论中国女性电影的创作模式

发布时间：2018-03-07 18:32

本文选题：女性电影　切入点：创作模式　出处：《山西大学》2013年硕士论文　论文类型：学位论文

【摘要】：电影作为第七艺术深受人们的喜欢,女性是电影中不可少的元素。中国电影一直以来都很赞扬女性的传统美德,电影中最具光彩和魅力的也是那些有独特命运的女性形象,她们光鲜亮丽的容貌、温柔婉约的性格以及与生俱来的母性光辉,这些都让人们为之动容。近年来随着中国电影的快速发展,关于“女性”的话题在电影界越来越热烈,很多电影开始关注女性的生存状态,演绎她们情感故事的酸甜苦辣,这些电影被称为女性电影。越来越多的学者开始研究中国女性电影的发展状况和创作特点,本文在电影学理论的基础上,结合电影银幕上所塑造的独特的女性形象和女性命运,着重从电影的女性救赎主题、人物情感模式、影片叙事安排、形象审美表达等几个方面探讨女性电影的创作特点和规律。本文先对女性电影的定义和发展历程简单进行了梳理和回顾,这是中国女性电影发展的理论背景。第一章从历史、母性、情爱、改革四方面表达女性的救赎主题,探讨中国女性电影中女性意识的崛起。第二章从历史渊源和成长体验描写女性的苦难记忆,从主体意识和话语权力表现女性的觉醒和自我救赎,因她们地位和性格的卑微,救赎的结果往往是孤独和悲剧,进而形成特有的情感模式。第三章是本文的重点,主要从叙事视角、情节设置、人物塑造三个方面来阐述中国女性电影的独特叙事,以及对女性命运的独特思考。第四章是女性电影的审美建构,用精致的画面和哀婉的声音等来抒发女性的情怀,描写女性的生活。第五章针对中国女性电影的发展现状,探讨其发展过程中存在的问题,进行分析并反思,以便促进中国女性电影未来更好发展。
[Abstract]:Film as a 7th art is loved by people. Women are an indispensable element in the film. Chinese films have always praised the traditional virtues of women, and the most glamorous and glorious images of women in the film are those with unique destiny. Their bright looks, gentle personality and innate maternal brilliance all make people feel moved. With the rapid development of Chinese films in recent years, the topic of "women" has become more and more popular in the film industry. Many films begin to pay attention to the living conditions of women and interpret the ups and downs of their emotional stories. These films are called female films. More and more scholars begin to study the development and creative characteristics of Chinese female films. Based on the theory of cinematology, this paper combines the unique female images and fates created on the film screen. This paper probes into the characteristics and rules of female film creation from the aspects of the theme of female redemption, the emotional mode of characters, the narrative arrangement of the film, the aesthetic expression of the image, and so on. This paper reviews the definition and development of female film, which is the theoretical background of the development of Chinese female film. The first chapter expresses the theme of women's redemption from four aspects: history, motherhood, love and reform. The second chapter describes the suffering memory of women from the historical origin and growing experience, and expresses the awakening and self-redemption of women from the subject consciousness and discourse power, because of their humble status and character. The result of redemption is often loneliness and tragedy, and then form a unique emotional model. Chapter three is the focus of this paper, mainly from the narrative perspective, plot settings, character shaping to elaborate the unique narrative of Chinese women film. Chapter 4th is the aesthetic construction of women's films, which expresses women's feelings and describes women's lives with exquisite pictures and sad sounds. Chapter 5th aims at the development of Chinese women's films. This paper probes into the problems existing in its development, analyzes and reflects on them in order to promote the better development of Chinese women's films in the future.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904

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