。如今,塔若卜已经成为了桑给巴尔乃至整个斯瓦西里文化的典型代表,这个集伊斯兰音乐、斯瓦西里文化、非洲节奏、印度因素、西方元素为一身的音乐种类,有着复杂多变的音乐结构、丰富多彩的风格特征、无可取代的独特魅力,在一百一十多年的历史发展中,几经浮沉、生生不息。由于对塔若卜并未有过系统化的研究,故作者将两个章节放在音乐本体的分析、梳理上,并试图建立桑给巴尔音乐理论概念。其后,通过音乐透视文化,对塔若卜的教育传承模式、传播主体与受众、社会结构、女性主义等进行深入分析。结合社会学、传播学等相关理论知识对塔若卜进行阐释、梳理与探讨。作为拥有悠久历史的传统音乐,塔若卜的曲式结构、马卡姆调式、恩格玛鼓和中东鼓节奏等丰富多变,而其音乐本体却从未有人提及,作者在前三个章节通过对塔若卜的认知、对其演出程式、内容及音乐特征的分析,并结合田野工作中接触到的5种塔若卜音乐种类及其四个代表性乐团,将其音乐本体进行了深刻地勾勒。由于研究对象及地区并无成熟而系统的音乐理论体系,故作者通过对四个乐团具有代表性的音乐作品之本体分析,结合了伊斯兰文化中埃及、阿拉伯等地较为成熟的音乐理论体系,将桑给巴尔地区塔若卜音乐理论系统地梳理、分析了出来,反之,这个研究结果对作者的采风对象亦有很大的帮助。论文第四章是对近二十年桑给巴尔地区塔若卜音乐现状的进一步深入解析,以实地田野考察的方法对塔若卜音乐在当代社会结构中的变化进行解读,通过对塔若卜过去与现在的对比,揭示出其在传播与融合等方面的发展与变革,并从中寻找出塔若卜音乐在东非斯瓦西里文化圈兴盛发展的原因。论文第五章笔者将当地帆船国家音乐学院作为研究样本,以点及面,对整个桑给巴尔地区的音乐教育进行了分析与总结,剖析在这一经济文化并不发达的地区,如何在当地政府没有任何扶持的情况下,对塔若卜音乐进行合理地传承,并由此形成音乐产业,带动当地经济发展。随着世界各民族、各地区文化之间的碰撞与融合,多元文化早已成为人类发展史上的主题。不同文化间的吸收与融合是这些区域性文化保持其自身价值,并成为当地文化象征的一条必然道路。塔若卜音乐作为东非地区的一个成熟样本,从最初代表宫廷的主文化到被打压的亚文化,再到如今作为桑给巴尔乃至斯瓦西里文化标志的的东非典型音乐种类,其发展过程为我们理解传统音乐的变化、融合提供了很好的例证。通过对塔若卜音乐的探究,一方面丰富了国内对非洲音乐方面的研究,另一方面,通过研究过程中对四十多首塔若卜作品的分析,作者也试图探索构建桑给巴尔音乐理论概念的可能性,以期得到一个研究跨文化融合音乐的全新视角和启发。
[Abstract]:In the East African region of the island of Zanzibar Taruobu music as the research object, the status quo on the survival of the cross-cultural fusion music artistic value, development and so on. Now, Taruobu has become Zanzibar and even the whole Vasily culture typical representative. This set of Islamic music, Vasily culture, African rhythm, India factors, Western elements as a kind of music, music has a complex structure, style rich and colorful, unique charm can be replaced, in the more than 110 year history of the development, after many ups and downs, life and growth in nature. Owing to Taruobu there have been no systematic research and analysis, the author of the two chapters on the music ontology combing, and tries to establish the Zanzibar music theory concept. Then, through the perspective of music culture, education and inheritance mode of Taruobu, communication subject With the audience, the social structure, feminism and other in-depth analysis. The combination of sociology, dissemination of knowledge theory related to Taruobu interpretation, through discussion. With a long history of traditional music, musical structure, Taruobu Markham mode, Engema drums and drums in the Middle East rhythm is rich and varied, but its music never it is mentioned, the author in the first three chapters based on the Taruobu cognition on the performance analysis program, content and music features, and a combination of 5 kinds of Taruobu music to contact in the fieldwork and the four representative Orchestra, the music made profound outline. Because of the music theory study is not the object and area of mature and systematic, so the author through the music ontology of four representative bands of analysis, combined with the Islamic culture in Egypt, Arabia and other places of The music theory system will be ripe, Taruobu music theory systematically in Zanzibar area, analyzed by contrast, the results of the author's folk songs is also a great help. The fourth chapter is the analysis of the current situation of further Taruobu music in Zanzibar in recent twenty years, the interpretation of the changes in the structure of contemporary society with the methods of field investigation Taruobu music, based on Taruobu compare the past and the present, reveals its in transmission and integration and other aspects of the development and reform, and find out if the music in the tower, East Fez Vasily cultural circle prosperous development. In the fifth chapter, the author will be the local National School of music as a sailboat the research sample, to the point and the surface, the music education in the entire Zanzibar area were analyzed and summarized, analyzed in the underdeveloped areas, How the local government does not have any support under the condition of reasonable Taruobu music heritage, and thus the formation of the music industry, promote local economic development. With the peoples of the world, collision and fusion between different regions of culture, multi culture has become the history of human development. The theme of inter cultural absorption and fusion is maintained the value of the regional culture, and become an inevitable road of local cultural symbols. Taruobu music in East Africa as a mature sample, the court from the initial representative of the main culture to the sub culture was suppressed, and then to today as Zanzibar and Vasily, the cultural symbol of East Africa typical types of music, the process of its development for us to understand the change of traditional music, fusion provides a good example. Through investigation of Taruobu music, a rich home of African music The research, on the other hand, analysis of the first more than 40 Taruobu works through the research process, the author tries to explore the possibility of constructing the Zanzibar music theory concept, in order to get a new perspective and inspired a study of cross cultural fusion music.

【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J607
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本文编号：1410756