新世纪西部长篇小说研究

发布时间:2018-04-27 07:29

  本文选题:新世纪 + 西部长篇小说 ; 参考:《兰州大学》2017年博士论文


【摘要】:新世纪西部长篇小说是中国文坛不可或缺的重要组成部分,其写作视域和表现手法愈显宽广和多样,逐渐成为重要的文学现象和学术界关注的焦点。以新世纪以来颇具影响力的西部长篇小说为研究对象,在对现有研究成果归纳总结、分析整理的基础上,从历史祛魅、乡土怀旧和诗性建构三个角度入手,梳理并探究新世纪以来西部长篇小说在创作资源、主题表现、创作技巧、文体形式、叙事结构、语言类型、精神气质和美感神韵等方面具有的表现形态与发展趋向,这些方面共同建构着西部独有的文学图景。在对西部长篇小说创作给予整体观照的过程中,尝试归纳和揭示新世纪以来西部长篇小说书写所体现出的文学史意义和美学价值,以及由此带给中国当代文学的启示。论文由绪论、正文和结语三个部分组成,其中正文部分包括五章。绪论部分首先对论文中涉及的一系列概念进行说明和厘定,然后梳理总结现有研究工作,最后交待本文选题的缘由和意义,以及论文的整体写作思路。“西部小说:世纪之交的文学转型”,勾勒西部长篇小说的演变轨迹,探讨西部长篇小说在新世纪发生的转型,阐释小说中蕴含的西部精神。西部长篇小说演变轨迹的勾勒,聚焦于1949年至1999年间西部长篇小说的历史发展脉络,将其归纳为新生成长、复苏发展以及繁荣发展三个阶段,并对每一发展阶段的特征给予分析。进入新世纪后社会整体的转型孕育了西部小说自身的转型,新世纪西部长篇小说转型的论述,注重对转型内外成因的分析,以及“西部经验”内涵的考究。对于西部长篇小说中“西部精神”的探究,开始于对“西部精神”概念的厘定,籍此阐释转型期“西部精神”具有的新特质和新内涵。“西部历史本相的多元与多维透视”,从“历史祛魅”这一关键词入手,透视西部作家在长篇小说中构建的多元化、多维度的西部历史。就多元化而言,分析西部历史小说对个人史、家族史、区域史、英雄传奇史、宗教信仰史,以及“文革”史和“饥饿”史等不同样态历史的呈现。就多维度而言,探究西部作家针对不同样态历史采取的立体透视、现代重构、寓言呈现、见证书写等不同叙述方式。对西部历史的多元化、多维度透视,有助于穿越历史迷雾,勘探历史真相。“西部乡土小说的怀旧书写”,从“乡土怀旧”这一关键词入手,聚焦西部长篇乡土小说中隐含的怀旧特质。进入新世纪以来,西部乡土逐渐沦丧的社会现实,触发了西部作家的乡土情结,小说创作因此体现出浓厚的“怀旧”情怀。从“即将消逝的‘村庄’”、“民俗人生与风物追忆”、“远去的‘最后一个’”三个方面,论述西部小说中怀旧书写的具体表现形态,并探究怀旧书写的文学意义。由于现代性入侵带给西部作家的焦虑,上述西部乡土的怀旧书写,无不反映出作家对西部乡村自我身份的认知和确立,这体现为在全球化浪潮中西部作家维系历史记忆、瞻望未来走向的文学表述。“西部长篇小说的诗性建构”,从“诗性建构”这一关键词入手,分析新世纪西部小说在本体和文体方面具有的特征。首先,将西部作家对自然景物、动物的神性书写,以及对自然与人关系的重新定位,都看作是他们对“诗意栖居”的一种回应;其次,认为“诗性”是对人生本源性和谐境界的向往,以及对现实人生的自觉提升和转化,并使之趋向于人生理想化状态,表现为西部小说中一系列理想人物形象的塑造,这些共同反映了西部小说本体层面的诗性特征;最后,从文体层面的诗性特征来看,西部小说在艺术形式和审美追求上有着独特的建构,其借鉴民间文化资源和传统文学形式,并将方言和古语融入其中。“西部长篇小说的文学价值与创作困境”,着眼于西部长篇小说的创作现状,揭示其文学价值并探究其面临的困境。认为在众声喧嚣的新世纪文坛,西部作家创作折射出的理性精神、人文关怀及西部本土意识,都是西部长篇小说的独特文学价值之所在。同时也指出了西部长篇小说在叙事资源、艺术表现形式、价值理念重建等方面的困境,并就如何走出困境探索可能的途径。结语部分对新世纪以来西部长篇小说的发展历程、创作特征及其文化意蕴进行归纳总结,并进一步阐明西部长篇小说在新世纪文坛的重要价值和意义,展望西部长篇小说未来研究可能的方向与趋势。
[Abstract]:The novel in the western part of the new century is an indispensable and important part of the Chinese literary world. Its writing horizon and expressive techniques have become more and more broad and diverse, and gradually become the focus of important literary phenomena and academic circles. On the basis of the analysis and arrangement, from three angles of historical disenchantment, local nostalgia and poetic construction, this paper combs and explores the manifestations and development trends of western novels in the new century in the aspects of creative resources, theme performance, creative skills, stylistic forms, narrative structure, language types, spirit temperament and aesthetic spirit. In the process of giving a holistic view of the western novels, the author tries to sum up and reveal the significance of literary history and aesthetic value embodied in the writing of the western novels since the new century, as well as the enlightenment to the contemporary Chinese literature in the new century. The thesis consists of three parts: introduction, text and conclusion. The main body consists of five chapters. The introduction part explains and defines a series of concepts involved in the paper, then combs and summarizes the existing research work, and finally deals with the reasons and significance of this topic, as well as the overall writing idea of the thesis. "Western Novel: the transformation of literature at the turn of the century", outlines the western novels. The evolution of the western novels in the new century is discussed, and the western spirit of the novel is explained. The outline of the evolution of the western novels is focused on the historical development of the western novels from 1949 to 1999, which is summed up as three stages of the new growth, the development of the Soviet Union and the prosperity and development, and each of them. After entering the new century, the transformation of the society as a whole has given birth to the transformation of the western novel itself and the discussion of the transformation of the western novels in the new century. It pays attention to the analysis of the causes and causes of the transformation inside and outside the transformation and the connotation of "Western experience". The definition of the concept of "western spirit" explains the new characteristics and new connotations of the "western spirit" in the transition period. "The pluralism and multidimensional perspective of the western history of this phase", starting with the key words of "historical disenchantment", examines the pluralism of the western writers in the novels and the western history of multi dimension. Analysis of the historical novels of the West on the history of individual history, family history, regional history, heroic legend, religious belief, and the history of "Cultural Revolution" and the history of "hunger". In terms of multi dimension, it explores the different narrative ways of western writers, such as stereoscopic perspective, modern reconstruction, fable presentation, and testimony writing for different patterns of history. The diversification and multidimensional perspective of the history of the West will help to pass through the historical fog and explore the historical truth. "The nostalgia of the western local novels", starting with the key words of "nostalgia in local nostalgia", focuses on the concealed nostalgia in the long local novels of the western region. As a result of the native land complex of western writers, the creation of the novel embodies a strong "nostalgia" sentiment. From the three aspects of "the dying village", "the folk life and the wind recollection", "the last one" of "the distant", the concrete expression form of the nostalgic writing in the western novels is discussed, and the literary significance of the nostalgia writing is explored. With the anxiety of modern invasion to the western writers, the nostalgia written in the western country reflects the writer's recognition and establishment of the identity of the western country, which embodies the literary expression of maintaining the historical memory and looking forward to the future of the western writers in the wave of globalization. "Poetic construction of the western novels", from "poetic nature" Starting with this key word, this paper analyzes the characteristics of the western novels in the new century in terms of noumenal and stylistic aspects. First, it is regarded as a response to the "poetic inhabitation" by the western writers of the natural scenery, the divine writing of the animals, and the reorientation of the relationship between nature and human. Secondly, it is considered that "poetic" is the origin of life. The yearning for sexual harmony, as well as the conscious promotion and transformation of the real life, and the tendency to idealize the life of life, represent the image of a series of ideal characters in the western novels, which reflect the poetic features of the western novels in noumenal aspects; finally, from the poetic features of the stylistic level, the western novels are in art. The form and aesthetic pursuit have a unique construction, which draw on the folk cultural resources and the traditional literary forms, and integrate the dialects and ancient languages. "The literary value and the creation dilemma of the western novels", with a view to the creation status of the western novels, reveals the value of their literature and explores the difficulties faced by them. The literary world in the new century, the rational spirit reflected by the western writers' creation, the humanistic care and the local consciousness of the West are the unique literary values of the western novels. At the same time, it also points out the difficulties in the western novels in the aspects of the narrative resources, the artistic expression forms, the reconstruction of the values and so on, and the possible exploration of how to go out of the predicament. The concluding part sums up the development process, the creative features and cultural implications of the western novels since the new century, and further clarifies the important value and significance of the western novels in the new century, and looks forward to the possible directions and trends of the future study of the western novels.

【学位授予单位】:兰州大学
【学位级别】:博士
【学位授予年份】:2017
【分类号】:I207.425

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