绣画—中国江南传统刺绣研究
发布时间：2018-11-07 17:56
【摘要】：刺绣是中国传统手工艺中专属妇女的独特一支。它的传承不仅仅发生在作坊里,更普遍的是发生在家庭中,这保持了刺绣者幽闲贞静的创作状态,但也限制了刺绣的创新和发展。作为一门女红技巧,刺绣长期以来得不到艺术殿堂的认可,也得不到理论研究界的重视,为文化史界忽略。其实中国传统刺绣在漫漫发展历程中,除了实用性、装饰性、民俗性及技巧成分,也包涵着相当程度的书画艺术性,从宋代绣画到晚明顾绣,文献记录中不乏“针神”之赞誉,相当一部分保存至今的古代绣画精品呈现了刺绣技法与绘画功力的完美结合,具有很高的研究价值。“绣”与“绘”之溯源比较显示刺绣与绘画自古关系密切,刺绣的工具——“针”的名称发展探源亦暗示其文化内涵。中国江南传统刺绣与绣画有着久远密切的联系,绣画传统始终是其最突出的特征。与文人画紧密结合的历代绣画之巅峰——晚明顾绣就诞生于松江地区,并深刻影响了明清江南苏绣的发展。中国第一本刺绣专书清代云间丁氏《绣谱》也诞生于此。本文将追溯中国江南传统刺绣之代表——“苏绣”的历史,着眼于对绣画传统的挖掘,聚焦于顾绣和丁氏《绣谱》,从个案的文献整理及理论的文本分析两个角度切入,并通过对绣与绘、针与箴的史学溯源,及历代女性绣绘兼备者的比较搜集,来对中国江南传统刺绣中的绣画的“艺”之内涵进行有美术史研究价值的针对性阐述,同时结合今日苏绣之乡镇湖的考察调研为其发展提供有益的启示。
[Abstract]:Embroidery is a unique branch of traditional Chinese handicraft for women. Its inheritance occurred not only in the workshop, but also in the family, which kept the stillness of embroidery, but also limited the innovation and development of embroidery. As a female red technique, embroidery has not been recognized by the art hall for a long time, and has not been attached importance to by the theoretical research circles, which has been neglected by the cultural history circle for a long time. In fact, in the course of the long development of Chinese traditional embroidery, in addition to its practicability, decoration, folklore and technical elements, it also contains a considerable degree of calligraphy and painting artistry. From embroidery in the Song Dynasty to Gu embroidery in the late Ming Dynasty, there is no lack of praise from the "needle god" in the documentary records. A considerable part of the ancient embroidery works that have been preserved up to now presents a perfect combination of embroidery techniques and painting skills, which has high research value. The comparison between "embroidery" and "painting" shows that embroidery is closely related to painting since ancient times, and the development of the name of "needle", the tool of embroidery, also implies its cultural connotation. Chinese traditional embroidery and embroidery painting have long been closely linked, embroidery tradition has always been its most prominent characteristics. The peak of the embroidery paintings of the past dynasties, which was closely combined with literati paintings, was born in the Songjiang area in the late Ming Dynasty, and deeply influenced the development of Suzhou embroidery in the southern part of the Yangtze River in the Ming and Qing dynasties. China's first embroidery book, the Qing Dynasty Yunjian Ding's embroidery spectrum also came into being here. This paper will trace back to the history of "Su embroidery", the representative of traditional embroidery in the south of the Yangtze River of China, focus on the excavation of the traditional embroidery painting, focus on Gu Xiu and Ding's "embroidery Spectrum", and cut it into two aspects from the two angles of document arrangement and theoretical text analysis. And through tracing back to the history of embroidery and painting, the history of needle and pro, and the comparative collection of women who have both embroidery and painting in the past dynasties, this paper expounds the connotation of the "art" of the traditional embroidery painting in the south of the Yangtze River in China, which has the value of art history research. At the same time, combined with the investigation and investigation of the village lake of Suzhou embroidery today, it provides beneficial enlightenment for its development.
【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J523.6
，
本文编号：2317123
[Abstract]:Embroidery is a unique branch of traditional Chinese handicraft for women. Its inheritance occurred not only in the workshop, but also in the family, which kept the stillness of embroidery, but also limited the innovation and development of embroidery. As a female red technique, embroidery has not been recognized by the art hall for a long time, and has not been attached importance to by the theoretical research circles, which has been neglected by the cultural history circle for a long time. In fact, in the course of the long development of Chinese traditional embroidery, in addition to its practicability, decoration, folklore and technical elements, it also contains a considerable degree of calligraphy and painting artistry. From embroidery in the Song Dynasty to Gu embroidery in the late Ming Dynasty, there is no lack of praise from the "needle god" in the documentary records. A considerable part of the ancient embroidery works that have been preserved up to now presents a perfect combination of embroidery techniques and painting skills, which has high research value. The comparison between "embroidery" and "painting" shows that embroidery is closely related to painting since ancient times, and the development of the name of "needle", the tool of embroidery, also implies its cultural connotation. Chinese traditional embroidery and embroidery painting have long been closely linked, embroidery tradition has always been its most prominent characteristics. The peak of the embroidery paintings of the past dynasties, which was closely combined with literati paintings, was born in the Songjiang area in the late Ming Dynasty, and deeply influenced the development of Suzhou embroidery in the southern part of the Yangtze River in the Ming and Qing dynasties. China's first embroidery book, the Qing Dynasty Yunjian Ding's embroidery spectrum also came into being here. This paper will trace back to the history of "Su embroidery", the representative of traditional embroidery in the south of the Yangtze River of China, focus on the excavation of the traditional embroidery painting, focus on Gu Xiu and Ding's "embroidery Spectrum", and cut it into two aspects from the two angles of document arrangement and theoretical text analysis. And through tracing back to the history of embroidery and painting, the history of needle and pro, and the comparative collection of women who have both embroidery and painting in the past dynasties, this paper expounds the connotation of the "art" of the traditional embroidery painting in the south of the Yangtze River in China, which has the value of art history research. At the same time, combined with the investigation and investigation of the village lake of Suzhou embroidery today, it provides beneficial enlightenment for its development.
【学位授予单位】：中国美术学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J523.6
，
本文编号：2317123
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