电影语言符号特性研究
发布时间：2019-05-27 23:46
【摘要】：电影语言的实用研究是当代语言学研究的主要任务，它是在经典语言学和现代语言学研究基础上的进一步发展。电影语言学是一体的新兴综合性学科的一个重要的研究价值。可以在了解语言学的基本知识的基础上，将电影语言相结合的理论与实践进行分析，还可以研究电影语言的表意方式，例如通过实施例的方式。语言学的集大成者索绪尔指出语言由“能指”和“所指”组成，电影作为一种语言，从画面语言到声音语言都有与之相匹配的“能指”和“所指”。研究电影语言的特性是电影语言学一个及其重要的方面，可以有力地推动电影语言学的发展,对于提高电影电视的艺术实践水平、理论研究水平以及整体文化水平，都有着至关重要的意义。 引言部分为电影语言符号特性研究的概述，阐述了国内外电影语言符号特性研究的现状，分析存在的问题，提出反思。界定了符号、语言符号、电影语言符号、特性等概念作为研究的基础，明晰课题探讨的研究意义及价值。从而提出本文研究的研究目的及方法。 第一章介绍的电影语言符号组成，从符号学的角度来看，电影语言符号学“能指”和“所指”的意思。严格按照符号学的研究方法，以确定与您要匹配的电影能指和所指的符号语言。经研究发现，电影语言符号的能指层面由镜头、声画系统及组合系统构成，所指层面为镜头形式的情感传递、声画内容的形象表述、蒙太奇的审美表达三个方面。明晰电影语言符号的构成，进而分析其特性。 第二章、第三章、第四章分别从电影语言符号的曲指性、直观性、层级性三个视角出发去探讨电影语言符号的特性，，区分电影语言与其他门类语言的区别。从特性产生的原因、表现特征、审美意蕴等方面与自然语言、科学语言、文学语言进行对比研究。 第五章是对电影语言符号特性研究的思考，电影语言是一个独立的概念，并非是对自然语言的譬喻，但是“电影语言”一词的出现和研究又与自然语言有着密切的联系，电影语言的创作吸取了大量文学语言的经验与精华，所以这里把电影语言和自然语言、文学语言的异同做一个归纳,以便对电影语言的特性进行探讨。
[Abstract]:The practical study of film language is the main task of contemporary linguistics, and it is a further development on the basis of classical linguistics and modern linguistics. Film linguistics is an important research value of a new and comprehensive subject. On the basis of understanding the basic knowledge of linguistics, the theory and practice of combining film language can be analyzed, and the ideographic methods of film language, such as through embodiments, can also be studied. Saussure, a master of linguistics, points out that language consists of "signifier" and "signifier". Film, as a language, has a matching "signifier" and "signifier" from picture language to sound language. The study of the characteristics of film language is an important aspect of film linguistics, which can effectively promote the development of film linguistics, and can improve the artistic practice level, theoretical research level and overall cultural level of film and television. Are of vital significance. The introduction part is an overview of the research on the characteristics of film language symbols, expounds the present situation of the research on the characteristics of film language symbols at home and abroad, analyzes the existing problems, and puts forward some reflections. The concepts of symbol, language symbol, film language symbol and characteristic are defined as the basis of the research, and the significance and value of the research are clarified. Thus, the purpose and method of this study are put forward. The first chapter introduces the composition of film language symbols. From the perspective of semiotics, film language semiotics means "signifier" and "signifier". Strictly follow semiotics to determine the signifier and symbolic language you want to match. It is found that the signifier level of film language symbols is composed of lens, sound painting system and combination system, which is composed of three aspects: the emotional transmission in the form of lens, the image expression of sound painting content and the aesthetic expression of montage. Clarify the composition of film language symbols, and then analyze its characteristics. The second chapter, the third chapter and the fourth chapter discuss the characteristics of film language symbols from the perspectives of curvature, intuitiveness and hierarchy of film language symbols, and distinguish the differences between film language and other kinds of languages. This paper makes a comparative study with natural language, scientific language and literary language from the aspects of the causes of characteristics, the characteristics of expression and the aesthetic implication. The fifth chapter is about the study of the symbolic characteristics of film language. Film language is an independent concept, not a metaphor for natural language, but the emergence and research of the word "film language" is closely related to natural language. The creation of film language absorbs a lot of experience and essence of literary language, so this paper sums up the similarities and differences between film language and natural language, literary language, in order to explore the characteristics of film language.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2486547
[Abstract]:The practical study of film language is the main task of contemporary linguistics, and it is a further development on the basis of classical linguistics and modern linguistics. Film linguistics is an important research value of a new and comprehensive subject. On the basis of understanding the basic knowledge of linguistics, the theory and practice of combining film language can be analyzed, and the ideographic methods of film language, such as through embodiments, can also be studied. Saussure, a master of linguistics, points out that language consists of "signifier" and "signifier". Film, as a language, has a matching "signifier" and "signifier" from picture language to sound language. The study of the characteristics of film language is an important aspect of film linguistics, which can effectively promote the development of film linguistics, and can improve the artistic practice level, theoretical research level and overall cultural level of film and television. Are of vital significance. The introduction part is an overview of the research on the characteristics of film language symbols, expounds the present situation of the research on the characteristics of film language symbols at home and abroad, analyzes the existing problems, and puts forward some reflections. The concepts of symbol, language symbol, film language symbol and characteristic are defined as the basis of the research, and the significance and value of the research are clarified. Thus, the purpose and method of this study are put forward. The first chapter introduces the composition of film language symbols. From the perspective of semiotics, film language semiotics means "signifier" and "signifier". Strictly follow semiotics to determine the signifier and symbolic language you want to match. It is found that the signifier level of film language symbols is composed of lens, sound painting system and combination system, which is composed of three aspects: the emotional transmission in the form of lens, the image expression of sound painting content and the aesthetic expression of montage. Clarify the composition of film language symbols, and then analyze its characteristics. The second chapter, the third chapter and the fourth chapter discuss the characteristics of film language symbols from the perspectives of curvature, intuitiveness and hierarchy of film language symbols, and distinguish the differences between film language and other kinds of languages. This paper makes a comparative study with natural language, scientific language and literary language from the aspects of the causes of characteristics, the characteristics of expression and the aesthetic implication. The fifth chapter is about the study of the symbolic characteristics of film language. Film language is an independent concept, not a metaphor for natural language, but the emergence and research of the word "film language" is closely related to natural language. The creation of film language absorbs a lot of experience and essence of literary language, so this paper sums up the similarities and differences between film language and natural language, literary language, in order to explore the characteristics of film language.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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