影视动画中的节奏与心理研究
发布时间：2019-06-26 08:22
【摘要】：节奏是自然界和生活中的一种固有规律，万事万物，无论有生命或无生命的个体，只要有运动，就都存在节奏。在艺术领域，节奏是指同一视觉或听觉要素的变化和重复产生的运动感。由于制作方式的限制，动画比起电影来更需要节奏。动画是一种从诞生之日起，就有了强烈的节奏控制的艺术形式。作为影视艺术生命力的最重要表达方式，忽视节奏，，就等于忽视了影视艺术的命脉。 而影视真正的艺术性是建立在广泛认可的基础之上的。观众作为影视艺术传播过程的接受终端，是影片节奏结构的最终体验者和检验者，只有通过观众的认可，影视艺术的价值才得以实现。所以研究影视艺术，就必须了解观众的心理需求，要了解观众的需求，就需要研究其心理活动。所以，本论文试图通过观众心理学论述观众心理与节奏的关系，研究如何运用节奏能更好的的吸引观众注意力的问题。 论文的第一章为研究现状、背景及意义。第二章主要论述节奏的概念、产生和作用。第三章选取了内部节奏中较为重要的影片剧情节奏、视觉节奏、镜头组接节奏、听觉节奏逐个分小节进行论述，并分别辅以优秀影片作为例证。由于本文侧重点在于节奏与心理的关系，因此将角色情绪节奏专列一节，论述角色情绪和角色性格对影片节奏的影响。第四章主要从节奏的心理学功能，论述了节奏的心理学研究意义和节奏与观众心理的关系。第五章分别以之前讲到过的剧情节奏、视觉节奏、听觉节奏和镜头组接节奏论述了不同类别的节奏对观众心理的影响。
[Abstract]:Rhythm is an inherent law in nature and life. Everything, whether living or inanimate, exists rhythm as long as there is movement. In the field of art, rhythm refers to the change and repetition of the same visual or auditory elements. Because of the limitations of the way it is made, animation needs rhythm more than movies. Animation is an art form with strong rhythm control from the date of its birth. As the most important expression of the vitality of film and television art, neglecting rhythm is tantamount to neglecting the lifeline of film and television art. The true artistry of film and television is based on widespread recognition. As the receiving terminal of the spread process of film and television art, the audience is the final experiencer and tester of the rhythm structure of the film. Only through the recognition of the audience can the value of film and television art be realized. Therefore, to study film and television art, we must understand the psychological needs of the audience, in order to understand the needs of the audience, we need to study its psychological activities. Therefore, this paper attempts to discuss the relationship between audience psychology and rhythm through audience psychology, and to study how to use rhythm to better attract audience attention. The first chapter is the research status, background and significance. The second chapter mainly discusses the concept, emergence and function of rhythm. The third chapter selects the important film plot rhythm, visual rhythm, lens group rhythm and auditory rhythm, which are more important in the internal rhythm, and takes the excellent film as an example. Because this paper focuses on the relationship between rhythm and psychology, this paper discusses the influence of role emotion and character on the rhythm of the film. The fourth chapter mainly discusses the psychological research significance of rhythm and the relationship between rhythm and audience psychology from the psychological function of rhythm. The fifth chapter discusses the influence of different types of rhythm on audience psychology with the rhythm of plot, visual rhythm, auditory rhythm and lens group rhythm mentioned before.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2506053
[Abstract]:Rhythm is an inherent law in nature and life. Everything, whether living or inanimate, exists rhythm as long as there is movement. In the field of art, rhythm refers to the change and repetition of the same visual or auditory elements. Because of the limitations of the way it is made, animation needs rhythm more than movies. Animation is an art form with strong rhythm control from the date of its birth. As the most important expression of the vitality of film and television art, neglecting rhythm is tantamount to neglecting the lifeline of film and television art. The true artistry of film and television is based on widespread recognition. As the receiving terminal of the spread process of film and television art, the audience is the final experiencer and tester of the rhythm structure of the film. Only through the recognition of the audience can the value of film and television art be realized. Therefore, to study film and television art, we must understand the psychological needs of the audience, in order to understand the needs of the audience, we need to study its psychological activities. Therefore, this paper attempts to discuss the relationship between audience psychology and rhythm through audience psychology, and to study how to use rhythm to better attract audience attention. The first chapter is the research status, background and significance. The second chapter mainly discusses the concept, emergence and function of rhythm. The third chapter selects the important film plot rhythm, visual rhythm, lens group rhythm and auditory rhythm, which are more important in the internal rhythm, and takes the excellent film as an example. Because this paper focuses on the relationship between rhythm and psychology, this paper discusses the influence of role emotion and character on the rhythm of the film. The fourth chapter mainly discusses the psychological research significance of rhythm and the relationship between rhythm and audience psychology from the psychological function of rhythm. The fifth chapter discusses the influence of different types of rhythm on audience psychology with the rhythm of plot, visual rhythm, auditory rhythm and lens group rhythm mentioned before.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2506053
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