现代主义风格电影《孤鸟》导演阐述
发布时间：2019-07-01 12:54
【摘要】：《孤鸟》是一部带有意识流风格,采用套式结构,多时空交错的现代主义色彩影片。主要讲述了在话剧饰演外出打工妹的舞蹈演员叶萌萌两天内的心路历程和见义勇为的现实遭际,见出亲情、友情、爱情是艺术创作的源动力及爱让生命完整的思考。本文从导演角度出发,在绪论中简要分析说明电影创作思想的提出以及主要创作内容(包括目标、创作方法和现实意义)。第二部分对电影的具体创作进行阐述,包括本片在主题、风格、结构、形式、剧本、人物等方面的构思与表达,落实到镜头设计、中期拍摄和后期剪辑,详细阐述导演的工作内容。最后,从上述实践中总结现代主义风格电影的创作启示。
[Abstract]:Lone Bird is a modernist color film with stream of consciousness style, set structure and multi-space-time crisscross. This paper mainly describes the psychological course of Ye Mengmeng, a dancer who plays the female worker in the play in the past two days, and the reality of bravely doing the right thing. He sees that family love, friendship and love are the source motive force of artistic creation and the thought that love makes life complete. From the point of view of director, this paper briefly analyzes and explains the idea of film creation and the main creative contents (including objectives, creative methods and practical significance) in the introduction. The second part expounds the specific creation of the film, including the conception and expression of the film in the aspects of theme, style, structure, form, script, characters and so on, which is implemented into lens design, medium shooting and later editing, and expounds the work content of the director in detail. Finally, from the above practice, this paper summarizes the creative enlightenment of modernist style films.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
本文编号：2508491
[Abstract]:Lone Bird is a modernist color film with stream of consciousness style, set structure and multi-space-time crisscross. This paper mainly describes the psychological course of Ye Mengmeng, a dancer who plays the female worker in the play in the past two days, and the reality of bravely doing the right thing. He sees that family love, friendship and love are the source motive force of artistic creation and the thought that love makes life complete. From the point of view of director, this paper briefly analyzes and explains the idea of film creation and the main creative contents (including objectives, creative methods and practical significance) in the introduction. The second part expounds the specific creation of the film, including the conception and expression of the film in the aspects of theme, style, structure, form, script, characters and so on, which is implemented into lens design, medium shooting and later editing, and expounds the work content of the director in detail. Finally, from the above practice, this paper summarizes the creative enlightenment of modernist style films.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905
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