美国电影中的记者形象1946-1976

发布时间：2019-06-24 19:18

【摘要】：本论文文研究的的主要内容是美国电影中的记者形象。从过往的研究看,国内对于美国电影中记者形象的研究很少,而国外对电影中记者形象的研究则把重心放在了对这些形象的分类上。而本论文有别于传统将这些记者形象作简单分类的研究方式,在总结归纳一定时期内记者形象共同特征的基础上,探析这些形象生成以及变化的原因,并力图透过这种可见的变化解读它与政治、文化等各种权利机制之间错综复杂的关系。 “历史流变”是本论文研究的主要路径,论文以历史为线,重点研究了1946-1976年出现的新闻业电影。本论文分4章,在每个章节内,用文本分析的方法,分别对不同时代的代表性电影作细致地探讨,总结出影片中记者形象的一些规律性特征。好莱坞电影中的记者形象在默片时代至30年代末的这段时间已经形成,而在本文研究的这段时间内,一共大约出现了700部描述新闻界或记者的电影。在40年代和50年代,绝大部分电影中的记者形象和30年代末相比并未发生明显改变,即富有魅力的英雄主义形象,但是也有一些电影完全颠覆了传统的记者形象,它们将记者表现为玩世不恭和道德低下的特征。在本文研究的这段时间,美国社会的剧烈变动以及新兴媒体的出现显然改变了观众自身对于电影中记者形象的期待,社会历史因素和技术因素共同发挥着重要的作用,到了60年代末和70年代初,由于电视的普及和电视记者的出现,传统的记者形象已经不能适用于全新媒体世界了。另外,本文专设一章对《冷酷媒体》(1969)使用了“深描”的理论,将其和60年代美国社会的两个方面起来,即：电影现实主义文化和电视新闻文化。
[Abstract]:The main content of this paper is the image of journalists in American films. From the past research, the domestic research on the image of journalists in American films is very few, while the foreign research on the image of journalists in films focuses on the classification of these images. However, this paper is different from the traditional research method of simple classification of these reporter images. On the basis of summing up the common characteristics of reporter images in a certain period of time, this paper analyzes the causes of the formation and change of these images, and tries to interpret the complex relationship between them and various rights mechanisms such as politics, culture and so on through this visible change. Historical change is the main path of this paper. Based on history, this paper focuses on the journalism films that appeared from 1946 to 1976. This paper is divided into four chapters, in each chapter, with the method of text analysis, the representative films of different times are discussed in detail, and some regular characteristics of the reporter image in the film are summarized. The image of journalists in Hollywood films was formed between the silent film era and the late 1930s, and during the period studied in this paper, there were about 700 films describing the press or journalists. In the 1940s and 1950s, the image of journalists in most films did not change significantly compared with the late 1930s, that is, charismatic heroism, but some films completely subverted the traditional image of journalists, which characterized journalists as cynical and morally low. During the period studied in this paper, the dramatic changes in American society and the emergence of emerging media have obviously changed the audience's expectations for the image of journalists in the film. Social and historical factors and technical factors play an important role together. By the late 1960s and early 1970s, due to the popularity of television and the emergence of television journalists, the traditional reporter image can no longer be applied to the new media world. In addition, this paper sets up a chapter to use the theory of "deep description" for Cold Media (1969), which is compared with two aspects of American society in the 1960s, namely, film realism culture and TV news culture.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G214.2;J905

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