视觉的追问—贾科梅蒂绘画空间研究

发布时间：2018-02-10 15:55

本文关键词： 空间视觉观看图像　出处：《西安美术学院》2016年博士论文　论文类型：学位论文

【摘要】：论文围绕绘画空间展开论述,从视觉呈现的角度阐述了古埃及到现代主义期间不同的绘画空间特征,并以此为基础,对比总结了贾科梅蒂在绘画空间表现方面的独特之处。绘画空间表征背后隐藏的乃是画家对世界的视觉认识,贾科梅蒂在现代主义的背景之下离群索居,试图通过一种绝对的追寻来发掘视觉的内涵,让绘画回归到观看行为本身,以此恢复人与自然之间密不可分的关系,从这一点上来看,贾科梅蒂与塞尚遵循的是同一途径。贾科梅蒂追求绝对的目标虽然遥不可及,但并非不可接近,这也是米歇尔·福柯所认为的知识分子应有的使命。现代图像文化导致了视觉以及人本身在现实世界中的隐退,因此,重提贾科梅蒂,重提绘画背后的视觉问题就具有了强烈的现实意义。论文主要分为四个部分:第一部分:现代主义语境下的贾科梅蒂。以现代主义为背景,介绍了贾科梅蒂的绘画历程,以及他同超现实主义、存在主义之间的历史渊源。第二部分:贾科梅蒂绘画空间分析研究。从视觉呈现的角度阐述了从古埃及到现代主义期间不同的绘画空间特征,并通过对比论述了贾科梅蒂绘画空间的四个基本特征。第三部分:贾科梅蒂的视觉追寻。提出了绘画表象背后隐藏的视觉立场,并以此引出绘画中的视觉问题。其中通过分析贾科梅蒂对埃及艺术、塞尚绘画的追溯与传承,来了解贾科梅蒂的绘画视觉观念的形成线索,同时以梅洛·庞蒂的哲学观念来分析贾科梅蒂寻找视觉真实的可能性。第四部分:贾科梅蒂绘画研究的现实意义。以图像时代的绘画危机研究为主,论述了绘画以及人在图像时代的沉沦,同时通过论述贾科梅蒂绘画在中国这片土壤上的勃然生机,来强调绘画回归视觉的重要意义。
[Abstract]:The paper discusses the painting space from the angle of visual presentation, expounds the different characteristics of painting space during the period from ancient Egypt to modernism, and based on this, This paper contrasts and summarizes the unique features of Giacometti's painting space. Behind the representation of painting space is the painter's visual understanding of the world, and Giacometti lives alone in the background of modernism. From this point of view, I try to find out the connotation of vision through an absolute pursuit, and let the painting return to the viewing behavior itself, so as to restore the close relationship between man and nature. Giacometti and Cezanne follow the same path. Giacometti's pursuit of absolute goals, though remote, is not inaccessible. And that's what Michele Foucault sees as the mission of intellectuals. Modern image culture has led to the retreat of vision and human beings in the real world, so, again, to Giacometti. The paper is divided into four parts: the first part: in the context of modernism, Giacometti introduces the painting process of Giacometti in the background of modernism. And his historical origin with surrealism and existentialism. The second part: the space analysis of Giacometti's painting. From the angle of visual presentation, this paper expounds the different characteristics of painting space from ancient Egypt to modernism. The third part: the visual pursuit of Giacometti. Through the analysis of Giacometti's tracing and inheritance of Egyptian art and Cezanne's painting, we can understand the clues of Giacometti's visual concept of painting. At the same time, we use Melo Ponty's philosophy to analyze the possibility that Giacometti is looking for visual reality. Part 4th: the practical significance of Giacometti's study of painting. This paper discusses the depravation of painting and man in the image age, and emphasizes the important significance of painting returning to vision by discussing the brilliant vitality of Giacometti's painting in the soil of China.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J205

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