姜文导演的电影创作意识研究
发布时间：2019-05-26 18:52
【摘要】：“创作意识”是导演进行作品创作的坚实基础和核心动力,是导演体现自己理念、意图、心理的主观性表达,从影片的前期筹备工作到影片的上映,导演的“创作意识”会贯穿整个过程。在如今国内导演中,姜文是在作品中最能表达自己创作意识的,他总是以一个“纯爷们”的姿态站在观众面前,从《阳光灿烂的日子》到《一步之遥》这五部作品都被姜文打上了独特的“姜氏”烙印。本文以姜文的“创作意识”为出发点,以他的精英创作意识、英雄形象意识、文化反思意识、个性表达意识、电影商业意识这五方面为主要论点进行分析。绪论部分主要是介绍和收集分析关于姜文的书籍资料文章,对姜文作品的研究现状,和本文的研究意义、目的、主题展开论述。第一章主要是介绍姜文导演创作意识的生成原因,第二章是他不追求产量,而是在意自己的思想契合及精雕细琢的精英创作意识;第三章是他潜意识的英雄崇拜和情结,但角色却未必都是塑造英雄,也包括对英雄的消解;第四章是他的文化反思意识的隐喻,是指他的电影主题,都带有明显的文化意味和思想性;第五章是他的个性表达意识的颠覆,指的是是他的作品从手法到形式都独具特点,如色彩、如结构,如叙事、如对话、如幽默、如反讽,第六章是以姜文为例讨论导演的个性化与传播的市场化之间的矛盾与妥协或融合性问题。
[Abstract]:"Creative consciousness" is the solid foundation and core motive force for the director to create his works, and it is the subjective expression of the director's own idea, intention and psychology, from the preparatory work of the film to the release of the film. The director's creative consciousness runs through the whole process. Among today's domestic directors, Jiang Wen is the most able to express his creative consciousness in his works. He always stands in front of the audience as a "pure master." From "Sunshine Day" to "one step away", these five works have been branded with the unique "Jiang Shi" by Jiang Wen. This paper takes Jiang Wen's "creative consciousness" as the starting point, and takes his elite creative consciousness, hero image consciousness, cultural reflection consciousness, personality expression consciousness and film business consciousness as the main arguments. The introduction part mainly introduces and analyzes the books and materials about Jiang Wen, the research status of Jiang Wen's works, and the significance, purpose and theme of this paper. The first chapter mainly introduces the reasons for the formation of Jiang Wen's creative consciousness, the second chapter is that he does not pursue output, but cares about his own ideological fit and carefully carved elite creative consciousness. The third chapter is his subconscious hero worship and complex, but the role is not necessarily to shape the hero, but also includes the elimination of the hero; The fourth chapter is the metaphor of his consciousness of cultural reflection, which refers to his film theme, which has obvious cultural meaning and ideological nature. The fifth chapter is the subversion of his personal expression consciousness, which refers to the unique characteristics of his works from technique to form, such as color, such as structure, narration, dialogue, humor and irony. The sixth chapter takes Jiang Wen as an example to discuss the contradiction and compromise or integration between the individualization of director and the marketization of communication.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
本文编号：2485549
[Abstract]:"Creative consciousness" is the solid foundation and core motive force for the director to create his works, and it is the subjective expression of the director's own idea, intention and psychology, from the preparatory work of the film to the release of the film. The director's creative consciousness runs through the whole process. Among today's domestic directors, Jiang Wen is the most able to express his creative consciousness in his works. He always stands in front of the audience as a "pure master." From "Sunshine Day" to "one step away", these five works have been branded with the unique "Jiang Shi" by Jiang Wen. This paper takes Jiang Wen's "creative consciousness" as the starting point, and takes his elite creative consciousness, hero image consciousness, cultural reflection consciousness, personality expression consciousness and film business consciousness as the main arguments. The introduction part mainly introduces and analyzes the books and materials about Jiang Wen, the research status of Jiang Wen's works, and the significance, purpose and theme of this paper. The first chapter mainly introduces the reasons for the formation of Jiang Wen's creative consciousness, the second chapter is that he does not pursue output, but cares about his own ideological fit and carefully carved elite creative consciousness. The third chapter is his subconscious hero worship and complex, but the role is not necessarily to shape the hero, but also includes the elimination of the hero; The fourth chapter is the metaphor of his consciousness of cultural reflection, which refers to his film theme, which has obvious cultural meaning and ideological nature. The fifth chapter is the subversion of his personal expression consciousness, which refers to the unique characteristics of his works from technique to form, such as color, such as structure, narration, dialogue, humor and irony. The sixth chapter takes Jiang Wen as an example to discuss the contradiction and compromise or integration between the individualization of director and the marketization of communication.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
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