新中国舞台美术研究（1949-1966）

发布时间：2019-04-10 17:28

【摘要】：本文凭藉新中国1949年—1966年戏剧发展的背景,依据这一时期具有代表性的话剧、戏曲剧目,探索舞台美术发展的过程,在理论建构上进行逐层解读。从改革传统戏曲、建设专业化的话剧院团,到话剧“民族化”的探索,再到京剧现代戏的推广,基本构成了新中国“十七年”戏剧的生存格局。在特定的历史环境之下,新中国戏剧的初期建设不但孕育了许多成功的舞台作品,还培养出一批杰出的导演、演员与舞台美术家,他们集中体现新中国的精神,并影响了戏剧发展的艺术风貌。作为戏剧演出有机的组成部分,舞台美术正是处于这样的改革思潮和戏剧观念的转变阶段,步入新中国初创时期的。本文试图通过以下三个章节梳理与记录“十七年”舞台美术的发展进程。第一章舞台美术的初创时期(1949-1956)。整理和记录戏剧演出(话剧、戏曲)的概况,试论新中国舞台美术的初期发展。第二章中外戏剧交流(1950-1965)的背景之下,通过国际教育合作、互派留学生与聘请专家讲学等方式,促进了新中国戏剧教育体系的建立。这一历史时期的戏剧交流,对新中国舞台美术教育与人才培养影响深远。第三章舞台美术民族化探索与争论(1957-1966)。从五十年代至六十年代初期,戏曲与话剧相互借鉴,互相学习——探索话剧文学、导演、表演、舞台美术的民族化与多样性。最后,从历史的角度,思辨戏剧语境下“十七年”舞台美术的发展与演化。综上所述,新中国成立以后,舞台美术研究处在一个全新的社会政治环境与文化氛围之中——即社会主义革命和社会主义建设日益深入的历史时代。为了适应这样的时代,舞台美术的研究同整个戏剧艺术的研究一样,试图探索并确立新的格局。
[Abstract]:Based on the background of the dramatic development from 1949 to 1966 in New China, this paper explores the development process of stage art according to the representative drama and drama repertoire in this period, and interprets it one by one in theory construction. From the reform of traditional opera, the construction of specialized drama troupes, the exploration of "nationalization" of drama, and the promotion of modern opera of Beijing Opera, it basically constitutes the survival pattern of "seventeen years" drama in New China. Under the specific historical environment, the early stage construction of the New China Drama not only gave birth to many successful stage works, but also produced a group of outstanding directors, actors and stage artists, who concentrated on the spirit of the people's Republic of China. And affected the artistic style of drama development. As an organic part of theatrical performance, stage art is in the stage of reforming the ideological trend and the concept of drama, and stepping into the initial stage of new China. This paper attempts to sort out and record the development of stage art in Seventeen years through the following three chapters. The first chapter is the start-up period of stage art (1994-1956). Organize and record the general situation of theatrical performance (drama, opera), try to discuss the initial development of stage art in New China. Under the background of the Sino-foreign drama exchange (1950 / 1965), the establishment of the drama education system in New China has been promoted through the cooperation of international education, the exchange of international students and the hiring of experts to give lectures. This historical period of drama exchange, new China stage art education and talent training far-reaching impact. The third chapter is the exploration and argument of stage art nationalization (1957 / 1966). From the 1950s to the early 1960s, drama and drama learn from each other-exploring the nationalization and diversity of drama literature, director, performance and stage art. Finally, from the historical point of view, thinking about the development and evolution of the "17 years" stage art in the context of drama. To sum up, after the founding of New China, the stage art research is in a new social and political environment and cultural atmosphere-namely, the historical era of socialist revolution and socialist construction. In order to adapt to this era, the study of stage art, like the study of the whole drama art, tries to explore and establish a new pattern.
【学位授予单位】：上海戏剧学院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J813

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