对塔可夫斯基电影中宗教因素的探求

发布时间：2019-06-14 21:25

【摘要】：塔可夫斯基的电影对大多数人来说是晦涩难懂的，也是一直被主流电影界所排斥的，当然，理解塔可夫斯基的电影也需要跟主流的电影思维区分开来，因为塔可夫斯基的电影语言是独创的，具有强烈的个人色彩，塔可夫斯基坚信电影存在的一个很重要的理由就是它是生命的一部分，当然，电影这种艺术形式也很适合于表现生命的各个方面，塔可夫斯基电影里有着太多的“真实”与“不真实”，现实与梦境的不断交叉融合，，亦真亦假，虚虚实实，在不同的镜头之间来回穿插，让人如初如醉般，被其独特的影像风格深深吸引，在梦幻般的的镜头下面传达出浓浓的宗教气质，本文就是想通过对电影语言的分析来对其电影里对生命本质和人类精神世界的孜孜不倦的探求，由此可以看出，塔可夫斯基的诗意是建立在生命本质的意义之上的，这些发自内心的生命的感悟已经上升到精神世界中对人的存在的思考，我们不能忽视他这种电影观产生的土壤，这就是俄罗斯传统文化以及浓厚的宗教背景，他的电影也是对本民族文化的认同。本文主要研究导演塔可夫斯基电影中的宗教因素。塔可夫斯基一生拍摄过八部电影，这八部电影组成了他整个艺术生涯的全部。本文一共分为三部分来论述。第一部分是塔可夫斯基电影的宗教阐述，第二部分关于塔可夫斯基电影的宗教特性，而第三部分则是讲述塔可夫斯基电影中电影语言的宗教气质。全文基于塔可夫斯基的电影以及电影里面的各种电影语言，对电影里面的宗教符号进行分析，尤其是他的后两部电影《乡愁》和《牺牲》，不管是在电影语言还是在主题思想上都表现出了浓厚的宗教色彩。
[Abstract]:Tarkovsky's films are obscure to most people and have always been excluded by the mainstream film industry. of course, understanding Tarkovsky's films also needs to be distinguished from the mainstream film thinking, because Tarkovsky's film language is original and has a strong personal color. Takovsky firmly believes that one of the very important reasons for the existence of the film is that it is a part of life, of course, The art form of film is also very suitable for expressing all aspects of life. Tacovsky's films have too many "real" and "untrue", the continuous cross-fusion of reality and dreams, true and false, interspersed between different lenses, so that people are as drunk as ever, deeply attracted by their unique image style, and convey a strong religious temperament under the dreamy lens. Through the analysis of film language, this paper tries to explore the essence of life and the spiritual world of human beings in his films tirelessly. It can be seen that Tarkovsky's poetry is based on the meaning of the essence of life, and these feelings of life from the heart have risen to the thinking of human existence in the spiritual world, and we can not ignore the soil of his view of film. This is the Russian traditional culture and strong religious background, his film is also the identity of his own national culture. This paper mainly studies the religious factors in director Tarkovsky's films. Tarkovsky has made eight films in his life, which make up the whole of his artistic career. This paper is divided into three parts to discuss. The first part is the religious exposition of the Tacovsky film, the second part is about the religious characteristics of the Tacovsky film, and the third part is about the religious temperament of the film language in the Tacovsky film. Based on Tarkovsky's films and various film languages, this paper analyzes the religious symbols in the films, especially his last two films, homesickness and sacrifice, which show a strong religious color both in the film language and in the theme.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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