1990年代以来的中国小城镇题材电影研究

发布时间：2018-06-27 17:47

本文选题：小城镇 + 空间研究　；参考：《南京师范大学》2017年硕士论文

【摘要】：小城镇题材电影的产生由来已久,最为著名的莫过于《小城之春》。然而电影史上长期以来的城乡二元对立视角论使得小城镇题材电影研究发展缓慢。1990年代中期以来,一方面由于改革开放十多年的经济发展,小城镇的主体性地位得以确立;另一方面,章明、贾樟柯等人的电影创作丰富了小城镇题材电影的实践,并且产生了广泛而深远的影响,使得小城镇题材电影研究发展起来。1990年代以来的小城镇题材电影,最为重要的作用便是反映了改革开放以来的社会现实,深刻地反映了中国近些年来的人口迁徙和社会变迁。也因此,这一时期,不少导演的作品都带有浓厚的个人审美趣味,注重个体生命体验,强调作者性和艺术性。在空间表达和文化内涵上共同体现了浓厚的中国特色,在国际上起到了为中国艺术电影代言的作用。进入新世纪以来,尤其是近些年来中国电影市场的日益发展与壮大,小城镇题材电影创作发生了不少转变,一是商业创作意识的增强,二是更加强调多元的艺术观念和创作手法。这种现象的出现无一不是与近些年的社会发展变动、文化观念和市场观念的转变密切相关。本文以1990年代以来的中国小城镇题材电影作为研究对象,着重分析小城镇题材电影的空间特色和精神文化内涵,并力图深刻揭示出近些年的市场发展环境之下中国小城镇题材电影的发展转变。本文分为四章对小城镇题材电影进行研究。第一章探讨小城镇题材电影的概念和发展的原因。第二章探讨小城镇题材电影的空间,分别是空间的载体、空间的形象、空间的形态建构。第三章则从小城镇题材电影的精神文化内涵进行分析,主要有传统和现代的双重影响,乡村文化和城市文化的双重性,出走和回归的矛盾纠缠,知识分子式的情感纠缠四个方面。最后一章探讨小城镇题材电影的发展变化,分别是日趋加深的商业类型化意识、多元化彰显的艺术风格。
[Abstract]:Small town theme movies have a long history, the most famous is the Spring of small towns. However, the theory of dual opposites between urban and rural areas in the history of film has made the study of small town films develop slowly. Since the mid-1990s, on the one hand, due to the economic development of reform and opening up for more than ten years, the subjectivity status of small towns has been established. On the other hand, the film creation by Zhang Ming, Jia Zhangke and others has enriched the practice of the small town theme film, and has produced the widespread and profound influence, making the small town theme movie research develop since the 1990s. The most important role is to reflect the social reality since the reform and opening up, and to reflect the migration and social changes of China in recent years. Therefore, during this period, many directors' works have strong personal aesthetic taste, pay attention to individual life experience, emphasize authorship and artistry. In the space expression and cultural connotation of the common embodiment of strong Chinese characteristics, in the international has played a role in endorsing Chinese art films. Since entering the new century, especially in recent years, with the increasing development and growth of the Chinese film market, many changes have taken place in the creation of small town films. Second, more emphasis on the diversity of artistic concepts and creative techniques. The emergence of this phenomenon is closely related to the changes of social development and cultural and market concepts in recent years. This article takes the Chinese small town theme movie since 1990s as the research object, emphatically analyzes the space characteristic and the spiritual culture connotation of the small town theme film. It also tries to reveal the development and transformation of Chinese small town films under the market development environment in recent years. This paper is divided into four chapters to study the theme movies of small towns. The first chapter discusses the concept of small town theme film and the reasons for its development. The second chapter discusses the space of small town film, which is the carrier of space, the image of space and the form construction of space. The third chapter analyzes the spiritual and cultural connotations of small town movies, which mainly include the dual influence of tradition and modern, the duality of rural culture and urban culture, the contradiction between runaway and return. Intellectual-style emotional entanglement in four aspects. The last chapter discusses the development and changes of small town films, which are the deepening commercial consciousness and diversified artistic style.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2

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