新世纪以来迪士尼动画大片女主角形象研究

发布时间：2019-06-13 20:23

【摘要】：迪士尼动画被誉称为“生命的幻像”,它一直占据着美国动画市场的核心地位,见证与带领了美国动画电影从雏形到成熟再到世界巅峰的历程。迪士尼动画的成功不仅是其动画类型、配乐、特效上的视听震撼,更是生动、有趣、迷人的卡通人物形象为其留下了更令人难忘的动画记忆。纵观迪士尼动画人物近百年的演变过程,由上世纪可爱的米老鼠家族到如今21世纪里造型多变的各类人物,迪士尼里每一位角色都彰显着其独特的审美情趣,主人公身上更是以多元化的性格和外形实现人物独特风格的塑造,且往往不同于配角、反派角色,有着反差或递增的形象发展趋势。那么,迪士尼对人物形象的创新设计,不仅完善与突破了动画设计的理念,并且调皮的米老鼠、优雅的白雪公主、纯真的匹诺曹、勇敢的辛巴、善良的小美人鱼、忧郁的艾莎、坚强的朱迪等人物形象的成功,推动了其动画市场的发展前景与领军地位。由此可见,其人物都有着别出心裁的形象定位,尤其在女主角形象塑造上,新世纪迪士尼动画女主角已截然不同于上世纪的女性形象,女性意识的愈发强烈,使她们变得更加个性化、独立化,甚至在近几年的迪士尼动画里女主角几乎拥有了比男性角色更重要的形象地位,并渐渐取代了男性叙事视角,如《勇敢传说》《冰雪奇缘》《疯狂动物城》《海洋奇缘》里的女性形象,她们都有着自己独立的话语权,并主要以自我意志决定行为动机。针对迪士尼动画女性的形象转变,本文基于新世纪迪士尼动画大片里的女主角形象,围绕其形象类型、审美特征、塑造策略、文化内涵四个方面进行研究,且全文分为绪论、四个章节和结语。本文的绪论部分主要阐述研究目的以及梳理国内外相关研究的现状,以此分析目前学者们对迪士尼动画研究的重点理论和对迪士尼女性形象研究得出的核心观点。第一章为新世纪迪士尼动画女主角形象图谱,主要分析迪士尼女性形象概观,从迪士尼诞生的首位女明星到当下的热门女性主角,分析她们的形象共性与个性,并根据迪士尼女性“公主、拟人、平民”三大类型进行形象分析。第二章为新世纪迪士尼动画女主角形象的审美特征,主要是从动画造型艺术和美学价值两方面展开研究,围绕女主角造型上的拟真与变形,以及童话性、游戏性、喜剧性三大特征,挖掘出迪士尼女主角形象的审美情趣。第三章为新世纪迪士尼动画女主角形象的塑造策略,主要结合迪士尼动画里的最为成功和最具特色的女主角形象作为案例分析,探究迪士尼对女主角在话语权、叙事风格等方面的巧妙设计。第四章为新世纪迪士尼动画女主角形象的文化内涵,主要就迪士尼文化理念、美国精神文化、后现代精神文化三个部分为研究核心,分析三种文化与迪士尼女主角形象的关联性。
[Abstract]:Disney animation is known as "the illusion of life". It has always occupied the core position of the American animation market, and witnessed and led the process of American animation films from embryonic form to maturity and then to the peak of the world. The success of Disney animation is not only its animation type, soundtrack, special effects on the audio-visual shock, but also vivid, interesting, charming cartoon characters for it left a more unforgettable animation memory. Throughout the evolution of Disney animated characters in the past hundred years, from the lovely Mickey Mouse family in the last century to all kinds of characters with changeable shapes in the 21st century, each character in Disney shows its unique aesthetic taste, and the protagonist realizes the unique style of the characters with diversified character and shape, and is often different from the supporting characters, villain characters, with a contrast or increasing image development trend. Well, Disney's innovative design of character images not only perfects and breaks through the concept of animation design, but also promotes the development prospect and leading position of animation market by naughty Mickey Mouse, elegant Snow White, pure Pinocchio, brave Simba, kind little mermaid, melancholy Aisha, strong Judy and so on. Thus it can be seen that their characters have a unique image orientation, especially in the portrayal of the heroine, the female protagonist of the new century Disney animation has been very different from the female image of the last century, and the female consciousness has become more personalized and independent, and even in the Disney animation in recent years, the heroine has almost had a more important image position than the male character, and has gradually replaced the male narrative perspective. For example, in the Legend of bravery, the Legend of Ice and Snow, the Crazy Animal City, the Ocean Wonder, they all have their own independent voice, and mainly determine their behavior motivation by their own will. In view of the image transformation of Disney animation women, this paper is based on the image of heroine in Disney animation blockbuster in the new century, focusing on its image type, aesthetic characteristics, shaping strategy and cultural connotation, and the full text is divided into introduction, four chapters and conclusion. The introduction part of this paper mainly expounds the purpose of the research and combs the present situation of the relevant research at home and abroad, in order to analyze the key theory of Disney animation research and the core point of view of Disney female image research. The first chapter is the image map of Disney animation heroine in the new century, mainly analyzes the Disney female image overview, from Disney's first female star to the current hot female protagonist, analyzes their image commonness and individuality, and carries on the image analysis according to Disney female "princess, personification, civilian" three types. The second chapter is the aesthetic characteristics of Disney animated heroine image in the new century, mainly from the animation plastic arts and aesthetic value of the two aspects of research, around the heroine modeling quasi-truth and deformation, as well as fairy tale, game, comedy three characteristics, excavate the aesthetic taste of Disney heroine image. The third chapter is the shaping strategy of Disney animation heroine image in the new century, which mainly combines the most successful and characteristic heroine image in Disney animation as a case study to explore Disney's ingenious design of heroine in speech power, narrative style and so on. The fourth chapter is the cultural connotation of Disney animation heroine image in the new century, mainly on Disney cultural concept, American spiritual culture, post-modern spiritual culture as the core of the study, analysis of the relationship between the three cultures and Disney heroine image.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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