论吴宇森电影中的“好莱坞意识”
发布时间：2019-05-18 09:41
【摘要】：1993年,导演吴宇森凭借"东方暴力美学"前往好莱坞闯荡,《终极标靶》和《断箭》使其成功融入好莱坞,而《变脸》和《碟中谍2》的成功则确立了吴宇森国际大导演的成功地位。纵观吴宇森的导演作品,从早期的香港拍片到征战好莱坞,再到重返中国电影市场,其中具有强烈的"好莱坞意识"。这种意识反映在化繁为简、将情感和思想表达通俗化的处理方式上,这种"好莱坞意识"如同好莱坞电影创作一般,突破并跨越了地域文化的界限。
[Abstract]:In 1993, director Wu Yusen went to Hollywood by virtue of "Oriental violent Aesthetics". "Ultimate Target" and "broken Arrow" enabled him to successfully integrate into Hollywood. The success of "face change" and "Mission impossible 2" has established the successful position of Wu Yusen international director. Throughout Wu Yusen's directed works, from early Hong Kong films to Hollywood, to return to the Chinese film market, which has a strong "Hollywood consciousness." This kind of consciousness is reflected in the way of simplifying the complexity and popularizing the expression of emotion and thought. This kind of "Hollywood consciousness", like Hollywood film creation, breaks through and straddles the boundaries of regional culture.
【作者单位】： 三江学院艺术学院;
【分类号】：J905
[Abstract]:In 1993, director Wu Yusen went to Hollywood by virtue of "Oriental violent Aesthetics". "Ultimate Target" and "broken Arrow" enabled him to successfully integrate into Hollywood. The success of "face change" and "Mission impossible 2" has established the successful position of Wu Yusen international director. Throughout Wu Yusen's directed works, from early Hong Kong films to Hollywood, to return to the Chinese film market, which has a strong "Hollywood consciousness." This kind of consciousness is reflected in the way of simplifying the complexity and popularizing the expression of emotion and thought. This kind of "Hollywood consciousness", like Hollywood film creation, breaks through and straddles the boundaries of regional culture.
【作者单位】： 三江学院艺术学院;
【分类号】：J905
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