论少数民族题材电影的空间建构美学

发布时间：2019-06-24 17:06

【摘要】：从电影空间美学的客观形态出发审视新时期以来的少数民族题材电影,发现在当下"空间转向"的语境中,电影媒介语言的本体——"空间"不再是仅供"他者"观看和想象的奇观容器,不再仅仅是一块银幕、一个景框、事件的地点、故事的外壳,在叙事、表意、象征方面也不再处于沉睡状态,而是空间更多的功能被唤醒,从隶属于时间性叙事到上升为叙事中心,成为叙事元素,占据相当的叙事地位。本文立足于新时期以来的少数民族题材电影,从空间的拓展性、写意性、象征性三个方面阐述影片如何通过空间建构实现电影媒介语言表述策略与民族文化内涵之间的相互融合,以及如何通过空间美学实现对"民族性"的把握,建立具有民族特色的视听语言风格。
[Abstract]:From the objective form of film space aesthetics, it is found that in the context of "space turn", the Noumenon of film media language, "space", is no longer a wonder container for viewing and imagining only "the other", but no longer just a screen, a scene frame, the place of events, the shell of the story, and no longer in a state of deep sleep in narrative, ideographic and symbolic aspects. However, more functions of space are awakened, from subordinate to temporal narration to rising to narrative center, becoming narrative elements, occupying a considerable narrative position. Based on the minority films since the new period, this paper expounds how to realize the integration of film media language expression strategy and national cultural connotation through spatial construction from three aspects: spatial expansion, freehand brushwork and symbolism, and how to realize the grasp of "nationality" through space aesthetics and establish the audio-visual language style with national characteristics.
【作者单位】：西南民族大学艺术学院;
【基金】：教育部人文社会科学研究规划基金青年项目“民族电影对西部民族地区族群认同意识的强化和文化传承的影响研究”(12YJC760111) 西南民族大学中央高校基本科研业务费青年教师基金项目“文化内涵的可视性呈现——民族原生态电影人类学价值研究”(2014SZYQN131)阶段性成果
【分类号】：J901

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