当前位置:主页 > 文艺论文 > 影视论文 >

《归来》中“门”的隐喻分析

发布时间:2019-06-12 02:18
【摘要】:《归来》作为张艺谋第二次改编严歌苓小说的电影代表作,将原著小说中大量的细节、心理、背景转变为大量意象的运用。其中,"门"的多次出现,将电影的深刻性推进了一层。将过去——现在——未来的时间及外界——家园——内心的空间紧密整合,同时也将"门"的意象所带有的家园思想、文化内涵、对历史的态度等表现了出来,表现出陆焉识作为知识分子肉体归来之外"魂兮归来"的深刻主题。
[Abstract]:Return, as the film masterpiece of Zhang Yimou's second adaptation of Yan Geling's novel, transformed a large number of details, psychology and background into the use of a large number of images in the original novel. Among them, the emergence of "door" many times, the film of the profundity promoted a layer. This paper closely integrates the inner space of the past-the present-the future time and the outside world-home-at the same time, it also shows the home thought, cultural connotation and attitude towards history carried by the image of "door", and shows Lu Yanzhi as the profound theme of "soul return" in addition to the physical return of intellectuals.
【作者单位】: 黑龙江外国语学院;
【分类号】:J905

【相似文献】

相关期刊论文 前1条

1 狄锐;;归来与反思:以爱情之名[J];电影新作;2014年04期



本文编号:2497642

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2497642.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户29b4e***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com