荒诞与象征:现实表象下的中国故事
发布时间：2019-06-11 10:27
【摘要】：作为调整画幅的实验性作品,电影《我不是潘金莲》讲述了一个贴近生活的现实故事,电影遵循因果承续的内容架构,以全知视点凝聚情节,但重情节线索轻细节骨肉的架构特点使这个因果相连、富于秩序感的故事变得飘忽而荒诞,更在说书人似的旁白中退后为悠悠传说。同时,基于偶然的反讽叙事真假倒错,强化了其传奇性;方圆画幅的选取,对称构图、低饱和色彩的运用,使得故事进一步抽象写意,江南水乡背景下四处鸣冤的李雪莲,已然成为一个符号,成就了现实表象下中国故事的荒诞与象征。
[Abstract]:As an experimental work to adjust the picture, the film "I am not Pan Jinlian" tells a realistic story close to life. The film follows the content structure of causality, and condenses the plot from a omniscience point of view. However, the structural characteristics of emphasizing plot clues over detail make this causality connected, the story full of order becomes erratic and absurd, and retreats into leisurely legends in storyteller narratives. At the same time, based on the accidental irony narration, the truth and falsehood are wrong, which strengthens its legendary nature. The selection of square circle painting, symmetrical composition and the use of low saturation color make the story further abstract freehand brushwork. Li Xuelian, who has been avenged everywhere in the background of Jiangnan water village, has become a symbol. It has achieved the absurd and symbolic of the Chinese story under the realistic appearance.
【作者单位】： 中原工学院;
【基金】：2014年国家社科基金艺术学青年项目“中国现代话剧导演史论”(项目编号:14CB101)
【分类号】：J905
，
本文编号：2497119
[Abstract]:As an experimental work to adjust the picture, the film "I am not Pan Jinlian" tells a realistic story close to life. The film follows the content structure of causality, and condenses the plot from a omniscience point of view. However, the structural characteristics of emphasizing plot clues over detail make this causality connected, the story full of order becomes erratic and absurd, and retreats into leisurely legends in storyteller narratives. At the same time, based on the accidental irony narration, the truth and falsehood are wrong, which strengthens its legendary nature. The selection of square circle painting, symmetrical composition and the use of low saturation color make the story further abstract freehand brushwork. Li Xuelian, who has been avenged everywhere in the background of Jiangnan water village, has become a symbol. It has achieved the absurd and symbolic of the Chinese story under the realistic appearance.
【作者单位】： 中原工学院;
【基金】：2014年国家社科基金艺术学青年项目“中国现代话剧导演史论”(项目编号:14CB101)
【分类号】：J905
，
本文编号：2497119
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