书画收藏中的“鉴真”与“辨伪”

发布时间：2018-06-20 05:43

本文选题：张珩 + 书画鉴定　；参考：《中国书画》2017年01期

【摘要】：正收藏与鉴定构成了一种稳定的历史关系,这是鉴藏的实质。所谓书画鉴定即是对传世书画的"鉴真"与"辨伪"。我想朱万章新作的书名就是体现的这个含意。早年,张珩(1915—1963)先生想建立"书画鉴定之学"(见张珩《怎样鉴定书画》,《文物》1964年第2期),他的方法由于有现代书刊的出版得以公开传播。张珩的方法已经具有现代意义,与古代的方法既有区别又有联系。近现代这一领域对传世书画鉴定研究是通过三种途径同时展开的:第一是收藏家和古董商,第二是博物馆专家,第三是大学的美术史学者。这是三种
[Abstract]:Collection and identification constitute a stable historical relationship, which is the essence of collection. The identification of calligraphy and painting is the identification of truth and falsehood of calligraphy and painting. I think the title of Zhu Wanzhang's new book is the meaning of it. In his early years, Mr. Zhang Heng-yu wanted to establish the School of calligraphy and painting Identification (see Zhang Heng, how to identify calligraphy and painting, Cultural relics, No. 2, 1964). His method was made public by the publication of modern books and periodicals. Zhang Heng's method is of modern significance and is different from and related to ancient methods. In the field of modern times, the identification of calligraphy and painting is carried out simultaneously through three ways: first, collectors and antiques dealers, second, museum experts, and third, university art historians. These are three.
【作者单位】：中央美术学院;
【分类号】：G894

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