“黄土画派”研究
发布时间：2018-10-30 14:07
【摘要】：“黄土画派”是陕西地区继“长安画派”之后出现的在全国有巨大影响力、最具代表性的当代画派之一。在深入生活,表现人民的艺术道路上,“黄土画派”坚持弘扬黄土文化、体现黄土精神,在继承传统绘画技法的基础上,主张吸收世界一切优秀艺术的“精华”,兼容并蓄、博采众长,以创作具有“黄土画风”、把握时代脉搏、体现时代精神的现实主义作品为己任,成为在全国颇具规模并不断发展中的“学院式”的当代画派。本文是对“黄土画派”的综合性研究。文中第一部分从20世纪美术思潮演变及近代中国现实主义绘画发展的背景出发,对影响“黄土画派”形成的西北自然与人文环境、长安画派的艺术实践,以及延安革命文艺的发展予以分析,研究刘文西西北画风的形成,及与受其教育和影响的一批画家形成群体风格,并最终形成画派的过程;第二部分具体分析“黄土画派”深入生活的艺术创作道路,阐述其以采风写生的方式介入生活、感悟生活、提炼生活,在生活中寻找和发现真、善、美艺术元素的创作方式;第三部分研究“黄土画派”的艺术特色,发现其注重对中国传统绘画的继承,和学习世界一切优秀艺术为我所用的艺术态度,以及“黄土画派”在坚持现实主义创作道路中所倡导的“熟悉人、严造型、讲笔墨、求创新”艺术宗旨的内涵;第四部分对“黄土画派”的创作主题、导向及思路进行分析,研究其以黄土地人文风情为主题的艺术创作所体现出的黄土文化的美学特征,及其坚持以人民为中心的创作导向所体现出的强烈的社会责任感,“黄土画派”这种弘扬社会主旋律的艺术追求,使其成为当代绘画领域正能量的代表,体现出在社会主流意识形态下,文艺作品反映社会发展、时代进步的主流趋势在社会主义发展大潮中产生的积极作用。“黄土画派”艺术从萌芽到形成及不断发展的过程,可以看作是当代中国画尤其是人物画主题创作的重要发展方向之一。“黄土画派”在作品立意、审美,以及艺术追求等方面丰富地展现出当代中国画创作及审美理念的发展过程,其正在进行中的多元的艺术探索方向,也为中国画未来的发展提供更为丰富的可能性。对于“画派”的研究,尤其是对当代“画派”的认识尽管存在诸多争议,但“黄土画派”的存在已是不争的事实。对其进行客观的、动态的关注和适时的研究,是对当代绘画发展现状研究的重要组成部分。因此,笔者以“黄土画派”为研究对象,并打破以往对画派成员个体绘画成就为主的论述而突出“群体”的概念,通过本文的分析与研究,以图呈现出当前以刘文西为代表的“黄土画派”及其发展过程中的总体艺术风貌,为以后进一步研究奠定基础。
[Abstract]:Loess painting School is one of the most representative contemporary painting schools in Shaanxi Province. On the art road of deep life and people's expression, "Loess painting School" insists on carrying forward loess culture and embodying loess spirit. On the basis of inheriting traditional painting techniques, it advocates absorbing the "essence" of all excellent art in the world and embracing it. With the responsibility of creating realistic works with "loess painting style", grasping the pulse of the times and embodying the spirit of the times, he became a "college style" contemporary painting school with considerable scale and continuous development in the whole country. This paper is a comprehensive study of Loess painting School. The first part of the article starts from the evolution of art trend in the 20th century and the background of the development of realistic painting in modern China, and analyzes the artistic practice of Chang'an painting School, which influences the natural and human environment of the formation of "Loess painting School" in Northwest China. It also analyzes the development of Yan'an revolutionary literature and art, studies the formation of Liu Wenxi's northwest painting style, and the process of forming a group style with a group of painters influenced by Liu Wenxi's education and influence, and finally forms a painting school. The second part concretely analyzes the art creation way of "Loess painting School", and expounds its creative ways of intervening in life, feeling life, refining life, seeking and discovering truth, goodness and beauty art elements in life by the way of drawing wind and sketching. The third part studies the artistic characteristics of "Loess painting School", and finds that it pays attention to the inheritance of Chinese traditional painting and the attitude of learning all the excellent art in the world. And "Loess painting" in adhering to the road of realism advocated in the creation of "familiar with people, strict modeling, pay attention to pen and ink, innovation" artistic purpose of connotation; The fourth part analyzes the theme, orientation and train of thought of "Loess painting School", and studies the aesthetic characteristics of loess culture embodied in its artistic creation with the theme of cultural customs of loess. And the strong sense of social responsibility embodied in the people-centered creative orientation, the artistic pursuit of "Loess painting School" to carry forward the main social melody, making it a representative of positive energy in the field of contemporary painting, Under the social mainstream ideology, literary works reflect the social development, and the mainstream trend of the times' progress plays an active role in the socialist development. The art of "Loess painting School" can be regarded as one of the important developing directions of contemporary Chinese painting, especially figure painting theme creation. "Loess painting School" shows the development process of contemporary Chinese painting creation and aesthetic idea in the aspects of idea, aesthetics and pursuit of art, which is in the process of multi-artistic exploration. Also for the future development of Chinese painting to provide a richer possibility. Although there are many controversies on the study of "painting school", especially on the understanding of contemporary "painting school", the existence of "loess painting school" is an indisputable fact. An objective, dynamic and timely study is an important part of the research on the present situation of contemporary painting. Therefore, the author takes "Loess painting School" as the research object, and breaks the previous exposition on the individual painting achievement of its members and highlights the concept of "group", and through the analysis and research of this paper, The present "Loess painting School" represented by Liu Wenxi and its overall artistic features in the process of its development lay the foundation for further study.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J209.9
，
本文编号：2300218
[Abstract]:Loess painting School is one of the most representative contemporary painting schools in Shaanxi Province. On the art road of deep life and people's expression, "Loess painting School" insists on carrying forward loess culture and embodying loess spirit. On the basis of inheriting traditional painting techniques, it advocates absorbing the "essence" of all excellent art in the world and embracing it. With the responsibility of creating realistic works with "loess painting style", grasping the pulse of the times and embodying the spirit of the times, he became a "college style" contemporary painting school with considerable scale and continuous development in the whole country. This paper is a comprehensive study of Loess painting School. The first part of the article starts from the evolution of art trend in the 20th century and the background of the development of realistic painting in modern China, and analyzes the artistic practice of Chang'an painting School, which influences the natural and human environment of the formation of "Loess painting School" in Northwest China. It also analyzes the development of Yan'an revolutionary literature and art, studies the formation of Liu Wenxi's northwest painting style, and the process of forming a group style with a group of painters influenced by Liu Wenxi's education and influence, and finally forms a painting school. The second part concretely analyzes the art creation way of "Loess painting School", and expounds its creative ways of intervening in life, feeling life, refining life, seeking and discovering truth, goodness and beauty art elements in life by the way of drawing wind and sketching. The third part studies the artistic characteristics of "Loess painting School", and finds that it pays attention to the inheritance of Chinese traditional painting and the attitude of learning all the excellent art in the world. And "Loess painting" in adhering to the road of realism advocated in the creation of "familiar with people, strict modeling, pay attention to pen and ink, innovation" artistic purpose of connotation; The fourth part analyzes the theme, orientation and train of thought of "Loess painting School", and studies the aesthetic characteristics of loess culture embodied in its artistic creation with the theme of cultural customs of loess. And the strong sense of social responsibility embodied in the people-centered creative orientation, the artistic pursuit of "Loess painting School" to carry forward the main social melody, making it a representative of positive energy in the field of contemporary painting, Under the social mainstream ideology, literary works reflect the social development, and the mainstream trend of the times' progress plays an active role in the socialist development. The art of "Loess painting School" can be regarded as one of the important developing directions of contemporary Chinese painting, especially figure painting theme creation. "Loess painting School" shows the development process of contemporary Chinese painting creation and aesthetic idea in the aspects of idea, aesthetics and pursuit of art, which is in the process of multi-artistic exploration. Also for the future development of Chinese painting to provide a richer possibility. Although there are many controversies on the study of "painting school", especially on the understanding of contemporary "painting school", the existence of "loess painting school" is an indisputable fact. An objective, dynamic and timely study is an important part of the research on the present situation of contemporary painting. Therefore, the author takes "Loess painting School" as the research object, and breaks the previous exposition on the individual painting achievement of its members and highlights the concept of "group", and through the analysis and research of this paper, The present "Loess painting School" represented by Liu Wenxi and its overall artistic features in the process of its development lay the foundation for further study.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J209.9
，
本文编号：2300218
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