宫崎骏动画色彩设计探究

发布时间：2019-06-05 03:41

【摘要】：在当今的动画电影当中,除了美国的迪斯尼动画片以外,最有影响力的就是日本动画了。与迪斯尼不同的是,日本动画极具民族特色。一谈到日本动画电影,绝大多数人首先想到的就是日本动画大师宫崎骏,他用他独特的方式营造着属于自己的卡通世界,也为全世界人民带来了一部又一部具有地方特色的动画作品。宫崎骏代表了日本动画艺术的巅峰成就,被誉为“动画之神”、“动画诗人”,他极具东方色彩的唯美影像和恒之不变的深刻主题,给世界动画以及中国动画带来了强烈的冲击。他所创立的吉卜力工作室自1985年以来,出产了多部重量级的动画电影,诸如《天空之城》、《猫的报恩》、《哈尔的移动城堡》等等,这些影片奠定了宫崎骏不可替代的大师地位。2002年,他执导的动画电影《千与千寻》获得了第52届柏林电影节的金熊奖,这是亚洲动画在柏林电影节上获得的最高奖项。研究宫崎骏动画的学者不在少数,然而,大部分研究宫崎骏动画的都是从动画主题、精神层面分析的,极少是从色彩角度分析的,即使写到也只是寥寥数笔。该选题将从宫崎骏动画色彩入手,不仅仅是对色彩本身进行探究,更是从色彩的视觉意义、心理意义和象征意义方面进行研究,因为色彩是宫崎骏动画最具特色的一个体现。本文分为五个部分,首先第一部分介绍宫崎骏的成长经历以及动画生涯创作经历;第二部分讲解什么是动画色彩,动画色彩具有哪些属性,并以宫崎骏的动画色彩举例说明；第三部分从人物、场景、氛围以及心境的营造四个角度深入剖析宫崎骏的动画色彩,色彩在动画各个组成元素中起到的作用和功能；第四部分介绍了宫崎骏动画与欧美国家以及中国动画在色彩方面的比较,每个地区具有哪些色彩特征；第五部分讲解的是宫崎骏动画色彩设计对我国未来动画色彩设计的启示,这主要从我国动画在色彩方面存在的问题以及如何解决两个方面来阐述。目的是掌握如何在动画色彩设计中灵活的运用色彩的魅力,给观众带来更好的画面视觉效果。
[Abstract]:In today's animated films, with the exception of Disney cartoons in the United States, the most influential is Japanese animation. Unlike Disney, Japanese animation has great national characteristics. When it comes to Japanese animated films, the first thing most people think of is Japanese animation master MiyazakiHayao, who uses his unique way to create his own cartoon world. It has also brought one animation works after another with local characteristics for people all over the world. MiyazakiHayao represents the pinnacle of Japanese animation art, known as "the God of Animation" and "Animation Poet". He has the aesthetic image of oriental color and the immutable profound theme. It has brought a strong impact to the world animation and Chinese animation. Since 1985, he founded Studio Ghibli, which has produced a number of heavyweight animated films, such as the City of the Sky, the return of the Cat, the moving Castle of Hal, and so on. The films established MiyazakiHayao as an irreplaceable master. In 2002, his animated film, Thousand thousand fathom, won the Golden Bear Award at the 52nd Berlin Film Festival, the highest award won by Asian Animation at the Berlin Film Festival. There are not a few scholars who study MiyazakiHayao animation. However, most of the scholars who study MiyazakiHayao animation are analyzed from the animation theme, spiritual level, and rarely from the color point of view, even if written, it is only a few strokes. This topic will start with MiyazakiHayao animation color, not only to explore the color itself, but also from the visual meaning, psychological meaning and symbolic meaning of color, because color is one of the most characteristic embodiment of MiyazakiHayao animation. This paper is divided into five parts. First, the first part introduces MiyazakiHayao's growth experience and animation career creation experience; the second part explains what animation color is and what attributes animation color has, and gives an example of MiyazakiHayao's animation color. The third part deeply analyzes the animation color of MiyazakiHayao from the four angles of character, scene, atmosphere and mood, and the function and function of color in each component element of animation. The fourth part introduces the color comparison between MiyazakiHayao animation, European and American countries and Chinese animation, and what color characteristics each region has. The fifth part explains the enlightenment of MiyazakiHayao animation color design to the future animation color design of our country, which mainly expounds the problems existing in the color aspect of Chinese animation and how to solve the two aspects. The purpose is to master how to flexibly use the charm of color in animation color design, and to bring better visual effect to the audience.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954

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