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电影时空美学的逻辑起点

发布时间:2019-05-21 17:31
【摘要】:电影艺术的表达形式想要达到意义深远就要具有深刻的思想内涵,而真正想要在虚拟的影像中达到这种效果就无法脱离电影时空的塑造。在电影的世界里,电影时空与哲学犹如双胞胎兄弟,亲密关系表达完全在存在中体现。这份存在是时空结构的存在,与电影世界中的"存在"有着同一性。是电影中所提到的疏明之境和真理之境,与电影中追求的本质要素可谓殊途同归。电影借助镜头语言等手段展现世界和人类精神的本真。这既是电影作为艺术的内在基础,也是电影时空美学的逻辑起点。
[Abstract]:If the expression form of film art wants to achieve far-reaching significance, it must have profound ideological connotation, and if you really want to achieve this effect in virtual images, you can not be separated from the shaping of film time and space. In the world of film, film time and space and philosophy are like twin brothers, the expression of intimate relationship is completely reflected in the existence. This existence is the existence of space-time structure, and has the same identity with the existence in the film world. It is the state of clarity and truth mentioned in the film, which is the same as the essential elements pursued in the film. The film uses lens language and other means to show the true nature of the world and human spirit. This is not only the internal basis of film as art, but also the logical starting point of film space-time aesthetics.
【作者单位】: 山东工艺美术学院;
【分类号】:J901


本文编号:2482262

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