我国微电影艺术审美特征研究

发布时间：2019-06-04 07:04

【摘要】：数字技术、多媒体技术、网络技术、通信技术的发展让我们进入“微时代”。碎片化的阅读习惯使得短篇幅文字、短视频成为人们获取讯息的主要形式。微电影以崭新的面貌和形式出现在网络。它在传播载体、传播内容和传播形式上都彻底改变了传统电影和电视带给人们的感受，越来越受到大众的关注和重视。微电影凭借其时间短、制作周期短、投资少、网络平台播放等与生俱来的特征，逐渐形成有别于传统电影的独特的艺术审美特征。首先，从艺术审美内容来看，由于微电影主要通过网络媒介进行传播，大量草根族群参与微电影的创作，，所以，微电影审美内容的独特性非常鲜明：一是题材选择平民化；二是人物多设置为生活中的小人物或社会边缘人物；三是主题内涵多元化，展现可触的人情百态，讽刺可见的社会现实，释放个人蓬勃的想象力，充分表达个人对生活中情感问题、社会问题的思考。其次，在艺术审美表现手法方面，由于微电影快餐式的观看方式，其创作者在影片表现形式上进行新的探索，形成独特的美学追求。其一，微电影在创作时尽量减短铺垫的时间，一般以冲突作为叙事起点，用悬念来强化叙事过程，多选择以一个高潮点作为叙述重点，并大多在高潮中收尾。其二，微电影画面具有写实主义的审美风格，镜头语言十分精炼，在画面构图上运用特写镜头和近景画面来进行叙事和表意。为补充叙事上的不足，微电影直接将要传达的情感借助画面色调诉诸于观众感官。其三，在声音方面，多使用内心独白和经典配乐。此外，微电影需要在短时间内抓住观者的兴趣，剪辑方式简洁明快，彰显作者个性。再次，从微电影创作的制作规范、创作内容以及监管方面出现的问题来看，还存在制作缺乏规范性、内容过于商业性，以及监管缺乏有效性等方面的问题。因此，丰富微电影题材选择，不断深化和提升微电影的艺术内涵和艺术品质成为微电影创作发展的主要路径。
[Abstract]:The development of digital technology, multimedia technology, network technology and communication technology makes us enter the micro-era. The fragmented reading habit makes short text and short video the main form of getting information. Microfilms appear on the Internet with a new look and form. It has completely changed the feelings brought by traditional films and television in terms of communication carrier, communication content and communication form, and has been paid more and more attention by the public. Because of its short time, short production cycle, less investment, network platform broadcast and other innate characteristics, microfilm gradually formed a unique artistic aesthetic characteristics different from the traditional film. First of all, from the point of view of artistic aesthetic content, because microfilms are mainly disseminated through the network media, a large number of grassroots ethnic groups participate in the creation of microfilms, so the uniqueness of aesthetic content of microfilms is very distinct: first, the choice of subject matter is civilian; Second, most of the characters are set up as small potatoes or marginal characters in life; Third, the connotation of the theme is diversified, showing touchable human feelings, satirizing the visible social reality, releasing the vigorous imagination of the individual, and fully expressing personal thinking on emotional and social problems in life. Secondly, in the aspect of artistic aesthetic expression, because of the fast food viewing mode of microfilm, its creator makes a new exploration in the form of film expression and forms a unique aesthetic pursuit. First, microfilms try their best to shorten the time to pave the way, generally taking conflict as the narrative starting point, using suspense to strengthen the narrative process, choosing a high tide point as the narrative focus, and mostly ending in the climax. Second, the microfilm picture has the realistic aesthetic style, the lens language is very refined, uses the close-up lens and the close-up picture to carry on the narration and the expression on the picture composition. In order to supplement the lack of narration, the emotion that the microfilm will convey directly resorts to the audience's senses with the help of the tone of the picture. Third, in terms of sound, more use of inner monologue and classical soundtrack. In addition, microfilms need to grasp the interest of the viewer in a short period of time, editing in a concise and bright way, showing the author's personality. Thirdly, from the production norms, creative content and regulatory problems of microfilm creation, there are still some problems, such as lack of standardization, too commercial content, and lack of effectiveness of supervision and so on. Therefore, enriching the choice of micro-film theme, deepening and improving the artistic connotation and artistic quality of micro-film has become the main path of the development of micro-film creation.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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