叙事空白研究

发布时间：2018-06-21 07:35

本文选题：叙事学 + 叙事空白　；参考：《江西师范大学》2015年博士论文

【摘要】：叙事空白是所有叙事文本中都存在的现象。对于这个问题,古今中外的许多学者都有涉及。虽然他们大多没有明确提到“叙事空白”这个术语,但他们的许多研究成果都是与此相关的。本文在借鉴前人研究成果的基础上,从广义叙述学研究的角度,对叙事中的空白现象作出专门的研究。本论文主要采用了理论阐释法和文本分析法对叙事空白的原因、表述、填补和价值等四个方面的内容作融会贯通的系统研究。本文主要包括以下六个章节:第一章为引论部分。这部分主要包括叙事空白的定义、叙事空白相关研究成果综述;本研究的缘起、目标和主要创新之处。在研究的缘起部分,本文主要考察了叙事交流活动中的遮蔽问题,以期引起读者对该课题研究重要性的关注。用海德格尔的话说,叙事既是一种去蔽,同时也是一种遮蔽。任何叙事在讲述某些事件之时,总是相应地将另外一些事件付诸厥如。也就是说所有叙事都存在空白,文本空白与叙事是如影相随的。但叙事交流中的空白问题在学界尚未获得足够的重视,还有待深入探讨。本课题的研究目的主要是提出叙事空白这一叙事学的新范畴,并对其在叙事交流的意义和价值进行系统和全面的探讨。本研究主要有以下创新之处:一是叙事空白表述的研究。本文提出了叙事空白表述的五对范畴共十种表述方式。这一研究无论是对于叙事发送者还是叙事接受者来说都具有重要的参考价值。二是叙事空白的填补。叙事空白的填补问题是目前学界(包括接受美学学界)都严重忽视的问题。本论文在此问题上的探索具有较为重要的学术意义。本研究的成果也将有助于更好地解决读者和文本之间的辩证关系问题。三是阐发了叙事空白在叙事交流中的价值,尤其是修辞价值和文本意义增殖价值。叙事空白让叙事接受者与文本之间的交流成为持续的、深入的、稳固的双向交流,让读者与文本之间形成你中有我、我中有你的融合关系,促使读者自身视域中“生长”出意义并填补文本中的空白,从而使叙事交流成为真正的双向对等的交流。论文的第二章主要辨析叙事空白的内涵,界定了“叙事空白”的概念、本质和主要类别。本文认为,故事时间大于零而叙事篇幅等于零的叙事现象就是叙事空白,其本质不是绝对的虚无,而是缺席,是“有中之无”。叙事空白可以分为作为叙事依托的空白和作为文本结构的空白。前者是故事时间的前提、基础和来源,后者指叙事文本中缺席的未出场部分。论文的第三章主要研究叙事空白的原因。本文认为叙事空白生成的原因主要有四点:一是语言的局限性;二是不可叙述事件的存在;三是叙述策略的考量;四是叙述形式的缺失。论文的第四章主要讨论叙事空白的表述。本文提出,叙事空白并不是一个文字都没有,而是指没有正面的直接的叙述,在本文所讨论的叙事空白中,叙述者总会以各种不同的方式将叙事空白中没有叙述出来的事件表述出来,此即叙事空白的表述。本文提出了少/多、因/果、副/主、反/正等叙事空白表述涉及的几对范畴。论文的第五章主要探讨叙事空白的填补,主要就三个问题展开了论述:一是叙事空白填补的依据。叙事空白填补的依据主要包括作者本意、文本潜势和读者成见。二是叙事空白填补的方式,主要有试推填补、移植填补和联想填补三种。三是叙事空白填补的原则,主要包括开放性原则、伴随文本依赖性原则、融贯性原则、道义分明原则和平衡趋向原则。论文的第六章主要梳理叙事空白的价值。叙事空白主要有以下几个方面的价值:一是增殖价值。叙事空白让读者可以放飞自己的想象,对其进行多元化,多次的填补从而实现叙事文本的意义增殖。二是修辞价值。叙事空白可以激发和挑逗叙事接受者的期待和想象,让叙事接收者更深入更持久地深入到叙事交流中去。让读者本人成为意义的共同生产者,使阅读成为“写作式阅读”。三是叙事空白的美学价值。叙事空白让叙事文本产生虚实掩映之美。叙事空白还能让故事世界更真实。
[Abstract]:The narrative blank is a phenomenon in all narrative texts. For this problem, many scholars and scholars all over the world are involved. Although most of them do not explicitly mention the term "narrative blank", many of their research results are related to this. This paper mainly uses theoretical interpretation and text analysis to study the reasons, expressions, filling and value of the four aspects. This paper mainly includes the following six chapters: the first chapter is the introduction part. This part is the main part of the thesis. It should include the definition of narrative blanks, a summary of the related research results of narrative blanks, the origin, the goal and the main innovation of this study. In the origin of the study, this article mainly investigates the problem of the cover in the narrative communication, in order to arouse the readers' attention to the importance of the research. In the words of Heidegger, the narrative is a kind of go. At the same time, it is also a kind of shelter. Any narrative in the narration of certain events always pays the other events accordingly. That is to say, all the narration exists in the blank, the blank of the text and the narration are in the shadow. But the blank question in the narrative communication has not received enough attention in the academic circle, and it still needs to be discussed in depth. The purpose of this study is to put forward a new category of narrative blank, a new category of narratology, and to make a systematic and comprehensive discussion of its significance and value in narrative communication. This study mainly has the following innovations: one is the study of narrative blank expression. This paper puts forward ten expressions of five categories of narrative blank expressions. The theory is of important reference value for the narrative sender or the narrative receiver. Two is the filling of the narrative blank. The question of the filling of the narrative blank is a serious problem in the academic circles (including the reception aesthetics). This thesis has a more important academic significance. The results of this study will also be of great significance. It is helpful to better solve the dialectical relationship between the reader and the text. Three is to elucidate the value of the narrative blank in the narrative communication, especially the rhetorical value and the value of the text meaning. The narrative blank allows the communication between the narrative receiver and the text to be continuous, deep and solid two-way communication, so that the reader and the text can be exchanged between the text and the text. The second chapter of the paper mainly discriminates the connotation of narrative blank and defines the concept, essence and main categories of "narrative blank". It is believed that the narrative phenomenon that the story time is greater than zero and the narrative length equal to zero is the narrative blank. The essence is not absolute nihilism, but the absence and "there is no". The narrative blank can be divided into the blank of the narrative backing and the blank of the text structure. The former is the premise, the foundation and the source of the time, the latter refers to the narrative text. The third chapter of the paper mainly studies the reasons for the blank of narrative. This paper holds that there are four main reasons for the formation of narrative blanks: one is the limitation of language; two is the existence of unnarrated events; three is the consideration of narrative strategy; four is the absence of narrative form. The fourth chapter of the paper mainly discusses the blank of narrative. In this paper, the narrative blank is not a word, but it is not a direct and direct description. In the blank space discussed in this article, the narrator will always express the events that are not narrated in the narrative blank in a variety of ways. This is the expression of the narrative blank. This article puts forward less / more, cause / result, and vice. The fifth chapter of the paper mainly discusses the filling of narrative blanks, mainly discussing the three questions: first, the basis for the filling of the narrative blank. The basis of the filling of the narrative blank mainly includes the author's intention, the text potential and the reader's prejudice. Two is the way to fill the blank of the narrative. There are three kinds of filling and filling, transplantation filling and association filling. Three is the principle of filling the blank of narrative. It mainly includes the principle of openness, the principle of text dependence, the principle of coherence, the principle of moral distinction and the principle of balance trend. The sixth chapters of the paper mainly comb the value of the blank of narration. The blank of narrative is mainly of the following aspects: One is the value of proliferation. The narrative blank allows readers to fly their imagination, diversify and fill them in order to achieve the proliferation of the meaning of the narrative text. Two is the rhetorical value. The narrative blank can stimulate and provoke the expectation and imagination of the narrative receiver and let the narrative receiver go deeper and more deeply into the narrative communication. Let my readers become the common producer of meaning, to make reading become "writing reading". The three is the aesthetic value of narrative blank. Narrative narrative text generated by the actual blank for beauty. The narrative gaps can make the story more real world.
【学位授予单位】：江西师范大学
【学位级别】：博士
【学位授予年份】：2015
【分类号】：I04

【共引文献】