中国历史题材纪录片（1979-2016）的叙事研究

发布时间：2019-05-29 19:48

【摘要】：1979年,中国与日本共同拍摄了历史题材纪录片《丝绸之路》,该片的出现为历史题材纪录片开拓了新的发展道路,从此,历史题材纪录片开始转型,其历史表达的主题与表现方法也随之发生了很大的转变,从人文历史的视角,以深刻的理性去反思,或还原局部的历史,或展现恢宏的历史样貌。以纪实的方法创立另外一种特别的历史认知方式。1979年之后,伴随着社会发展的不同阶段,历史题材纪录片也实时地进行了叙事的转变与内容呈现,使其表达方式顺应具体的时代发展需求,以保证历史题材纪录片对于历史性与时代性的综合实现。1979年以来我国历史题材纪录片的叙事取得了长足的发展。第一章概述历史题材纪录片的内涵,并且对历史题材纪录片进行类型划分;第二章对80年代以来历史题材纪录片的叙事题材进行研究,并将其划分为80年代的国家民族主体、90年代的“新”历史叙事以及新世纪多元表达三个阶段。总结1979年以来,我国历史题材纪录片的叙事方式,即故事化叙事、多视角叙事、“虚构”叙事—真实再现三个方面,总结1979年以来我国历史题材纪录片的叙事倾向,即坚持纪实性本质不变、视听语言丰富运用、叙事结构的多层次拓展、叙事的哲理化倾向四个角度进行阐述;第三章论述历史题材纪录片的发展困境及其对于叙事的推动作用。力图通过总结1979年以来我国历史题材纪录片的叙事发展过程,为后来的研究者提供可参考的资料。
[Abstract]:In 1979, China and Japan jointly filmed the Silk Road, a historical documentary. The emergence of the film opened up a new road for the development of historical documentaries. Since then, historical documentaries have begun to transform. The theme and method of historical expression have also undergone great changes, from the perspective of humanistic history, with profound rationality to reflect, or restore local history, or show magnificent historical features. To create another special way of historical cognition by documentary method. After 1979, with the different stages of social development, historical documentaries also carried out narrative changes and content presentation in real time. To make its expression conform to the specific needs of the development of the times, in order to ensure the comprehensive realization of historical and contemporary documentaries. Since 1979, the narrative of historical documentaries in our country has made great progress. The first chapter summarizes the connotation of historical documentaries, and classifies the types of historical documentaries. The second chapter studies the narrative theme of the historical documentary since 1980s, and divides it into three stages: the national subject in the 1980s, the "new" historical narrative in the 1990s and the pluralistic expression in the new century. This paper summarizes the narrative mode of historical documentaries in China since 1979, that is, storytelling, multi-angle narration and "fictional" narration-true reproduction, and summarizes the narrative tendency of historical documentaries in China since 1979. That is, adhere to the essence of reality unchanged, rich use of audio-visual language, multi-level expansion of narrative structure, narrative philosophical tendency to elaborate from four angles; The third chapter discusses the development dilemma of historical documentaries and its role in promoting narration. By summing up the narrative development process of historical documentaries in China since 1979, this paper tries to provide reference materials for later researchers.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

【参考文献】