民俗艺术学视角下的祝寿图像研究
发布时间：2019-03-06 14:10
【摘要】：祝寿图像是植根于我国传统文化沃壤之中,并长期应用于人生礼俗生活的一种民俗艺术样式。该图像的生成有生命信仰的观念基础和丰厚的传统文化蕴涵,不仅体现出国人对长寿的企盼、祝愿和追求,也是展现国人生命信仰风俗的鲜活“断切面”。可以说,祝寿图像兼具了风俗性、应用性、典型性和象征性等特征,其物化形态是视觉艺术的,本质属性却是民俗艺术的。尽管祝寿图像的主题意旨集中于祝颂长寿,但实质上,又融入了生命伦理和民间信仰等文化元素。因此,它以视觉形式传递福寿祝愿和渲染寿诞礼俗气氛的同时,也为包括人生礼俗在内的社会风俗增添了艺术色彩和文化理趣。作为传承有序的民俗艺术样式,祝寿图像的生成逻辑和文化功能,实乃缘自于人们对生命长度的苦苦追求,以及对现世生活的执着与眷恋。祝寿图像的最初生成源自星辰信仰,而在其发展和衍化过程中,又逐渐融入寿国、寿人意涵和儒家孝道伦理的文化因子,尤其是世俗观念中的福寿观、多子观和富贵观等吉祥内涵的渗透,皆成为考索和解读该图像生成机制的重要线索与基点之所在。从祝寿图像符号构成系统来看,其意象构成谱系颇为丰富,涉及人物、动物、植物、无机界中的诸多物象。这些意象元素的采用,是历史认知、古代天文、民间风俗、神话故事等的汇聚,亦是祝寿图像亦幻亦真、虚实结合的结果。从祝寿图像中意象构成主题与创作动机来说,主要是沿袭了古代文化中形象思维和观物取象的传统,体现出中国传统民间美术的思维模式。图像的主题皆围绕着长寿寓意而展开,因此,无论是寿意鲜明而强烈的构成元素(如寿星、仙桃),还是作为辅材(如猫、蝶、牡丹、桂花),或带有象征意义(如山、石、日、月)的符号,皆可视为探究中华民族福寿文化密码的一把“钥匙”。尤为值得一提的是,自宋元以来文人士大夫阶层涉足祝寿图像创用以来,诸如梅、竹、菊和松、柏之类的带有士人阶层清贞品格和文化情趣的意象元素便融入到图像之中,加之那些格调不俗的题画诗文附着一起集中传达福寿之意,更为祝寿图像注入了雅文化的精神品位,也从一个侧面丰富和提升了这种民俗艺术样式的文化内蕴。而就民俗艺术的应用来看,祝寿图像亦呈现出明显的类型化倾向,而且它关涉到图像的民俗功能和文化应用的诸多问题,对其分析应立足本原文化背景和兼顾到等级社会制度下的文化情境,诸如：不同的社会阶层、文化层次、职业、性别,以及寿主的审美趣味等,在祝寿图像的应用类型中皆得以充分体现。可以说,对祝寿图像应用和创作特色进行必要的归类,不仅有助于其功能研究细化和深入,也是剖析和抽绎该图像创用特征及其存在意义的极佳视角。总之,对于祝寿图像的研究,不妨可视作体认中华民族深层文化心理结构的一种有效方式。而综合运用交叉学科视野和研究方法,深入探讨祝寿图像的生成机制、意象构成、应用类型和功能演化,更有助于从学理层面深度把握该图像作为民俗艺术“类”的规律和其所具备“种”的特点,从而厘清该图像民俗艺术价值、综合文化价值及其存在意义。而就学科意义来说,祝寿图像的研究不仅对于美术史和民俗学的个案研究具有积极的意义,而且有助于推动民俗艺术学研究向纵深发展。
[Abstract]:Zhu Shou image is rooted in the traditional culture of Chinese culture, and has long-term applied to the life of life in life. The generation of the image is based on the concept of life belief and the rich traditional cultural implication, which not only reflects the hope, wishes and the pursuit of the long-life of the people of the country, but also the living "cut-off section" of the people's life belief custom. It can be said that the image of the birthday has the characteristics of custom, application, typicality and symbolization, and its physical and chemical form is the visual art, the essential attribute is the folk art. Although the theme of the birthday image is intended to focus on the longevity of the toast, it is in essence the cultural elements of life ethics and folk beliefs. Therefore, it also adds the artistic color and the cultural interest to the social custom, including the custom of life, in the same time as the visual form of the life of the life and the atmosphere of the life of the life. As an orderly folk art style, the generation logic and the cultural function of the birthday image are the pursuit of life length from people, and the persistence and love of life in the present world. In the process of its development and development, the original generation of the Zhu-Shou image is derived from the belief of the stars, and in the course of its development and development, it is gradually integrated into the cultural factors of the Shouguo, the Shou Man and the Confucian filial piety ethics, especially the life view, the multi-view and the rich view of the secular concept, and the infiltration of the auspicious connotation. It is the main clue and base point of the examination and interpretation of the image generation mechanism. In that system of the symbol of the image symbol of the birthday, the image composition of the image is abundant, and it relates to many of the figure, the animal, the plant and the inorganic community. The use of these image elements is the convergence of historical cognition, ancient astronomy, folk customs, and fairy tales. It is also the result of the combination of the images of the birthday and the real and the reality. From the image of the birthday to the theme and the motivation of the creation, it is mainly the tradition of the image thinking and the image-taking in the ancient culture, which reflects the mode of thinking of the traditional folk art in China. The subject of the image is spread around the meaning of longevity, and therefore, it is the symbol of the symbolic (such as a mountain, a stone, a day, a month) as an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or a symbol (such as a mountain, a stone, a day, a month), It can be regarded as a "key" to explore the cultural password of the Chinese nation. It is especially worth mentioning that since Song Yuan, the scholar of the scholar has been involved in the image creation of the birthday, and the image elements, such as plum, bamboo, chrysanthemum and pine, and cypress, with the character and cultural interest of the scholar, are integrated into the image. In addition, the cultural connotation of the folk art style is enriched and promoted from a side by means of the concentrated communication of the meaning of the life of the life and the image of the life of the life. On the basis of the application of folk art, the image of the birthday also presents a marked tendency, and it is concerned with many problems of the folk function and the cultural application of the image, and the analysis should be based on the original cultural background and the cultural context under the social system, such as: The different social strata, the cultural level, the occupation, the gender, and the aesthetic taste of the life main are fully reflected in the application type of the birthday image. It can be said that the necessary classification of the application and creation features of the birthday and birthday is not only helpful to the refinement and in-depth of its function, but also an excellent perspective for the analysis and extraction of the characteristics of the image creation and its significance. In short, for the study of the birthday image, it may be regarded as an effective way to recognize the deep cultural psychological structure of the Chinese nation. By using the cross-subject field of view and the research method, the generation mechanism, the image composition, the application type and the function evolution of the birthday image are discussed in detail, and the law of the image as the "class" of the folk art and the characteristics of the "species" are more helpful to the depth of the learning level. So as to clarify the value of the folk art of the image, the comprehensive cultural value and the significance thereof. The research not only has positive significance for the case studies of art history and folklore, but also contributes to the development of the study of folk art.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J205
，
本文编号：2435594
[Abstract]:Zhu Shou image is rooted in the traditional culture of Chinese culture, and has long-term applied to the life of life in life. The generation of the image is based on the concept of life belief and the rich traditional cultural implication, which not only reflects the hope, wishes and the pursuit of the long-life of the people of the country, but also the living "cut-off section" of the people's life belief custom. It can be said that the image of the birthday has the characteristics of custom, application, typicality and symbolization, and its physical and chemical form is the visual art, the essential attribute is the folk art. Although the theme of the birthday image is intended to focus on the longevity of the toast, it is in essence the cultural elements of life ethics and folk beliefs. Therefore, it also adds the artistic color and the cultural interest to the social custom, including the custom of life, in the same time as the visual form of the life of the life and the atmosphere of the life of the life. As an orderly folk art style, the generation logic and the cultural function of the birthday image are the pursuit of life length from people, and the persistence and love of life in the present world. In the process of its development and development, the original generation of the Zhu-Shou image is derived from the belief of the stars, and in the course of its development and development, it is gradually integrated into the cultural factors of the Shouguo, the Shou Man and the Confucian filial piety ethics, especially the life view, the multi-view and the rich view of the secular concept, and the infiltration of the auspicious connotation. It is the main clue and base point of the examination and interpretation of the image generation mechanism. In that system of the symbol of the image symbol of the birthday, the image composition of the image is abundant, and it relates to many of the figure, the animal, the plant and the inorganic community. The use of these image elements is the convergence of historical cognition, ancient astronomy, folk customs, and fairy tales. It is also the result of the combination of the images of the birthday and the real and the reality. From the image of the birthday to the theme and the motivation of the creation, it is mainly the tradition of the image thinking and the image-taking in the ancient culture, which reflects the mode of thinking of the traditional folk art in China. The subject of the image is spread around the meaning of longevity, and therefore, it is the symbol of the symbolic (such as a mountain, a stone, a day, a month) as an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or an auxiliary material (such as a cat, a butterfly, a peony, a sweet-scented osmanthus), or a symbol (such as a mountain, a stone, a day, a month), It can be regarded as a "key" to explore the cultural password of the Chinese nation. It is especially worth mentioning that since Song Yuan, the scholar of the scholar has been involved in the image creation of the birthday, and the image elements, such as plum, bamboo, chrysanthemum and pine, and cypress, with the character and cultural interest of the scholar, are integrated into the image. In addition, the cultural connotation of the folk art style is enriched and promoted from a side by means of the concentrated communication of the meaning of the life of the life and the image of the life of the life. On the basis of the application of folk art, the image of the birthday also presents a marked tendency, and it is concerned with many problems of the folk function and the cultural application of the image, and the analysis should be based on the original cultural background and the cultural context under the social system, such as: The different social strata, the cultural level, the occupation, the gender, and the aesthetic taste of the life main are fully reflected in the application type of the birthday image. It can be said that the necessary classification of the application and creation features of the birthday and birthday is not only helpful to the refinement and in-depth of its function, but also an excellent perspective for the analysis and extraction of the characteristics of the image creation and its significance. In short, for the study of the birthday image, it may be regarded as an effective way to recognize the deep cultural psychological structure of the Chinese nation. By using the cross-subject field of view and the research method, the generation mechanism, the image composition, the application type and the function evolution of the birthday image are discussed in detail, and the law of the image as the "class" of the folk art and the characteristics of the "species" are more helpful to the depth of the learning level. So as to clarify the value of the folk art of the image, the comprehensive cultural value and the significance thereof. The research not only has positive significance for the case studies of art history and folklore, but also contributes to the development of the study of folk art.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J205
，
本文编号：2435594
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