言说与追寻:评《我不是潘金莲》
发布时间：2018-12-09 14:44
【摘要】：冯小刚电影是书写中国底层经验"当代性"最具有标志性意义的。而《我不是潘金莲》以独特的视角,以"社会互文本效应"将李雪莲普通的民间诉求演变为"民告官"的荒诞闹剧,直接介入当下国民生存的精神境遇与社会心理状态,从而言说底层经验的"当代性"。在此过程之中,通过对现实语境的转换和对照,形成了"乡土"与"现代"的极端表达,凸显了个体生存境遇与价值追寻的尴尬与无奈,构成了独特的审美特征和艺术价值。
[Abstract]:Feng Xiaogang's film is the most iconic one in writing the contemporary experience of China's bottom-level experience. "I am not Pan Jinlian" with a unique angle of view, with "social mutual text effect", Li Xuelian's ordinary folk demands are transformed into the absurd farce of "people suing officials", and directly involved in the spiritual situation and social psychological state of the people's existence. In order to speak of the bottom of the experience of the "contemporary". In this process, through the transformation and contrast of the realistic context, the extreme expression of "native land" and "modern" is formed, which highlights the embarrassment and helplessness of individual living circumstances and pursuit of value, and constitutes a unique aesthetic characteristic and artistic value.
【作者单位】： 西安培华学院文学院;
【分类号】：J905
，
本文编号：2369556
[Abstract]:Feng Xiaogang's film is the most iconic one in writing the contemporary experience of China's bottom-level experience. "I am not Pan Jinlian" with a unique angle of view, with "social mutual text effect", Li Xuelian's ordinary folk demands are transformed into the absurd farce of "people suing officials", and directly involved in the spiritual situation and social psychological state of the people's existence. In order to speak of the bottom of the experience of the "contemporary". In this process, through the transformation and contrast of the realistic context, the extreme expression of "native land" and "modern" is formed, which highlights the embarrassment and helplessness of individual living circumstances and pursuit of value, and constitutes a unique aesthetic characteristic and artistic value.
【作者单位】： 西安培华学院文学院;
【分类号】：J905
，
本文编号：2369556
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