批判现实主义动画角色的塑造研究

发布时间：2019-06-15 14:24

【摘要】：本文从批判现实主义的角度入手,分析和研究批判现实主义动画的基本特征,以动画中角色的塑造为研究重点,探索批判性的艺术理念在未来动画发展中的积极意义。批判现实性主义的创作观不仅存在,而且作为一种指导思想比其它形式的艺术更具有重要的意义。批判现实主义的动画创作不拘泥于某一艺术形式的限制,而呈现出融合的面貌。批判现实主义的创作理念与其他艺术形式有所不同,由现实解析、反思批判和未来建构三部分组成,其出发点是真实的展示社会生活的方方面面,对现实矛盾进行深刻的批判,其目的是对社会现实进行解析反思,从而达到追求理想和对人性的关怀。本文通过对批判现实主义动画的发展脉络的梳理,对其主题内容进行归纳总结后,大致将批判现实主义风格的动画分为三个阶段:首先,二次世界大战结束后反法西斯同盟获得胜利,受这一时期特殊世界格局的影响,动画创作主要以政治批判为主;其次,两级格局形成后,人们生活在高压社会体制下所表现出的自私、冷漠、贪婪等人性弱点成为了动画的创作倾向,这一时期的创作主要以人性批判为主;最后,随着时代的发展,对普通人和平凡生活的关注与描摹,成为了动画创作的主要对象,这一时期的动画创作主要以社会批判类型为主。批判现实主义的动画不仅充分显示出独有的人文精神和社会责任感,还能够与时俱进,时刻保持与现实的联系,其塑造的人物角色贴近观众心理,与观众产生共鸣。作为艺术形式符号化的动画角色,它通过形象性格的展示来满足观众的审美需求。因此研究批判现实主义动画角色的塑造具有深远意义。目前关于批判现实主义动画的研究相对较少。本文将着重分析批判现实主义的动画创作,并归纳总结出相应的角色塑造方法,提供理论研究与实践相结合的依据,为今后批判现实主义动画创作提供新的思路。
[Abstract]:From the point of view of critical realism, this paper analyzes and studies the basic characteristics of critical realism animation, focuses on the shaping of characters in animation, and explores the positive significance of critical artistic ideas in the development of animation in the future. Criticizing the creative view of realism not only exists, but also plays a more important role than other forms of art as a guiding ideology. The animation creation of critical realism is not confined to the limitation of a certain art form, but presents the appearance of fusion. The creative idea of critical realism is different from other artistic forms, which is composed of three parts: realistic analysis, reflective criticism and future construction. its starting point is to display all aspects of social life, and to criticize the contradiction of reality deeply, the purpose of which is to analyze and reflect on the social reality, so as to achieve the pursuit of ideal and concern for human nature. By combing the development of critical realism animation and summing up its theme content, this paper roughly divides the animation of critical realism style into three stages: first, after the end of the second World War, the anti-fascist alliance won victory, and under the influence of the special world pattern in this period, the animation creation is mainly based on political criticism; Secondly, after the formation of the two-level pattern, the selfishness, apathy, greed and other human weaknesses shown by people living in the high-pressure social system have become the creative tendency of animation, and the creation in this period is mainly based on the criticism of human nature. Finally, with the development of the times, the attention and description of ordinary people and ordinary life has become the main object of animation creation, and the animation creation in this period is mainly based on the type of social criticism. The animation of critical realism not only fully shows the unique humanistic spirit and social responsibility, but also can keep pace with the times and keep in touch with reality at all times. Its characters are close to the audience's psychology and resonate with the audience. As a symbolic animation role of art form, it meets the aesthetic needs of the audience through the display of image character. Therefore, it is of far-reaching significance to study the shaping of critical realistic animation characters. At present, there are relatively few studies on critical realistic animation. This paper will focus on the analysis of critical realism animation creation, and summarize the corresponding role shaping methods, provide the basis for the combination of theoretical research and practice, and provide a new way of thinking for the future critical realism animation creation.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

【参考文献】