苏天赐研究

发布时间：2018-06-26 09:34

本文选题：苏天赐 + 意象油画　；参考：《南京师范大学》2017年博士论文

【摘要】：苏天赐(1922—2006年)是中国现代油画史上一个重要人物,是中国现当代艺术史的亲历者和见证者。其作品融中西古今于一体;融个人情感与东方神韵、人类情怀的艺术灵性为一体。将西方的油画与中国艺术的表现形式和精神结合得十分完美。苏天赐倾毕生精力辛勤耕耘于油画和美术教育事业,执着追求,勇于探索。早期师从于林风眠先生,得其真传而不拘泥于师,积极探索融合东西方艺术的精髓,他不落前人的窠臼,寻求自己的创作道路,以独特的艺术语言表现出浓厚的东方意蕴和深刻的文化内涵,丰富了当代中国油画艺术的风格与面貌。苏天赐的艺术实践与中国“油画民族化”历程紧密相连,他以自己的行动回答了一个时代的大课题,即民族发展中如何吸取外来营养,创造自己民族的新文化、新艺术形式以实现“油画民族化”,这在当今有很高的艺术研究价值。苏天赐于2006年去世。2008年10月10日,“东方意蕴——苏天赐艺术回顾展”在中国美术馆隆重举行,其毕生佳作首次集中亮相在人们面前。这些作品在各界引起强烈的反响。研讨会上,专家们纷纷呼吁要对苏天赐进行更为专业和深入的研究。缘于此,本文试图在前人研究的基础上将这一课题进一步完善。本文以苏天赐的艺术风格为主线,结合其生平经历、艺术传承、绘画语言、绘画理念、教育主张,在近现代中外美术交流的大背境下来深入分析和研究。本文以对苏天赐的绘画作品即艺术理念成果、实践感悟随笔和相关文献资料的研究为基础,采用视觉图像和比较研究的方法从苏天赐的油画作品入手,从画面的线条、色彩,肌理、笔法及构图的简约、平衡等方面分析作品,结合中西艺术家的作品进行分析比较,以期更为准确、全面地呈现苏天赐的艺术风格。通过这些研究,我们可以进一步理解、把握苏天赐的艺术价值,给苏天赐个案研究提供较为全面的视角,以及继续拓展的可能,从而对中国当代油画艺术的发展起到某些促进作用。
[Abstract]:Su Tianzi (1922-2006) is an important figure in the history of modern Chinese oil painting. His works blend Chinese and Western ancient and modern in one, personal emotion and oriental charm, human feelings of artistic spirituality as a whole. Western oil painting and Chinese art form and spirit of the combination is very perfect. Su devoted his life to painstaking oil painting and art education, persistent pursuit, brave exploration. The early teacher, Mr. Lin Fengmian, instead of sticking to his teacher, actively explored and integrated the essence of eastern and western art. He did not set foot in the pattern of his predecessors and sought his own way of creation. With its unique artistic language, it shows a strong oriental connotation and profound cultural connotation, which enriches the style and appearance of contemporary Chinese oil painting art. Su Tianzhi's artistic practice is closely related to the course of "nationalization of oil painting" in China. With his own actions, Su Tianzhi answered a major issue of the times, that is, how to absorb foreign nutrients and create a new culture of his own nation in the course of national development. New art form to realize "oil painting nationalization", which has a high art research value. Su Tianzhi died in 2006. On October 10, 2008, "Oriental implication-Su Tianzi Art retrospective Exhibition" was held in the China Art Museum, and his masterpiece of his life appeared in front of people for the first time. These works have aroused a strong response from all walks of life. At the seminar, experts called for a more professional and in-depth study of Su Tianzi. Because of this, this paper attempts to further improve this subject on the basis of previous studies. This article takes Su Tianzi's artistic style as the main line, unifies its life experience, the artistic inheritance, the drawing language, the painting idea, the education proposition, in the modern Chinese and foreign art exchange big back environment down the deep analysis and the research. Based on the research of Su Tianzi's painting works, namely, artistic ideas, practical comprehension essays and related literature, this paper starts with Su Tianzi's oil paintings by using visual images and comparative studies, and starts with the lines and colors of the pictures. In order to present Su Tian-chi 's artistic style more accurately and comprehensively, the author analyzes and compares his works in texture, writing and composition, such as simplicity, balance, and so on, combined with the works of Chinese and Western artists. Through these studies, we can further understand and grasp the artistic value of Su Tianzi, and provide a more comprehensive perspective for Su Tianzhi's case study, as well as the possibility of further expansion. Thus the development of Chinese contemporary oil painting art plays a certain role in promoting.
【学位授予单位】：南京师范大学
【学位级别】：博士
【学位授予年份】：2017
【分类号】：J213

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